Nathaniel Rogers Movie Reviews & Previews - Rotten Tomatoes

Nathaniel Rogers

Nathaniel Rogers
Tomatometer-approved critic

Movie Reviews Only

Rating T-Meter Title | Year Review
B- 67% Ocean's 8 (2018) Everyone hit their marks but the filmmaking never escaped its workmanlike competence to find any inspiration. Still, honestly, I'd watch it again just for Hathaway, and Bullock & Blanchett's decidedly sapphic chemistry. ‐ Film Experience
Read More | Posted Aug 17, 2018
B 88% Ant-Man and the Wasp (2018) You can feel the strain, a bit, for laughs in the first 15 minutes but once you settle into the movie's goofy warmth, and relatively chill vibe (well, as chill as superhero movies get that is), it's quite a fun adventure. ‐ Film Experience
Read More | Posted Aug 17, 2018
B 93% Incredibles 2 (2018) It was lovely to spend more time with these characters and a great moviegoing experience, too, while it lasted. And yet... forgettable? ‐ Film Experience
Read More | Posted Aug 17, 2018
A 98% Eighth Grade (2018) Such is the miracle of this movie that I felt pangs of recognition all throughout it even though I am basically the dad's age and not the daughter's, and also not a parent. ‐ Film Experience
Read More | Posted Aug 17, 2018
B- 39% Mary Shelley (2018) But enough complaining. The traditional approach has its merits. The settings, costumes, and lighting are expressive and the cast is lovely.‐ Film Experience
Read More | Posted Jun 7, 2018
C+ 80% Unsane (2018) Once it becomes a more standard thriller, its sickening jolts have a queasily programmatic aftertaste.‐ Film Experience
Read More | Posted Apr 13, 2018
C- 43% Pacific Rim Uprising (2018) Hours after seeing it I'd completely forgotten it. ‐ Film Experience
Read More | Posted Apr 13, 2018
B 92% Love, Simon (2018) The mainstream rom-com genre is vanilla to the core. Love Simon isn't interested in changing the formula, it's just throwing rainbow sprinkles on top. ‐ Film Experience
Read More | Posted Apr 13, 2018
C- 95% Zama (2018) As it turns out intriguing images, amazing sound design, and formal control are not enough. Especially if your movie is plotty. ‐ Film Experience
Read More | Posted Jan 3, 2018
C- 8% Euphoria (2017) The story moves from curiously intimate and mysterious but extremely repetitive to utterly unrelatable with its focus on über wealthy people -- a focus that hardly seems necessary given the themes.‐ Film Experience
Read More | Posted Jan 3, 2018
B+ 85% Beach Rats (2017) Beach Rats isn't a comfortable watch but always a compelling one.‐ Film Experience
Read More | Posted Nov 22, 2017
B+ 90% Girls Trip (2017) Girls Trip isn't a perfect movie - it's kind of sloppily made in spots and, like most comedies lately, 20 minutes too long but it's hard to care about flaws when a movie is this much fun and the friendships this engagingly portrayed.‐ Film Experience
Read More | Posted Nov 22, 2017
B+ 77% Atomic Blonde (2017) Charlize Theron absolutely slays the role.‐ Film Experience
Read More | Posted Nov 22, 2017
B+ 92% The Shape of Water (2017) Whatever small reservations, this is a rare magical experience aimed at adults and looks and sounds delicious.‐ Film Experience
Read More | Posted Nov 17, 2017
B 93% The Wife (2018) [Glenn] Close's opacity as an actress, the unknowability of that glacial face, has often been disguised by her sheer volume and ferocity in so many gorgon roles. Here in Joan's quieter less sinister register, she's spectacular.‐ Film Experience
Read More | Posted Oct 13, 2017
B- 29% Racer and the Jailbird (Le Fidèle) (2018) With its full emphatic score, mainstream genre fusion (tragic romance / crime drama), and enraptured gazing at movie stars, The Racer and the Jailbird is clearly going for Movie-Movie scale‐ Film Experience
Read More | Posted Oct 13, 2017
A- 91% On Body and Soul (A Teströl és Lélekröl) (2018) Both lead actors Géza Morcsányi and Alexandra Borbély are resourceful despite inarticulate characters. Before you've realized it, you're deeply invested in their sadness and a potential happy ending.‐ Film Experience
Read More | Posted Oct 13, 2017
C 89% I, Tonya (2018) Watch Tonya be a terrible person and then blame YOU, yes, you, direct to camera for judging her all those years ago and thinking she was a terrible person. ‐ Film Experience
Read More | Posted Oct 13, 2017
D- 11% Kings (2018) The most shameful mistake is the bizarre choice to cross-cut back and forth between a violent teenage tragedy and a slapstick comedy scene involving two movie stars MacGyvering their way out of police handcuffs in their underwear. ‐ Film Experience
Read More | Posted Oct 13, 2017
A- 95% Western (2018) The ensemble and milieu allow for some wonderfully organic tensions and commentary around masculinity and wanderlust. ‐ Film Experience
Read More | Posted Oct 13, 2017
A- 100% The Seen and Unseen (2017) [Kamila] Andini's mysterious movie is ineffably sad but spiritually energizing.‐ Film Experience
Read More | Posted Oct 13, 2017
B+ 100% Mademoiselle Paradis (2017) At 97 minutes the movie is a brisk eccentric historical curio (based on a true story!). But oh how it lingers.‐ Film Experience
Read More | Posted Oct 13, 2017
B+ 94% The Breadwinner (2017) Finally this desert fable is another necessary reminder that animation is a medium rather than a genre. It's capable of generating myriad kinds of wonder and has the ability to tell any kind of story. ‐ Film Experience
Read More | Posted Oct 13, 2017
B+ 85% Darkest Hour (2017) Gary Oldman has already locked up the Best Actor statue.‐ Film Experience
Read More | Posted Sep 14, 2017
50% Downsizing (2017) It's so singular that you shouldn't miss it.‐ Film Experience
Read More | Posted Sep 14, 2017
B 53% The Boss Baby (2017) Even at its bumpiest the movie's brisk pacing and surprising slapstick gags make this a good time at the movies.‐ Film Experience
Read More | Posted Sep 1, 2017
B 98% The Big Sick (2017) There's nothing quite like The Big Sick out there, and particularly in these times, there's nothing like a gentle reminder that even across vast differences in cultural values and beliefs, love can conquer all.‐ Film Experience
Read More | Posted Sep 1, 2017
D 18% Baywatch (2017) Baywatch's smug smirk of a reaction to its own sloppiness makes it even more infuriating.‐ Film Experience
Read More | Posted Sep 1, 2017
C 93% Baby Driver (2017) For a film that desperately throws everything on that screen, it leaves you wanting quite a bit more.‐ Film Experience
Read More | Posted Sep 1, 2017
B- 66% Alien: Covenant (2017) Though Covenant lacks any action scene to rival that thrilling and sick abortion sequence in Prometheus, it's still damn scary a couple of times‐ Film Experience
Read More | Posted Sep 1, 2017
C+ No Score Yet Happiness Academy (Bonheur académie) (2017) Though combining documentary and fiction is a perfectly reasonable approach to this sort of topic -- in fact, in concept I was totally there for it -- the overall feeling Happiness Academy prompted in me was the desire to shout 'just pick one!'‐ Film Experience
Read More | Posted Aug 31, 2017
B 61% The Zookeeper's Wife (2017) The animal backdrop brings first an unexpected softness and then an alien undertow to an otherwise familiar but ever harrowing story.‐ Film Experience
Read More | Posted Aug 31, 2017
C 36% Snatched (2017) Snatched will abandon you as carelessly as it does Linda's cats, and as lost as Emily in the jungle.‐ Film Experience
Read More | Posted Aug 31, 2017
B+ 100% The Future Perfect (El futuro perfecto) (2016) A must-see if you're at all fascinated with globalism and how the world is shrinking.‐ Film Experience
Read More | Posted Aug 31, 2017
B- 97% Menashe (2017) Though Menashe is modest in both presentation and power (it's essentially a character study with a very tight narrative arc, 'one week in the life of') it's sympathetically told and occasionally funny and enraging.‐ Film Experience
Read More | Posted Aug 31, 2017
B 83% Blame (2018) If this confident movie is unsure of anything it's how much of the cleaning to do before the credits and how much to leave for the audience.‐ Film Experience
Read More | Posted Aug 31, 2017
B- 88% Abundant Acreage Available (2017) The movie is as tentative as the characters here which leads to two superbly performed beats in [Amy] Ryan's performance.‐ Film Experience
Read More | Posted Aug 31, 2017
C- 57% Sexy Durga (2017) You need more than a pervasive sense of dread and occasional jolts of visual panache to make a great film. A screenplay would be a very fine place to start. ‐ Film Experience
Read More | Posted Aug 31, 2017
B 78% Sweet Virginia (2017) Sophomore director Jamie M Dagg is surely a talent to watch.‐ Film Experience
Read More | Posted Aug 31, 2017
B+ 84% The Walk (2015) Zemeckis's joy at staging the event is infectious and he takes the 3D IMAX cameras out there in mid air to show you the historic walk in all its dizzying, windy, high-altitude, and bloody footed insanity.‐ Film Experience
Read More | Posted Apr 18, 2017
C+ 67% Life (2017) It's handsomely mounted but not satisfying enough to stick.‐ Film Experience
Read More | Posted Apr 14, 2017
B 93% Logan (2017) Logan is not just the latest but the greatest Wolverine movie.‐ Film Experience
Read More | Posted Apr 14, 2017
C- 70% Beauty and the Beast (2017) If Disney keeps cannibalizing itself, reenacting their animated hits like they're nothing more than karaoke videos, the Mouse House will eventually become its own cursed forgotten kingdom.‐ Film Experience
Read More | Posted Apr 14, 2017
B 95% Paris 05:59: Théo & Hugo (Théo et Hugo dans le même bateau) (2017) An unexpectedly moving and even sweet movie about budding relationships, personal responsibility, and frank honesty.‐ Film Experience
Read More | Posted Mar 17, 2017
B 73% Death in Sarajevo (2016) We know that all the separate stories with their personal dramas and opposing agendas we'll eventually collide (that's what happens in this subgenre of drama) but it's still fascinating to watch them braid together and Tanovic does this artfully.‐ Film Experience
Read More | Posted Mar 1, 2017
C+ No Score Yet A Decent Woman (2016) The snail-paced first two thirds doesn't speak all that coherently to the cartoonish final act.‐ Film Experience
Read More | Posted Jan 13, 2017
C 72% Catfight (2017) All three of its title-inspiring scenes, for example, extend way past their comic welcome and feel like pure sadism by the unsatisfying end.‐ Film Experience
Read More | Posted Jan 13, 2017
C- 42% The Bad Batch (2017) In short, I did not like it though I'll still line up for Armipour's third feature.‐ Film Experience
Read More | Posted Jan 13, 2017
B 95% Manchester by the Sea (2016) A solid drama about grieving men and private hells.‐ Film Experience
Read More | Posted Jan 2, 2017
B+ 96% The Salesman (Forushande) (2017) It's almost too tense to bear but Farhadi is a gifted storyteller, particularly with beginnings and endings. ‐ Film Experience
Read More | Posted Jan 2, 2017