Sean Edgar
Sean Edgar's reviews only count toward the Tomatometer when
published at the following Tomatometer-approved publication(s):
Paste Magazine
| Publications: | Paste Magazine |
Movie Reviews Only
| Rating | T-Meter | Title | Year | Review |
|---|---|---|---|
| 8.8/10 | 84% | Harry Potter and the Half-Blood Prince (2009) |
Not only is Harry Potter and the Half-Blood Prince an excellent translation of J.K. Rowling's addictive canon, but it's also the first entry to shine on its own devoid of its backdrop mythology.‐ Paste Magazine
Read More | Posted Nov 22, 2013
|
| 8.8/10 | 86% | The House of the Devil (2009) |
The House of the Devil isn't just a movie: it's an experience. It joins the league of Rosemary's Baby, The Exorcist and The Omen as one of the most diabolical entries in the modern horror library.‐ Paste Magazine
Read More | Posted Oct 10, 2012
|
| 8.4/10 | 96% | The Muppets (2011) |
Even balcony critics Waldorf and Statler would have a hard time faulting this Wonkaful delight.‐ Paste Magazine
Read More | Posted Jan 3, 2012
|
| 7.3/10 | 58% | Don't Be Afraid Of The Dark (2011) |
With Nixey directing and Del Toro writing/producing, Don't Be Afraid of the Dark drips with fiendish fun from creators who adore things that go bump in the night.‐ Paste Magazine
Read More | Posted Sep 3, 2011
|
| 8.6/10 | 63% | The Joneses (2010) |
Think of it as an inverted Truman Show, with David Duchovny and Demi Moore as yuppified secret salesmen hawking an idealized suburban lifestyle while incognito.‐ Paste Magazine
Read More | Posted Apr 12, 2011
|
| 9/10 | 90% | Coraline (2009) |
With its silky visuals and breathtaking creativity, Coraline is one of the few modern features to prove that Pixar doesn't have a monopoly on animated excellence.‐ Paste Magazine
Read More | Posted Sep 30, 2010
|
| 84% | In Bruges (2008) |
One of this holiday season's most pleasant dark-horse dramadies.‐ Paste Magazine
Read More | Posted Sep 30, 2010
|
|
| 84/100 | 75% | Kick-Ass (2010) |
Comic scribe Mark Millar and director Matthew Vaughn's pitch-black love letter to the genre, Wertham's greatest fear is fully realized in an irresponsible blitzkrieg of irony-tinged fun.‐ Paste Magazine
Read More | Posted Apr 19, 2010
|