Neil Young Movie Reviews & Previews - Rotten Tomatoes

Neil Young

Neil Young
Neil Young's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Hollywood Reporter, indieWire, Sight and Sound

Movie Reviews Only

Rating T-Meter Title | Year Review
No Score Yet The Man From Earth: Holocene (2017) This fitfully engaging affair only really passes muster as a potential pilot for small-screen continuations.‐ Hollywood Reporter
Read More | Posted Oct 13, 2017
No Score Yet Apostasy (2017) Blood proves thicker than (holy) water in writer-director Daniel Kokotajlo's debut Apostasy, one of the year's strongest British films.‐ Hollywood Reporter
Read More | Posted Oct 9, 2017
No Score Yet To the Desert (Al Desierto) (2017) Questions of gender underpin Rosell's lean, smart and surprising screenplay in this Chilean co-production, which confirms his status as one of Latin America's most quietly distinctive cinematic voices.‐ Hollywood Reporter
Read More | Posted Oct 5, 2017
No Score Yet Hunting Season (Temporada de Caza) (2017) New wine in old bottles, then, but the steely taste is nevertheless undeniably potent.‐ Hollywood Reporter
Read More | Posted Oct 5, 2017
No Score Yet Wonders of the Sea 3D (2017) A feast for the eyes but something of a trial for the ears, the film is simultaneously cutting edge in its technology and thuddingly old-fashioned in its gee-whiz tone.‐ Hollywood Reporter
Read More | Posted Oct 4, 2017
No Score Yet The Sower (Le semeur) (2017) A finely etched miniature of quietly cumulative emotional impact.‐ Hollywood Reporter
Read More | Posted Oct 3, 2017
58% Paradise (Ray) (2017) ... strong performances and outstanding cinematography aren't enough to rescue an unfocused and episodic screenplay, which will leave many stranded in a purgatorial cinematic-halfway house between bliss and despair.‐ Hollywood Reporter
Read More | Posted Oct 2, 2017
No Score Yet Memoir of Pain (La douleur) (2017) Melanie Thierry leaps towards the front echelons of current French actresses with her riveting turn as Marguerite Duras in Emmanuel Finkiel's slow-burning Memoir of Pain (La Douleur).‐ Hollywood Reporter
Read More | Posted Sep 26, 2017
93% Rat Film (2017) It takes a certain kind of nerve for a director to entitle his debut feature-length work Rat Film, but there's much more to Theo Anthony's richly informative essay on the planet's most-maligned critters than its bluntly confrontational moniker.‐ Hollywood Reporter
Read More | Posted Sep 25, 2017
No Score Yet Hannah (2017) Pallaoro plays the slow-cinema game with slick, calculating skill, but now flashes of serious substance can be glimpsed beneath the exquisitely steely style.‐ Sight and Sound
Read More | Posted Sep 25, 2017
No Score Yet Mektoub, My Love: Canto Uno (2017) An unruly, polymorphously perverse river of sensations, plunging the willing viewer into a roiling mass of pungent evocations.‐ Sight and Sound
Read More | Posted Sep 25, 2017
No Score Yet Getting Naked (2017) While Gal Friday, Hazel Honeysuckle and the Schlep Sisters are unfailingly lively, articulate and sympathetic company, proceedings take on a repetitive, even monotonous air after a while.‐ Hollywood Reporter
Read More | Posted Sep 18, 2017
No Score Yet The Testament (2017) Greenberg, whose previous output has primarily been for television, develops potentially fascinating storylines and characters in frustratingly two dimensional fashion.‐ Hollywood Reporter
Read More | Posted Sep 18, 2017
No Score Yet M (2017) Gets an F.‐ Hollywood Reporter
Read More | Posted Sep 18, 2017
95% Brawl in Cell Block 99 (2017) Zahler borrows knowingly and liberally from key cinematic forebears, but with a dark humour and bloodthirsty chutzpah all of his own.‐ Sight and Sound
Read More | Posted Sep 12, 2017
95% Ex Libris: New York Public Library (2017) The huge canvas becomes an inadvertent self-portrait of this most self-effacing of auteurs, whom one senses entirely shares the NYPL's noble aims and belief in the power of education, community and hard work.‐ Sight and Sound
Read More | Posted Sep 12, 2017
No Score Yet Above the Law (Tueurs) (2017) This French co-production has a streak of convincing authenticity in its smaller details, likely traceable to the criminal pedigree of its ex-jailbird co-director/co-writer Francois Troukens.‐ Hollywood Reporter
Read More | Posted Sep 7, 2017
No Score Yet The Dead Nation (2017) Dealing in an intelligent and original manner with antisemitism and nationalistic propaganda in the context of "ordinary" folks' lives, it deserves wide exposure at documentary-oriented festivals and far beyond.‐ Hollywood Reporter
Read More | Posted Aug 9, 2017
100% Good Manners (As Boas Maneiras) (2017) A hybrid of art-house and genre cinema, combining sharp social commentary with grand guignol fantasy.‐ Hollywood Reporter
Read More | Posted Aug 9, 2017
No Score Yet Tomorrow and Thereafter (Demain et tous les autres jours) (2017) Rodriguez ... is simply irresistible here in her first screen role, shouldering the bulk of the dialogue (co-written by Florence Seyvos) and navigating a wide range of emotions without ever striking a false or artificial beat.‐ Hollywood Reporter
Read More | Posted Aug 8, 2017
92% Let the Corpses Tan (Laissez bronzer les cadavres!) (2017) A spectacularly assaultive, borderline incoherent neo-Western that will recruit few new converts but is also guaranteed to leave no spectator indifferent.‐ Hollywood Reporter
Read More | Posted Aug 7, 2017
33% Halal Daddy (2017) A semi-digestible collation of stew and sauerkraut, Irish-German comedy Halal Daddy never quite cuts close enough to the funny bone.‐ Hollywood Reporter
Read More | Posted Jul 12, 2017
No Score Yet That Good Night (2017) Passes muster strictly as a showcase for Hurt and Dance.‐ Hollywood Reporter
Read More | Posted Jul 12, 2017
83% Santoalla (2017) A quietly absorbing true-crime tale.‐ Hollywood Reporter
Read More | Posted Jul 5, 2017
51% England Is Mine (2017) Struggles to evoke the atmosphere of its setting - Manchester, 1976-1982 - and to bring its tantalizingly enigmatic subject into satisfying focus.‐ Hollywood Reporter
Read More | Posted Jul 3, 2017
100% Nowhere To Hide (2017) Editor Eva Hillstrom pieces together what was presumably a mass of video-diary reportage into a coherent, brisk whole.‐ Hollywood Reporter
Read More | Posted Jun 15, 2017
95% Radio Dreams (2017) Contrasting wavelengths of humor and seriousness come through with impressive clarity in director/co-writer Babak Jalali's sophomore outing Radio Dreams.‐ Hollywood Reporter
Read More | Posted May 17, 2017
92% School Life (2017) Ostensibly documenting a year in the life of Headfort School... the Spanish co-production instead quickly reveals itself as an irresistibly admiring portrait of long-married couple John and Amanda Leyden, both staff members for over 40 years.‐ Hollywood Reporter
Read More | Posted May 12, 2017
100% The Future Perfect (El futuro perfecto) (2016) Wryly amusing, intriguingly stylized.‐ Hollywood Reporter
Read More | Posted May 5, 2017
90% A Woman, A Part (2017) It's chiefly notable for Cara Seymour's nuanced supporting turn as Anna's sometime best friend, Kate.‐ Hollywood Reporter
Read More | Posted Mar 20, 2017
100% In Loco Parentis (2016) Ni Chianain and co-director David Rane make no attempts to reinvent the documentary wheel here, crafting a solid showcase for the charming idiosyncracies of their well-chosen, well-matched protagonists.‐ Hollywood Reporter
Read More | Posted Mar 9, 2017
76% Suntan (2017) As Kostis' neurosis shades into psychosis, the limitations of Papadimitropoulos and Tzoumerkas' increasingly blunt, tonally wayward and two-dimensional screenplay become apparent.‐ Hollywood Reporter
Read More | Posted Mar 6, 2017
100% White Sun (Seto Surya) (2017) The sky-high Himalayas and the aftermath of civil war cast equally dark shadows in White Sun (Seto Surya), an impressively accomplished second feature by Nepalese writer-director Deepak Rauniyar.‐ Hollywood Reporter
Read More | Posted Mar 1, 2017
No Score Yet The Great Game (Le grand jeu) (2017) A sophisticated French melange of The Ghost Writer and House of Cards, The Great Game (Le grand jeu) is a steadily engaging slow-burner that somehow never quite manages to catch fire.‐ Hollywood Reporter
Read More | Posted Feb 8, 2017
No Score Yet Sexy Durga (2017) A nightmarish experience in more ways than one, Sanal Kumar Sasidharan's improvised, nocturnal Indian road movie Sexy Durga forces protagonists and audience alike through a grueling ordeal with questionable rewards.‐ Hollywood Reporter
Read More | Posted Feb 7, 2017
91% Super Dark Times (2017) Strikingly shot, edited and scored, with convincing and vivid performances from a youthful cast, the picture loses its footing in the final stretch but should still take high rank among U.S. debuts of its ilk this year.‐ Hollywood Reporter
Read More | Posted Feb 3, 2017
No Score Yet Thousand Cuts (Le serpent aux mille coupures) (2017) Occasional wobbles of characterization apart, Thousand Cuts generally sustains its mood of steady, brooding swagger.‐ Hollywood Reporter
Read More | Posted Feb 2, 2017
79% T2 Trainspotting (2017) Long-awaited, much-delayed and disappointingly redundant ...‐ Hollywood Reporter
Read More | Posted Jan 19, 2017
75% Stray Bullets (2017) An enjoyably blood-soaked thriller with unexpectedly lyrical interludes -- made very much in the shadow of classic genre forebears and on what was clearly a constrained budget -- this is a strikingly impressive calling-card.‐ Hollywood Reporter
Read More | Posted Jan 6, 2017
88% The Coming War On China (2016) A persuasively partisan example of old-school investigative journalism.‐ Hollywood Reporter
Read More | Posted Dec 19, 2016
100% Miss Kiet's Children (2016) A lovely, upbeat, even life-affirming film.‐ Hollywood Reporter
Read More | Posted Dec 1, 2016
72% The White King (2016) Intriguing but ultimately underwhelming.‐ Hollywood Reporter
Read More | Posted Sep 9, 2016
71% The Tenth Man (El rey del Once) (2016) A wryly amusing peek into Buenos Aires' bustling Jewish quarter.‐ Hollywood Reporter
Read More | Posted Aug 1, 2016
100% Ixcanul (2016) A solid example of low-key, well-observed, humanistically sympathetic ethnography.‐ Hollywood Reporter
Read More | Posted Jul 26, 2016
17% Correspondence (La corrispondenza) (2016) Quite original, highly improbable and curiously cool.‐ Hollywood Reporter
Read More | Posted Jul 26, 2016
88% Garnet's Gold (2016) Sometimes all a documentary needs is one strong, charismatic personality to keep things watchable: Garnet's Gold boasts two in the form of the middle-aged eponymous protagonist and his feisty octogenarian mother.‐ Hollywood Reporter
Read More | Posted Jul 12, 2016
81% Cosmos (2016) This metaphysical French-Portuguese gabfest boasts the uncompromising intensity that has often been Zulawski's hallmark but leavens the stew with welcome streaks of off-kilter humor.‐ Hollywood Reporter
Read More | Posted Jun 15, 2016
70% Len and Company (2016) Primarily a showcase for the spiky charisma of star Rhys Ifans, it's a low-key study of strained family relations that creates and sustains a certain wryly flinty mood up until a disastrous 11th-hour lurch into violent melodrama.‐ Hollywood Reporter
Read More | Posted Jun 8, 2016
80% Fidelio, Alice's Journey (2015) Built four-square around Ariane Labed's engaging turn as eponymous sailor Alice, this feature debut from actress-turned-writer-director Lucie Borleteau strikes a delicate balance between the sensual and the matter-of-fact.‐ Hollywood Reporter
Read More | Posted May 23, 2016
91% The Boy And The Beast (Bakemono No Ko) (2016) A raucously entertaining if slightly overlong romp which borrows liberally from existing sources but has more than enough character and brio to stand foursquare on its own two hairy feet. ‐ Hollywood Reporter
Read More | Posted Feb 29, 2016