Peter Keough Movie Reviews & Previews - Rotten Tomatoes

Peter Keough

Peter Keough
Peter Keough's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
3.5/4 82% Brad's Status (2017) An illuminating and sometimes annoying anatomy of a narcissistic midlife crisis ...‐ Boston Globe
Read More | Posted Sep 21, 2017
2/4 91% After Love (L'économie du couple) (2017) It's a lot of skill and talent expended on a spat a good lawyer could probably have sorted out during the opening credit sequence. Instead Lafosse offers a lot of the "after," and none of the "love."‐ Boston Globe
Read More | Posted Sep 14, 2017
3/4 89% First They Killed My Father (2017) Relentlessly tragic, sometimes lugubriously epic ...‐ Boston Globe
Read More | Posted Sep 14, 2017
3.5/4 97% Columbus (2017) Kogonada in his impressive feature debut applies the principles of these architects to the compositions and structure of the film, a formal tour-de-force that eclipses its modest - though affecting and impeccably acted - narrative.‐ Boston Globe
Read More | Posted Sep 7, 2017
3.5/4 No Score Yet Fanny's Journey (Le voyage de Fanny) (2017) At a time when many disparage and reject refugees from war and oppression, "Fanny's Journey" is a reminder of the virtues of decency, compassion, and innocence.‐ Boston Globe
Read More | Posted Sep 7, 2017
2.5/4 30% I Do... Until I Don't (2017) After a somewhat subversive start, the film devolves into predictable patterns and sketchy stereotypes. It works . . . until it doesn't.‐ Boston Globe
Read More | Posted Aug 31, 2017
3/4 85% The Midwife (Sage femme) (2017) The main reason it does not seem contrived is the performances of Catherine Deneuve and Catherine Frot.‐ Boston Globe
Read More | Posted Aug 24, 2017
3/4 98% In This Corner of the World (Kono sekai no katasumi ni) (2017) The painterly beauty of anime detaches the viewer from the terrible events depicted, but it also makes these cataclysms more accessible to the imagination.‐ Boston Globe
Read More | Posted Aug 17, 2017
4/4 96% Menashe (2017) Weinstein brings a palpable authenticity (attributable in part to a cast made up of local non-actors) to this universally resonant story, rendering it unique and specific in a meticulously detailed setting.‐ Boston Globe
Read More | Posted Aug 17, 2017
3.5/4 95% Step (2017) [A] taut, intimate, passionate, and celebratory documentary ...‐ Boston Globe
Read More | Posted Aug 10, 2017
91% Icarus (2017) Rodchenkov proves a surprisingly lovable personality --- wry, funny, and gregarious. But things get dark and dangerous when the Russian Olympic doping program is exposed and Rodchenkov fears that he might be in a position of knowing too much.‐ Boston Globe
Read More | Posted Aug 4, 2017
1.5/4 35% Kidnap (2017) [A] seemingly endless (though only 82 minutes long) and listless thriller ...‐ Boston Globe
Read More | Posted Aug 3, 2017
3.5/4 99% City of Ghosts (2017) [An] infuriating documentary.‐ Boston Globe
Read More | Posted Jul 20, 2017
3/4 95% The Women's Balcony (Ismach Hatani) (2017) Subtly handled by director Emil Ben-Shimon and screenwriter Shlomit Nehama and rendered heartfelt and compelling by an outstanding cast.‐ Boston Globe
Read More | Posted Jul 6, 2017
3/4 77% The Little Hours (2017) The film manages to be both crudely hilarious and bluntly satiric while also establishing sympathetic characters, a sharp contemporary wit, a sly, dry absurdism ... and a "Handmaid's Tale"-like subversiveness.‐ Boston Globe
Read More | Posted Jul 6, 2017
4/4 89% Maudie (2017) The story offers many opportunities for glibness and sentimentality. Walsh falls for none of them.‐ Boston Globe
Read More | Posted Jun 29, 2017
1.5/4 68% The Journey (2017) A platitude-laden, sermonizing, and artless episode of "The Odd Couple."‐ Boston Globe
Read More | Posted Jun 22, 2017
3/4 84% Megan Leavey (2017) Not only is it a compelling metaphor for a woman finding independence and empowerment, it dramatizes a primal emotional relationship that proves heartbreaking and triumphant.‐ Boston Globe
Read More | Posted Jun 8, 2017
3/4 84% The Death of Louis XIV (La mort de Louis XIV) (2017) At its most powerful it presents an allegory of the decline and fall and vanity of power, and an intimate look at the inevitable confrontation with mortality faced by kings and commoners alike.‐ Boston Globe
Read More | Posted May 24, 2017
3.5/4 86% The Wedding Plan (2017) God works in strange ways. So does Israeli filmmaker Rama Burshtein.‐ Boston Globe
Read More | Posted May 18, 2017
2.5/4 83% Jeremiah Tower: The Last Magnificent (2017) Tower indeed is living a magnificent life, which Tenaglia nearly suffocates in a creaky "Citizen Kane"-style telling ...‐ Boston Globe
Read More | Posted May 4, 2017
2.5/4 74% Buster's Mal Heart (2017) Mostly ... it founders in the complications of its own excess of themes, interconnected story-lines, and multiple personality disorders sketchily connected by an anti-establishment point of view.‐ Boston Globe
Read More | Posted May 4, 2017
3.5/4 88% Their Finest (2017) At its best, which is often, Their Finest... manipulates appearance and reality, relief and recognition, with exquisite finesse. As befits a film about making films.‐ Boston Globe
Read More | Posted Apr 17, 2017
2/4 66% Tommy's Honour (2017) Though Connery's film reduces this little known (outside Scotland) but fascinating sports story to uninspired formula, it does offer a few memorable observations.‐ Boston Globe
Read More | Posted Apr 13, 2017
No Score Yet Sacred Cod (2016) Andy Laub, Endicott College's Steve Liss, and Boston Globe reporter David Abel's thoroughly researched, reasoned and surprisingly moving documentary Sacred Cod ... gives time to both sides. ‐ Boston Globe
Read More | Posted Apr 12, 2017
2.5/4 98% Your Name. (Kimi No Na Wa.) (2017) The way Masashi depicts wind blowing through grass or a falling star illuminating the sky makes any dream, however convoluted, seem real.‐ Boston Globe
Read More | Posted Apr 6, 2017
2/4 44% Ghost in the Shell (2017) Do people even have selves? Are identities and souls just a bunch of clichés spun out by teams of screenwriters? If these questions interest you, do yourself a favor and watch the 1995 original movie.‐ Boston Globe
Read More | Posted Mar 30, 2017
3/4 90% Raw (2017) When Ducournau keeps the viewer off balance and doesn't lose her own, she shows signs of being an outstanding stylist and storyteller, balancing mood, composition, startling images, slow-burning suspense, and sardonic humor.‐ Boston Globe
Read More | Posted Mar 16, 2017
2/4 84% The Lure (Córki dancingu) (2017) There is no continuity in narrative or character and it's all shot in an elliptical, heavily stylized, gaudily lit (much of it looks like it's shot through an algae-filmed aquarium) collage.‐ Boston Globe
Read More | Posted Mar 9, 2017
2/4 37% The Last Word (2017) Treacly and bromidic ...‐ Boston Globe
Read More | Posted Mar 9, 2017
3/4 85% Mr. Gaga: A True Story of Love and Dance (2017) [A] fascinating if frustratingly discursive documentary ...‐ Boston Globe
Read More | Posted Mar 9, 2017
2.5/4 89% Land of Mine (Under Sandet) (2017) Gaining in intensity as it moves along, "Land of Mine" combines the suspense of Henri-Georges Clouzot's "Wages of Fear" (1953) with the psychological complexity of David Lean's "The Bridge on the River Kwai" (1957) ...‐ Boston Globe
Read More | Posted Mar 2, 2017
2.5/4 72% XX (2017) The four narratives ... achieve varying levels of black comedy and terror with an emphasis on women's issues.‐ Boston Globe
Read More | Posted Mar 2, 2017
3/4 98% Kedi (2017) Those who don't especially like cats - or Istanbul, for that matter - might not get a lot out of Turkish director Ceyda Torun's love letter to the feline population of her native city. For everyone else, it should be an almost unadulterated pleasure.‐ Boston Globe
Read More | Posted Feb 23, 2017
3.5/4 94% The Red Turtle (La tortue rouge) (2017) Few films have used color and light with such acuity - from the near monochrome of moonlight on a desolate beach to the infinite, illuminated shades of green in a bamboo forest.‐ Boston Globe
Read More | Posted Feb 23, 2017
2/4 13% Bitter Harvest (2017) Perhaps not the best backdrop for a trite love story, nor does Mendeluk have quite the epic vision of David Lean in "Doctor Zhivago."‐ Boston Globe
Read More | Posted Feb 23, 2017
3.5/4 99% Get Out (2017) It is not only the best horror film since "Under the Skin," but a subversive and often hilarious commentary on race as well.‐ Boston Globe
Read More | Posted Feb 23, 2017
2.5/4 42% A Cure For Wellness (2017) It is at least 10 movies in one, some of them ingenious parodies, but all adding up to a cluttered, confused anticlimax.‐ Boston Globe
Read More | Posted Feb 16, 2017
3/4 83% A United Kingdom (2017) Vividly depicted by Oyelowo and Pike, the noble pair show that sometimes love and determination can make a difference.‐ Boston Globe
Read More | Posted Feb 16, 2017
4/4 96% The Salesman (Forushande) (2017) Brooding, revelatory ...‐ Boston Globe
Read More | Posted Feb 9, 2017
91% The Witness (2016) An engrossing detective story, an enlightening sociological study, and a heartbreaking story of unreconciled grief, "The Witness" is one of the best documentaries of 2016.‐ Boston Globe
Read More | Posted Jan 23, 2017
67% Fraud (2016) He seems to be attempting two paradoxical goals: a documentary about consumerism that is also a mock-documentary demonstrating that documentaries are fiction. It works superbly on both levels, but to what purpose?‐ Boston Globe
Read More | Posted Jan 19, 2017
2.5/4 74% Split (2017) Distressing, narratively convenient exploitation that gets by on the strength of McAvoy's fearless, electrifyingly adaptive performance.‐ Boston Globe
Read More | Posted Jan 19, 2017
3.5/4 82% Julieta (2016) When the effusive Pedro Almodóvar adapts the minimalist Alice Munro, he reveals the passions seething under the bleakness of the latter's monotone mid-Canada.‐ Boston Globe
Read More | Posted Jan 12, 2017
1.5/4 24% The Bye Bye Man (2017) The concept is derivative of about a dozen other movies and their sequels.‐ Boston Globe
Read More | Posted Jan 12, 2017
3/4 39% Railroad Tigers (2017) It's only the first week of January, but it will be hard to beat Hong Kong director Ding Sheng's "Railroad Tigers" for the best opening credit sequence of the year.‐ Boston Globe
Read More | Posted Jan 5, 2017
80% Best and Most Beautiful Things (2016) By the end of this film, your heart will have had a workout.‐ Boston Globe
Read More | Posted Dec 27, 2016
2.5/4 30% Passengers (2016) Perhaps as a well-written play for a cast of three, "Passengers" might have been first class. Instead, it's just another mediocre thrill ride.‐ Boston Globe
Read More | Posted Dec 21, 2016
1.5/4 83% The Brand New Testament (Le tout nouveau testament) (2016) Starting with a premise that a smart-aleck high school sophomore might take pride in, the film rallies late to make some points about patriarchy and female empowerment, but not before a barrage of clichés, tweeness, and inanity.‐ Boston Globe
Read More | Posted Dec 15, 2016
4/4 100% Things to Come (L'avenir) (2016) Complementing Hansen-Love's deft writing and direction, Huppert transforms what might have been an unsympathetic role into a character who embodies universal anxieties, desires, weaknesses, and virtues.‐ Boston Globe
Read More | Posted Dec 8, 2016