Sara Martínez Ruiz

Sara Martínez Ruiz
Sara Martínez Ruiz's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Espinof
Publications: Espinof

Movie Reviews Only

T-Meter Title | Year
96% Paterson (2016) Paterson contains a wonderful mundane portrait of the American city, its streets, its factories, its houses, gardens and parks, and its people. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 19, 2019
100% One More Time With Feeling (2016) The movie can be seen today as the official video clip of several of the 'Skeleton Tree' (2016) titles. Possibly the most lively and live representation in which we can ever listen to these titles. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 19, 2019
72% Sing (2016) The key of 'Sing' is, therefore, its chorus of animals, often developed with a great sense of humor, promoting laughter in themselves and not necessarily through funny situations. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 16, 2019
80% Eternity (Eternité) (2016) An imperfect piece, but that works on its ultimate idea of conveying the vision of its author about Humanity and putting it in value within his cinematography. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 16, 2019
93% Toni Erdmann (2016) Toni 's relationship with the spectator is a continuous struggle of encounter and disagreement in his attempts to capture that connection through his humor. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 16, 2019
91% The Other Side of Hope (Toivon tuolla puolen) (2017) With a very contrasted photography with the use of hard lights, the director delves us into a story without good or bad... transferring a very particular atmosphere to the film. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 15, 2019
86% King of the Belgians (2016) An exercise of artistic freedom, in short, culminating in an unpretentious film, sometimes fun, sometimes not so much, but certainly never seen before. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 13, 2019
70% Double Lover (L'amant double) (2018) Sinister and stimulating at the same time, revealing the authorship of a complex mind that pours part of his worries into his cinema on a regular basis. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 7, 2019
93% A Fantastic Woman (Una mujer fantástica) (2018) Beautiful and inspired, optimistic but raw, a fantastic approach to transsexual femininity as part of a daily life cycle. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 7, 2019
37% Racer and the Jailbird (Le Fidèle) (2018) The movie is, in any case, very enjoyable, while personally and visually very energetic. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 6, 2019
92% On the Beach at Night Alone (Bamui haebyun-eoseo honja) (2017) Caustic but subtle. Direct but restrained. Contained, even silently violent. Overwhelmingly sharp at times, but no less beautiful. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 5, 2019
85% The Square (2017) With bright moments, 'The Square' seems right and necessary. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 2, 2019
2.5/5 50% Based on a True Story (D'après une histoire vraie) (2017) It results in an attempt to a suffocating atmosphere noir, with little personality. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Jul 19, 2019
100% A Sun That Never Sets (Fire Will Come) (O Que Arde) (2019) A humble story open to the most human interpretation of the spectator, while breathing activism in its defense of the rural world. [Full Review in Spanish] - Espinof EDIT
Read More | Posted May 26, 2019
75% Liberté (2019) An interesting concept in a theoretical way, although slow and painful in its filmic expression and already explored by Pasolini decades ago. [Full Review in Spanish] - Espinof EDIT
Read More | Posted May 26, 2019
53% Matthias and Maxime (2019) From a more settled point of view, the latest from Dolan is revealed as a drama in a festive tone that embraces a newly released maturity. [Full Review in Spanish] - Espinof EDIT
Read More | Posted May 26, 2019
97% Portrait of a Lady on Fire (Portrait de la jeune fille en feu) (2019) With brush strokes of a deeply pictorial, elegant and sober photograph, Sciamma constructs an honest portrait of the femininity of the time that transmits truth, free of all affected artifice. [Full Review in Spanish] - Espinof EDIT
Read More | Posted May 26, 2019
61% Frankie (2019) The director perfectly manages the course of a history of inconsequential appearance and long-lasting dream. [Full Review in Spanish] - Espinof EDIT
Read More | Posted May 26, 2019
89% It Must Be Heaven (2019) Although light in its general tone and in its formal proposal, 'It Must Be Heaven' leaves a handful of memorable moments. [Full Review in Spanish] - Espinof EDIT
Read More | Posted May 26, 2019
50% Young Ahmed (Le jeune Ahmed) (2019) The film fails in its lack of subtlety, with a somewhat clumsy and simplistic end of a conflict that could have invited a deeper reflection. [Full Review in Spanish] - Espinof EDIT
Read More | Posted May 26, 2019
74% Sorry We Missed You (2019) An absorbing story where chaining misfortunes escalate a tension of unstoppable rhythm and sustained by portentous characters masterfully constructed in script and brilliantly played by Kris Hitchen and Debbie Honeywood. [Full Review in Spanish] - Espinof EDIT
Read More | Posted May 26, 2019
88% The Wild Goose Lake (Nan fang che zhan de ju hui) (2019) The Black Goose Lake leaves memorable moments, like a musical sequence, heir of the best contemporary Asian cinema. [Full Review in Spanish] - Espinof EDIT
Read More | Posted May 20, 2019
68% Little Joe (2019) Deeply cinematic, in a stylized balance between its visual and sound elements, its significant elements generate a tremendously attractive and effective universe in its narration. [Full Review in Spanish] - Espinof EDIT
Read More | Posted May 19, 2019
91% Atlantics (Atlantique) (2019) An idea, however, only half solved, that ends somewhat awkwardly in an outcome that does not finish responding to its intriguing capacity for initial suggestion. [Full Review in Spanish] - Espinof EDIT
Read More | Posted May 19, 2019
76% Les Misérables (2019) An interesting premise, with the current multicultural society in the spotlight, which nevertheless is lost in the construction of a stereotyped script. [Full Review in Spanish] - Espinof EDIT
Read More | Posted May 16, 2019
88% Bacurau (Nighthawk) (2019) A modern western accompanied by certain touches of magical realism that transform openly into a delirious dystopia to unleash a claustrophobic post-apocalyptic cinema. [Full Review in Spanish] - Espinof EDIT
Read More | Posted May 16, 2019
3/5 82% This is not Berlin (2019) In a purely generational portrait, the filmmaker signs the adolescent maturation of a boy in search of his true personality through the rituals of aging into his twenties. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Mar 25, 2019
3/5 100% Hormigas (El despertar de las hormigas) (2019) Hormigas reflects over a vicious cycle and succeeds largely due to an extraordinary cast. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Mar 22, 2019