Mike D'Angelo Movie Reviews & Previews - Rotten Tomatoes

Mike D'Angelo

Mike D'Angelo
Mike D'Angelo's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Village Voice, AV Club, Time Out, The Dissolve

Movie Reviews Only

Rating T-Meter Title | Year Review
47% Madame Hyde (2017) Bozon...seems perversely committed to frustrating not just conventional audience expectations but also any hope whatsoever that one might have for narrative and/or thematic coherence.‐ AV Club
Read More | Posted Apr 24, 2018
C+ 83% Ghost Stories (2018) Ghost Stories works best as an exercise in nostalgia. Those seeking hardcore, modern-day scares will be disappointed.‐ AV Club
Read More | Posted Apr 17, 2018
B+ 67% This Is Our Land (Chez nous) (2018) Belvaux has made a gutsy, discomfiting movie about going along to get along, and just how dangerous that impulse can ultimately be.‐ AV Club
Read More | Posted Apr 17, 2018
B+ 96% The Rider (2018) Achieves a nearly perfect balance between what's engineered and what's observed, allowing everyone on screen to embody their own messy lives while keeping them corralled to a compelling and tightly structured (if somewhat familiar) narrative.‐ AV Club
Read More | Posted Apr 10, 2018
B 79% Where Is Kyra? (2018) It ultimately doesn't have much to say apart from the basic observation that life is very, very hard for people with zero resources. But it depicts that punishing world with singular artistry.‐ AV Club
Read More | Posted Apr 3, 2018
B 94% Outside In (2018) Shelton's forte remains live-wire, semi-improvised comedies involving competitive neurotics, at which she's better than just about anybody else currently working.‐ AV Club
Read More | Posted Mar 27, 2018
C 42% Paul, Apostle of Christ (2018) It's as if Scorsese had devoted an entire feature to Jake LaMotta as a fat dude working on his comedy routine, with the occasional fleeting flashback to the ring.‐ AV Club
Read More | Posted Mar 21, 2018
C+ 85% The Workshop (L'atelier) (2018) Cantet remains a gifted filmmaker ... but this isn't the return to form that his fans have awaited over the past decade.‐ AV Club
Read More | Posted Mar 20, 2018
B 92% Journey's End (2018) Is there any artistically compelling reason for the existence of the latest adaptation... Not really, but it's a good play, once again providing juicy roles to fresh and established talent. That'll suffice.‐ AV Club
Read More | Posted Mar 13, 2018
C- 20% The Outsider (2018) Beat for beat, one of the most tediously generic yakuza stories imaginable.‐ AV Club
Read More | Posted Mar 8, 2018
B+ 88% Claire's Camera (La caméra de Claire) (2018) A thoroughly engaging divertissement.‐ AV Club
Read More | Posted Mar 7, 2018
B 89% Werewolf (2018) Werewolf unmistakably announces McKenzie as a potentially significant new voice, gifted enough to make well-trod ground seem newly landscaped.‐ AV Club
Read More | Posted Feb 27, 2018
C 70% The Ritual (2017) Attempts to put a twist on the Blair Witch formula but demonstrates surprisingly little imagination.‐ AV Club
Read More | Posted Feb 7, 2018
B+ 95% 24 Frames (2018) Kiarostami remained a tireless innovator right up to the end, and it's fitting that he leaves us with a work so singular as to be almost unclassifiable.‐ AV Club
Read More | Posted Jan 30, 2018
C 58% Please Stand By (2018) It's hard to be persuasive ... when your protagonist comes across as a collection of quirky tics rather than a credible human being.‐ AV Club
Read More | Posted Jan 23, 2018
B 85% Mary and The Witch's Flower (2018) A gently refreshing change from the hectic plasticity that now dominates Hollywood computer animation, and even from most other anime.‐ AV Club
Read More | Posted Jan 17, 2018
B 83% Lover For A Day (L'amant d'un jour) (2018) Lover For A Day explores its almost high-concept narrative via Garrel's usual dreamy, glancing style.‐ AV Club
Read More | Posted Jan 9, 2018
B- 98% In Between (2018) In Between suffers when cross-cutting among its three similar yet disparate storylines, and is strongest during moments that see righteous anger get complicated by human nature.‐ AV Club
Read More | Posted Jan 4, 2018
C+ 74% In the Fade (Aus dem Nichts) (2017) The film's third act plays like a nihilistic Liam Neeson thriller, with Kruger struggling in vain to make Katja's actions remotely believable.‐ AV Club
Read More | Posted Dec 20, 2017
B 82% Molly's Game (2018) As a director, Sorkin mostly (and wisely) stays out of the way of his screenplay, composing shots with an eye toward how they'll likely be shaped in the editing room, based primarily on verbal rhythms.‐ AV Club
Read More | Posted Dec 17, 2017
75% The Daughter (2017) ... The Daughter, while sticking close in broad outline to Ibsen's 1884 masterpiece, moves with a fluid grace that's wholly cinematic... ‐ AV Club
Read More | Posted Dec 14, 2017
75% The Challenge (2017) ... features some of the most stunning falcon-cam shots ever captured.‐ AV Club
Read More | Posted Dec 14, 2017
B 93% Loveless (Nelyubov) (2018) Family meltdown as allegory for national crisis.‐ AV Club
Read More | Posted Nov 30, 2017
B 97% Jim & Andy: The Great Beyond - Featuring a Very Special, Contractually Obligated Mention of Tony Clifton (2017) There's something bracing about the difficulty of reconciling this earnest middle-aged hippie with his maniacally impish younger self.‐ AV Club
Read More | Posted Nov 15, 2017
B 94% On the Beach at Night Alone (Bamui haebyun-eoseo honja) (2017) It's a raw, open wound of a movie, in its hunkered-down way, and Hong doesn't always seem to be wholly comfortable handling emotions that aren't strictly mediated by social niceties.‐ AV Club
Read More | Posted Nov 14, 2017
B- 88% Novitiate (2017) Betts appears to have started out with a rather mundane idea and then stumbled, over the course of her research, onto something much more fruitful. The result is as intriguing and frustrating as that suggests.‐ AV Club
Read More | Posted Oct 26, 2017
B+ 97% Félicité (2017) The film's tonal range is formidable enough to suggest that this director may be a major talent who's now emerging from relative obscurity.‐ AV Club
Read More | Posted Oct 24, 2017
D+ 12% Geostorm (2017) For most people, 15 minutes worth of impressive annihilation won't be worth enduring an hour and a half of dramatic monotony.‐ AV Club
Read More | Posted Oct 20, 2017
98% Jane (2017) A scripted biopic may still happen someday, but Jane's candid portrait of her Gombe years arguably makes such a project redundant.‐ AV Club
Read More | Posted Oct 18, 2017
C+ 89% 78/52: Hitchcock's Shower Scene (2017) It ... seems overly breezy and insufficiently detailed, just skimming the surface.‐ AV Club
Read More | Posted Oct 10, 2017
A- 92% Brawl in Cell Block 99 (2017) Every scene has verve and wit and a clear purpose, getting Bradley closer to his destination and destiny-it's just a more roundabout path than this sort of movie usually takes.‐ AV Club
Read More | Posted Oct 3, 2017
D+ 5% Flatliners (2017) Flatliners 2017 is the same dumb movie as Flatliners 1990, minus most of the surface charisma.‐ AV Club
Read More | Posted Sep 29, 2017
B+ 98% Lucky (2017) Lucky serves as a first-rate showcase for its star as well as an ideal swan song. The man couldn't have gone out any better.‐ AV Club
Read More | Posted Sep 26, 2017
C 35% Mark Felt: The Man Who Brought Down the White House (2017) Unfortunately, Felt's actions, while historically important, don't exactly make for riveting drama, especially compared to a classic about two dogged reporters.‐ AV Club
Read More | Posted Sep 26, 2017
B- 92% The Force (2017) To his credit, director Peter Nicks accepts the dispiriting trajectory that this initially hopeful film ultimately takes-there's no dissembling here.‐ AV Club
Read More | Posted Sep 20, 2017
B 100% Strong Island (2017) What's valuable here, in addition to Ford's visual mastery, is the wealth of context that he provides.‐ AV Club
Read More | Posted Sep 13, 2017
B- 82% Brad's Status (2017) White altogether avoids the sourness that marred his directorial debut, 2007's Year Of The Dog, and he's made a real find in Abrams, who counters Stiller's raw neediness with hilarious disaffection.‐ AV Club
Read More | Posted Sep 13, 2017
B- 98% Trophy (2017) What's abundantly clear is that every other species on Earth is at our mercy, and that there are no easy answers when it comes to determining the most compassionate form of our so-called dominion.‐ AV Club
Read More | Posted Sep 7, 2017
D+ 29% Rebel in the Rye (2017) There's a special cruelty ... in consigning Salinger-an author whose most famous character incessantly rails against phoniness-to the superficial cliché factory that is Rebel In The Rye.‐ AV Club
Read More | Posted Sep 6, 2017
C+ 26% Unlocked (2017) The movie becomes a relentless series of fake-outs and reversals, as if half a season of 24 had been compressed into under two hours.‐ AV Club
Read More | Posted Aug 31, 2017
C 44% Bushwick (2017) Nobody involved in this project seems to have considered the absurdity of another U.S. civil war taking citizens completely by surprise, as if such an extreme national rupture could occur with zero preamble.‐ AV Club
Read More | Posted Aug 23, 2017
B 88% The Wound (Inxeba) (2017) [Touré's] superb, deeply internalized performance manages to suggest wellsprings of longing concealed by a scrim of perpetual wariness.‐ AV Club
Read More | Posted Aug 15, 2017
C- 0% Naked (2017) Let's place the blame where it squarely belongs: on the moronic premise. Groundhog Day but he's naked? Why?‐ AV Club
Read More | Posted Aug 10, 2017
C 14% Planetarium (2017) Numerous potentially interesting ideas orbit one another in Planetarium, but none boasts sufficient gravity to merit a landing, it seems.‐ AV Club
Read More | Posted Aug 10, 2017
B+ 88% 4 Days in France (Jours de France) (2017) What makes 4 Days In France special, though, is that it's far more expansive than its basic premise would suggest.‐ AV Club
Read More | Posted Aug 2, 2017
B+ 92% Kékszakállú (2017) Kékszakállú works best as pure cinema, mostly divorced from narrative; some of its most memorable moments don't even really contribute to the vague theme that gradually emerges.‐ AV Club
Read More | Posted Jul 19, 2017
C+ 74% Amnesia (2017) [The] script ... saddles the cast with blunt dialogue, laying out ideas at the expense of credibly evasive and self-protective human behavior (to say nothing of realistic conversational rhythms).‐ AV Club
Read More | Posted Jul 19, 2017
B 100% Chasing Coral (2017) Chasing Coral has a cogent, timely argument to make-and, crucially, it's an argument that demands visual presentation.‐ AV Club
Read More | Posted Jul 12, 2017
B 96% The B-Side: Elsa Dorfman's Portrait Photography (2017) Even at only 76 minutes, The B-Side feels a tad overextended-but it's a pleasure to see a warm, creative, and not even remotely evasive individual in front of [Morris'] signature Interrotron camera for a change.‐ AV Club
Read More | Posted Jun 28, 2017
B 100% In Transit (2015) A vivid cross-section of regular folks who all happen to be aboard the Empire Builder, an Amtrak train that makes a three-day journey between Chicago and the Pacific Northwest.‐ AV Club
Read More | Posted Jun 22, 2017