Paula Vázquez Prieto

Paula Vázquez Prieto's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): La Nación (Argentina)

Publications: La Nación (Argentina)

Movie Reviews Only

Movies

T-Meter	Title \| Year	Review
45%	The Prodigy (2019)	The film manages to install a climate of terrifying concern in the relationship between mother and child. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Mar 18, 2019
No Score Yet	Heilstatten (2018)	There isn't much innovation, but it convincingly explores contemporary insanity. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Feb 28, 2019
89%	Capernaum (Capharnaüm) (2018)	Both the oppressive family context of Zain as his journey after the abandonment of his home suffer from a complex look, lie in provocations, and point out responsibilities that end up being fallacious and limited. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Feb 25, 2019
93%	Araby (Arábia) (2018)	Araby demonstrates that you can tune in to a character's story despite the level of gloom. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Feb 25, 2019
68%	Happy Death Day 2U (2019)	Happy Death Day 2U is more fun than terrifying, but it captures the heart that many sequels fail to have. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Feb 14, 2019
No Score Yet	Fiesta Nibiru (2017)	The film commits the worst of sins: it turns into a boring comedy. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Feb 8, 2019
48%	Escape Room (2019)	Robitel seems to deal with a script that is flooded with forced turns of the screw, of guilty soliloquies, of attempts to be more shrewd than any formula. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Feb 7, 2019
10%	Look Away (2018)	Bernstein manages to have a visual style, but they never amalgamate to anything intense or terrifying. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Jan 24, 2019
37%	Glass (2019)	Shyamalan reduced Glass to a carnival prisoner of a lack of attention to its characters. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Jan 17, 2019
No Score Yet	El volcán adorado (2019)	The film by Fernando Krapp manages to capture in its enchanted planes and its ruminating sound that unspeakable magic that the volcano keeps forever in its entrails. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Jan 17, 2019
83%	Dragon Ball Super: Broly (2019)	This reboot of the emblematic Japanese animated series successfully evokes its old topics with a modern look and making this dispute between Goku and Broly the heart of the adventure. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Jan 10, 2019
81%	The Quake (Skjelvet) (2018)	An enjoyable film that constructs a hero with cunning and that makes even the most impactful scenes have a fallible and human anchor. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Jan 2, 2019
No Score Yet	Taxi 5 (2018)	This franchise started by Luc Besson has become an artifact instead of a film. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Dec 20, 2018
89%	Jealous (Jalouse) (2017)	Jealous works from a character that does not try to fall well, or believe that comedy needs it to get the laughs. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Dec 13, 2018
97%	The Heiresses (Las Herederas) (2019)	The Heiresses combines the humor of his sharp social observations with the tenuous restlessness and the reborn sensuality that shakes inside Chela, suspended in a time when everything was easy, even love. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Dec 13, 2018
20%	The Possession of Hannah Grace (2018)	Conflicts are resolved with untidiness and without tension, insistently repeating visual motives and neglecting the use of space, which was what they had best used until then. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Dec 7, 2018
94%	Our Little Sister (Umimachi Diary) (2016)	Without resorting to great conflicts or excessive drama, Kore-eda turned the successive culinary rituals of these four sisters into magical territories of encounter, love and understanding. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Dec 7, 2018
82%	Instant Family (2018)	What distinguishes Sean Anders's film is the use of irony, slapstick and the subversion of any monotone note in treating a very sensitive subject. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Nov 29, 2018
100%	The Bed (La cama) (2018)	One of the merits of Lairana is how she places her trust in her cast and in the capacity of film to uncover the human emotions like no other art form can. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Nov 26, 2018
91%	Widows (2018)	Despite some predictability in the portrait of political corruption, [McQueen] achieves several powerful and disturbing scenes, and sustains the route of intrigue in the solid performances. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Nov 26, 2018
39%	Hell Fest (2018)	This box of tricks doesn't have neither the ingenuity of homage to the classics nor the critical ambition to reinvent the genre. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Nov 15, 2018
32%	Loving Pablo (2018)	This mafia story without urbanity, is tinged with an overwhelming predictability, guided by an insistent and explanatory voice over, built on characters that are consumed in the same archetypes that inspire them. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Nov 15, 2018
81%	Overlord (2018)	Here, the predictable does not stop being effective and the pulse of the story makes you experience it as the characters do. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Nov 13, 2018
34%	The Nutcracker and the Four Realms (2018)	Conceived as another tale of princesses, Nutcracker and the Four Realms, does not stop transcending that corset of fable to think of itself as a story about time and its secret mechanisms. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Nov 5, 2018
86%	A Simple Favor (2018)	Despite the unevenness of the film, we laughed a lot and all laughs justify any slips. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Oct 26, 2018
68%	Wildling (2018)	Anna's journey from confinement to liberation is more complex when configured in the back of her big blue eyes, when the look she fears is the one on the other side of the bars. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Oct 24, 2018
72%	El Angel (El ángel) (2018)	Perhaps here Ortega's gaze... makes that course of extravagant robberies and brutal murders exude to the eyes of the viewer the visceral combination of scandal and attraction that only the cinema and its immense screen can reach. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Aug 9, 2018
89%	Ravenous (Les affamés) (2018)	The sound design complements the performances -something masterfully done by the recent A Quiet Place - which combines the plastic expression of interior fear with remarkable moments of unstoppable adrenaline. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Aug 7, 2018
100%	Wajib (2017)	Without accentuating the drama or abandoning comedy altogether, [director Annemarie] Jacir manages to weave and unravel the pending accounts between father and son. [Full review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Jul 23, 2018
93%	Stefan Zweig: Farewell to Europe (2017)	The film could be thought of as an elegy in the form of letters sent from the cities that housed [Stefan Zweig] in America, from Buenos Aires to New York, until his final retreat in Brazil. [Full review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Jul 23, 2018
18%	Be Afraid (2017)	... there is not much to expect from one of the last horror films of the year... [Full review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Dec 21, 2017
72%	Happy Death Day (2017)	[It's] simplicity and honesty are it's charm. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Dec 4, 2017
No Score Yet	To the Desert (Al Desierto) (2017)	[The film] relies on external impositions, rather than in the unfolding of a true web of complex and contradictory feelings. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Dec 4, 2017
91%	Human Flow (2017)	Far from the temptation of anecdotes, [Human Flow] is constructed as a mosaic of personal and community histories, with the strength of the a present that is forged every day before our eyes. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Nov 27, 2017
No Score Yet	Beyond Brotherhood (Mas Que Hermanos) (2017)	The road to excess could have turned around and become a guilty pleasure. It doesn't even do that. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Nov 14, 2017
71%	Paula (2016)	His great success is to show the despair of the misunderstood...A reflection of that state of internal anxiety that is only reached when everything seems lost. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Nov 14, 2017
35%	Jigsaw (2017)	There's no possible mystery. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Nov 3, 2017
93%	School Life (2017)	An unexpected humor that the camera captures with subtlety. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Nov 3, 2017
14%	The Little Vampire 3D (2017)	[A] flying cow is revealed as the best find. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Oct 31, 2017