Susan Wloszczyna Movie Reviews & Previews - Rotten Tomatoes

Susan Wloszczyna

Susan Wloszczyna
Tomatometer-approved critic

Movie Reviews Only

Rating T-Meter Title | Year Review
3/4 83% Sgt. Stubby: An American Hero (2018) By the moment when George S. Patton shows up and perches a proud Stubby atop his tank as the battle draws to a close, I had long surrendered.‐ RogerEbert.com
Read More | Posted Apr 13, 2018
2.5/4 0% Krystal (2018) Secrets, lies and vast array of medical emergencies beset the game cast before the story goes fully off the rails.‐ Washington Post
Read More | Posted Apr 10, 2018
2.5/4 79% Chappaquiddick (2018) For those who are drawn to re-creations of historical controversies that pack more gravitas and outright tragedy, Chappaquiddick could prove satisfying enough, especially with the in-vogue-again Kennedy clan at the center.‐ RogerEbert.com
Read More | Posted Apr 6, 2018
3/4 68% Finding Your Feet (2018) Finding Your Feet finds its own footing by putting its trust in its sturdy performers and avoiding many of the usual tea-time clichés.‐ RogerEbert.com
Read More | Posted Mar 30, 2018
3/4 87% Hannah (2018) Those who think that the word "marvel" applies only to superheroes should steer clear of "Hannah." But Rampling is a true marvel here, in every other sense of the word.‐ Washington Post
Read More | Posted Mar 20, 2018
2/4 47% Allure (2018) The utterly humorless script of Allure often makes for uneasy viewing.‐ RogerEbert.com
Read More | Posted Mar 16, 2018
3/4 100% Leaning Into the Wind (2018) This is one of the most relaxing experiences I have had watching a movie in a long time.‐ RogerEbert.com
Read More | Posted Mar 9, 2018
1.5/4 58% Half Magic (2018) A stumble backward in its cartoony portrait of modern-day womanhood.‐ RogerEbert.com
Read More | Posted Feb 23, 2018
3/4 55% The Boy Downstairs (2018) An appealing cast of players, crisp urban cinematography and a relatable streak of millennial malaise is unique enough to be engaging.‐ RogerEbert.com
Read More | Posted Feb 16, 2018
2/4 62% Peter Rabbit (2018) Easy chuckles are no substitute for genuine charm. I'm just glad that Corden didn't insist on doing rabbit burrow karaoke.‐ RogerEbert.com
Read More | Posted Feb 9, 2018
1.5/4 21% Forever My Girl (2018) There is more pleasure to be had in the dwindling returns of CMT's Nashville than in this country soap-opera.‐ RogerEbert.com
Read More | Posted Jan 19, 2018
2.5/4 83% Lover For A Day (L'amant d'un jour) (2018) Lover for a Day just wasn't enough of a grabber pour moi.‐ RogerEbert.com
Read More | Posted Jan 12, 2018
3.5/4 98% In Between (2018) What is most intriguing about In Between is how each woman is allowed to make mistakes and learn from them without any judgment on Hamoud's part.‐ RogerEbert.com
Read More | Posted Jan 5, 2018
2.5/4 80% Film Stars Don't Die in Liverpool (2017) Provides scant evidence about why we should care about Grahame to begin with and how her fate was perhaps emblematic of movie sirens both past and present.‐ RogerEbert.com
Read More | Posted Dec 29, 2017
2/4 31% Pitch Perfect 3 (2017) An off-key dismantling of what made the concept work in the first place.‐ Washington Post
Read More | Posted Dec 21, 2017
3/4 71% Ferdinand (2017) A mostly pleasant surprise in a year that has produced a lack of stellar animated outings.‐ RogerEbert.com
Read More | Posted Dec 14, 2017
1/4 5% Just Getting Started (2017) A rather lazy boondoggle by Shelton, who waited 14 years to direct again and didn't bother to make it worthwhile.‐ RogerEbert.com
Read More | Posted Dec 8, 2017
2/4 44% The Dancer (La danseuse) (2016) If only Di Giusto more ambitiously broadened her scope, she would have made a fleet-footed tribute for the ages instead of stumbling over such rich possibilities.‐ RogerEbert.com
Read More | Posted Dec 1, 2017
3/4 80% The Man Who Invented Christmas (2017) God has blessed us, every one, with Dan Stevens, who inhabits the character of Dickens beautifully.‐ Washington Post
Read More | Posted Nov 21, 2017
2/4 45% The Star (2017) This outing is a bit toon-deaf in how it tries having it both ways by mixing the holy with high jinks.‐ RogerEbert.com
Read More | Posted Nov 17, 2017
2/4 57% Murder On The Orient Express (2017) There is too little levity and cleverness afoot, especially with a cast whose talent is barely tapped.‐ RogerEbert.com
Read More | Posted Nov 10, 2017
3.5/4 99% Lady Bird (2017) One of the better solo directing debuts by an actor in recent memory.‐ RogerEbert.com
Read More | Posted Nov 2, 2017
2.5/4 54% LBJ (2017) Feels like an installment of a 1980s miniseries that's been preserved in amber rather than a complete and fulfilling production.‐ Washington Post
Read More | Posted Nov 2, 2017
2/4 64% Goodbye Christopher Robin (2017) What could have been a salute to the power of imagination to heal damaged souls and broken relationships instead opts to focus on tragic events.‐ RogerEbert.com
Read More | Posted Oct 13, 2017
2/4 40% So B. It (2017) The filmmakers seem to have forgotten that even the most serious of kid-friendly films can benefit from an injection of fun while attempting to jerk tears.‐ Washington Post
Read More | Posted Oct 12, 2017
2/4 40% The Mountain Between Us (2017) A high-altitude soap opera, woozy with overly telegraphed peril and determined to make the audience root for a couple who clearly aren't meant for each other.‐ RogerEbert.com
Read More | Posted Oct 5, 2017
3/4 92% Our Souls at Night (2017) As comforting, low-key and unfussy as your grandmother's tablecloth.‐ RogerEbert.com
Read More | Posted Sep 29, 2017
3/4 66% Victoria & Abdul (2017) There are multiple pleasures to be had by witnessing a powerful, still-vital woman finding unexpected late-life joy of the platonic variety.‐ RogerEbert.com
Read More | Posted Sep 22, 2017
2.5/4 84% Loving Vincent (2017) If you are hungry for dazzling eye candy and don't mind a less-than-meaty narrative, this might please your palate.‐ RogerEbert.com
Read More | Posted Sep 22, 2017
2/4 50% Year by the Sea (2017) Instead of a hearty chowder of emotional highs and lows, first-time director Alexander Janko, who also adapted the script, settles for a diluted, Campbell's-Soup version of getting one's groove back.‐ Washington Post
Read More | Posted Sep 21, 2017
1.5/4 32% Home Again (2017) I never really felt at home with Home Again.‐ RogerEbert.com
Read More | Posted Sep 7, 2017
2.5/4 71% Viceroy's House (2017) Ultimately, Viceroy's House might be worth a visit just for certain tasty details.‐ RogerEbert.com
Read More | Posted Sep 1, 2017
2.5/4 37% Leap! (2017) "Leap!" is a step up from Weinstein's "Shrek"-on-a-budget "Hoodwinked" films, and it makes the most of its distinctly Old World aesthetic and enticing character design.‐ Washington Post
Read More | Posted Aug 24, 2017
2.5/4 40% The Hitman's Bodyguard (2017) While no one is going to mistake The Hitman's Bodyguard for high art, it will please those in the mood for late-summer fun.‐ RogerEbert.com
Read More | Posted Aug 18, 2017
1.5/4 13% The Nut Job 2: Nutty by Nature (2017) Noisier, busier, crasser and more laugh-free than the first outing.‐ RogerEbert.com
Read More | Posted Aug 11, 2017
3.5/4 95% Step (2017) Part Hoop Dreams, part The Fits and part Bring It On, Step is one of the year's more meaningful and enjoyable docs.‐ RogerEbert.com
Read More | Posted Aug 3, 2017
2/4 59% Strange Weather (2017) Not even Hunter, who eventually wears out her welcome, can keep Strange Weather from going off the cliff.‐ RogerEbert.com
Read More | Posted Jul 28, 2017
3/4 74% Landline (2017) A forlornly funny and emotionally bruising dramedy that rarely misses an opportunity to reveal humans as the flawed and occasionally awful beings that they are.‐ RogerEbert.com
Read More | Posted Jul 21, 2017
3/4 90% Girls Trip (2017) The ladies-on-the-loose comedy that everyone needs right now, even if they don't know it yet.‐ RogerEbert.com
Read More | Posted Jul 21, 2017
1.5/4 20% Blind (2017) One doesn't need perfect vision to quickly surmise that this sudsy affair among Manhattan swells is a glorified Hallmark Channel melodrama.‐ RogerEbert.com
Read More | Posted Jul 14, 2017
2/5 36% Snatched (2017) [Snatched] is an underdone farcical variation on the "vacation from hell" theme, combined with the mother-and-daughter-coming-to-terms scenario.‐ AARP Movies for Grownups
Read More | Posted Jun 19, 2017
2/4 20% The Book of Henry (2017) Every book needs an editor.‐ RogerEbert.com
Read More | Posted Jun 16, 2017
3/4 74% Beatriz at Dinner (2017) Hayek turns Beatriz into her own breed of wonder woman, Lithgow's Strutt is definitely a super villain of sorts and their head-to-head battle is clearly worth seeing even if, in real life, it has only begun.‐ RogerEbert.com
Read More | Posted Jun 9, 2017
2.5/4 75% The Exception (The Kaiser's Last Kiss) (2017) Yes, the narrative is occasionally clunky and there is often more tell than show. But a strong ensemble offers compensation.‐ RogerEbert.com
Read More | Posted Jun 2, 2017
2/4 30% Pirates of the Caribbean: Dead Men Tell No Tales (2017) Been there, plundered that.‐ RogerEbert.com
Read More | Posted May 25, 2017
2/4 46% Everything, Everything (2017) Only partially succeeds in being the right romantic medicine.‐ RogerEbert.com
Read More | Posted May 19, 2017
2.5/4 45% Paris Can Wait (Bonjour Anne) (2017) If nothing else, [Coppola] has proven that she can keep up with the other members of her famous clan.‐ RogerEbert.com
Read More | Posted May 12, 2017
3/4 86% The Wedding Plan (2017) Burshtein allows some loose and unexplained story threads to dangle needlessly along the way, but she does know how to ratchet up the tension and keep us guessing to the very end.‐ RogerEbert.com
Read More | Posted May 12, 2017
1.5/4 36% Voice from the Stone (2017) Duly drenched in Gothic atmosphere but disastrously drained of any solid suspense.‐ RogerEbert.com
Read More | Posted Apr 28, 2017
1.5/4 38% How to Be a Latin Lover (2017) How to Be a Latin Lover doesn't know how to be a comedy-at least not a 21st century one that can get away with dopey double entendres while promoting the importance of family ties over money.‐ RogerEbert.com
Read More | Posted Apr 28, 2017