Agrees with the Tomatometer 76% of the time.
Besides being a weekly film critic and contributing editor at Film.com, Peter Brunette was Professor of English and Film Studies at George Mason University. He wrote or edited six books on film, including Roberto Rossellini, the definitive study in English of this director's films (Oxford University Press, 1987; republished University of California Press, 1996); Screen/Play: Derrida and Film Theory (Princeton University Press, 1990; co-authored with David Wills); a co-edited book (with David Wills) on visual theory published by Cambridge University Press in 1994, entitled Deconstruction and the Visual Arts: Art, Media, Architecture; and a book on Francois Truffaut's film "Shoot the Piano Player" (Rutgers, 1993). Cambridge University Press published his book The Films of Michelangelo Antonioni in 1998 and, in 1999, his edited book, Martin Scorsese: Interviews, was published by the University of Mississippi Press. He was also general editor of the Mississippi interview series; some seven books have already been published in this series, and twenty more are contracted for. He was also general editor of a film book series at Indiana University Press; two titles have been published in the last two years. At the time of his death in June of 2010, he was working on books on Luchino Visconti and Wong Kar-Wai. During the past several years, he served on panels at the Palm Springs Film Festival in California, the Sundance Film Festival in Utah, and at the Rotterdam Film Festival in Holland. He was director of the Film and Media Studies program at George Mason University and was also active in the GMU Cultural Studies program. He was one of the first two internet critics to be elected to membership in the National Society of Film Critics. Brunette has also written for film periodicals like Film Quarterly and Sight & Sound, and was the U.S. correspondent for the Italian journal Filmcritica. He also wrote regularly for The New York Times Arts & Leisure section and The Boston Globe. He was artistic director of the Key Sunday Cinema Club, which has branches in six cities.
|Publications:||Film.com, Hollywood Reporter, Screendaily, Screen International|