Paula Vázquez Prieto

Paula Vázquez Prieto's reviews only count toward the Tomatometer® when published at the following Tomatometer-approved publication(s):
La Nación (Argentina)
Publications:
La Nación (Argentina)
Movie Reviews Only
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13% | The Whistleblower (2019) |
Everything spreads in an obsessive and anticlimactic way, manipulating the characters capriciously, taking away what little dramatic interest it could have achieved. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Aug 12, 2020
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No Score Yet | Cosas De Hombres (2020) |
The humor is confined to an exercise of repeating outdated formulas. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Jun 12, 2020
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100% | Young Hunter (El cazador) (2020) |
An unsettling and disturbing movie... that makes the gaze the key in every ethical reflection. [Full Review in Spanish] - La Nación (Argentina)
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| Posted May 28, 2020
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No Score Yet | Las Furias (2020) |
[Director] Tamae Garateguy explores the limits of a popular genre. [Full Review in Spanish] - La Nación (Argentina)
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| Posted May 14, 2020
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29% | White As Snow (Blanche comme neige) (2019) |
[Isabelle] Huppert does what she knows best... but it's not enough... and she is lost in a movie that is never at the level of her talent. [Full Review in Spanish] - La Nación (Argentina)
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| Posted May 14, 2020
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77% | The Hero (2017) |
With more emotions than the exegetes of Westerns would have preferred, [director Brett] Haley achieves an honest and luminous movie. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Apr 3, 2020
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89% | Dark Waters (2019) |
Haynes gives us a movie of horrors and monsters, a lot more dangerous and presentable than those that live in darkness. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Mar 12, 2020
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62% | The Call of the Wild (2020) |
His encounters with brutal men and fraternal animals always have an air of predictability rather than surprise and danger, as is that journey was protected by the commands of a video game. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Feb 27, 2020
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91% | The Invisible Man (2020) |
The movie clenches the imaginary of the abused woman between the memory of 70s revenge stories, the analog esthetic of 90s thrillers, and a new search, focused on Elizabeth Moss' extraordinary expressions. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Feb 27, 2020
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68% | Bombshell (2019) |
A creative and effective movie that owes much to its extraordinary actresses. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Feb 20, 2020
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64% | Gretel & Hansel (2020) |
Its appeal persists thanks to the strength of the story seen from a female perspective. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Feb 20, 2020
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93% | End of the Century (2019) |
In his debut film, Lucio Castro... explores with notable subtleties the tensions between desire, fears, and the time that never comes back. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Feb 6, 2020
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95% | Little Women (2019) |
Little Women demands viewers to be active participants in the story... And does it with the subtlety of artists who are capable of reinventing a world without betraying it. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Jan 30, 2020
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4% | Mary (2019) |
Director Michael Goi turns this savage cruise that promised to be more interesting into a boring excursion. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Jan 23, 2020
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98% | Working Woman (2019) |
Everything is achieved with limited resources, exploring the vitality of empty spaces where there are no answers, and turning silence into the best ally for any reflection. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Jan 9, 2020
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72% | The Aeronauts (2019) |
Felicity Jones brings charisma and sympathy to her character, her tensions with Eddie Redmayne recreate the tested chemistry that they shared in The Theory of Everything. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Jan 6, 2020
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77% | Richard Jewell (2019) |
Heroism in Clint Eastwood films is always ambiguous and disconnected from the epic. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Jan 2, 2020
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100% | Slut in a Good Way (Charlotte a du fun) (2019) |
It's true that the movie never strays too far from the coming of age formula, but it achieves a certain vitality and novelty in the performances. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Dec 19, 2019
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88% | Ready or Not (2019) |
Heir to De Palma's best horror. [Full review in Spanish] - La Nación (Argentina)
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| Posted Dec 6, 2019
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46% | Last Christmas (2019) |
Paul Feig films the romantic comedy clichés with grace. [Full review in Spanish] - La Nación (Argentina)
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| Posted Dec 6, 2019
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85% | In Safe Hands (Pupille) (2018) |
In the selection of a balance to the stories that intersect, Herry finds the exact place for each of her characters. [Full review in Spanish] - La Nación (Argentina)
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| Posted Dec 2, 2019
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52% | Charlie's Angels (2019) |
The film is indebted to the demands of new female narratives and, at the same time, true to that carefree spirit from the original. [Full review in Spanish] - La Nación (Argentina)
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| Posted Dec 2, 2019
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No Score Yet | Pikovaya dama (The Queen of Spades) (2013) |
Despite its limitations, the movie directed by Aleksandr Domogarov feels quite unsettling when it steps away from the strict guide to achieve the scares. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Nov 21, 2019
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84% | Downton Abbey (2019) |
The series was less about affirming a reality than about longing for an ideal. This coda imagined by Fellowes is honest with its own evocation. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Nov 21, 2019
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88% | Synonyms (Synonymes) (2019) |
With an unpredictable humor and a camera that dismantles that desired and chaotic city in all its contradictions, [Nadav] Lapid achieves a lucid and unconventional portrait of a territory that escapes maps and battle hymns. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Nov 14, 2019
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No Score Yet | Cartero (2019) |
The character of Sánzhez gives the movie depth and precision. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Nov 7, 2019
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96% | Amanda (2018) |
What Mikhaël Hers films is not the [terrorist act] but its effects, on the survivors, the city's dynamic, and the experience of time. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Oct 31, 2019
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88% | Brittany Runs a Marathon (2019) |
The movie manages to be faithful to its character, and treat it with tenderness and empathy. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Oct 24, 2019
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26% | Rambo: Last Blood (2019) |
What is left in this contemporary conflict is a parody of itself, which is what works best. A gory and iconoclastic violence that mocks its own people and others. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Oct 10, 2019
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77% | Scary Stories to Tell in the Dark (2019) |
Director André Øvredal achieves something different for a story that we already know. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Sep 26, 2019
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25% | The Goldfinch (2019) |
The Goldfinch can be thought of as an exercise of what not to do in an adaptation. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Sep 19, 2019
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No Score Yet | Witch (Bruja) (2019) |
The movie is trapped in a Manichaean structure, with plot holes and unnecessary procedural detours. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Sep 12, 2019
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100% | The Silence of Others (2019) |
The movie exposes in a stark manner the testimonies of the survivors. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Sep 5, 2019
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71% | Teen Spirit (2019) |
Minghella's merit is his ingenious way of giving life to the interior world of his character. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Sep 5, 2019
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No Score Yet | Margen de error (2019) |
The humor is exceptionally combined with that self-awareness of the passing of time. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Aug 29, 2019
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44% | A Man in a Hurry (Un homme pressé) (2018) |
Director Hervé Mimran relies on the notable talent of his protagonist to take full advantage of it. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Aug 22, 2019
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33% | Anna (2019) |
The cleverness of the script and Anna's choreographic dexterity in every battle compensate for her lack of complexity. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Aug 15, 2019
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73% | The Angry Birds Movie 2 (2019) |
The universe of this second installment returns to the primacy of the visual, it achieves various entertaining scenes, and exploits Sony's music catalog with a calculated equilibrium between humor and nostalgia. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Aug 15, 2019
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36% | Poms (2019) |
Diane Keaton's dark humor and Jacki Weaver's extraordinary gracefulness are the best reward. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Aug 8, 2019
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No Score Yet | La Casa de Wannsee (2019) |
[The film] makes us reconsider if we can understand who we are without knowing where we come from. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Aug 2, 2019
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80% | Holy Beasts (La Fiera y la Fiesta) (2019) |
Holy Beasts is constructed like a bizarre puzzle at the border between the melancholic and the absurd. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Jul 19, 2019
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92% | The Blonde One (2019) |
The Blond One is Marco Berger's most complex movie... the one that best represents that playful narrative full of secrets that once discovered, they can never be put away. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Jul 19, 2019
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70% | The Emperor of Paris (L'Empereur de Paris) (2018) |
Vincent Cassel manages to bring his character to life with his mere presence and look. [Full review in Spanish] - La Nación (Argentina)
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| Posted Jun 25, 2019
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23% | Men in Black International (2019) |
Tessa Thompson and Chris Hemsworth have proven chemistry and the film has great threads for a romantic comedy. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Jun 14, 2019
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100% | An Impossible Love (Un amour impossible) (2018) |
Corsini has not only made his best film, but also the most risky in order to offer a look at the past and the present and the complicated ties that define that union. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Jun 13, 2019
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76% | Sink or Swim (Le grand bain) (2019) |
Sink or Swim succeeds due to its melancholy and secret dose of bitterness. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Jun 9, 2019
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42% | Godzilla: King of the Monsters (2019) |
One of the notable things about this sequel is its impressive performances. [Full Review in Spanish] - La Nación (Argentina)
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| Posted Jun 3, 2019
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58% | Brightburn (2019) |
Each break of the human limits that Brandon uncovers confirms the ferment of a narrative mechanics that reduces evil to an imposed state. [Full Review in Spanish] - La Nación (Argentina)
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| Posted May 26, 2019
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27% | UglyDolls (2019) |
UglyDolls works in its naïve logic and lack of pretensions. [Full Review in Spanish] - La Nación (Argentina)
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| Posted May 20, 2019
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91% | The Weasels' Tale (El cuento de las comadrejas) (2019) |
It is that strange game between horror and devotion, which links cinema and eternal life, that The Weasel's Tale skillfully captures in its first scenes. [Full Review in Spanish] - La Nación (Argentina)
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| Posted May 20, 2019
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