Susan Wloszczyna Movie Reviews & Previews - Rotten Tomatoes

Susan Wloszczyna

Susan Wloszczyna
Susan Wloszczyna's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
2.5/4 39% Wilson (2017) The plot opts for cop-out sentimentality and begins to melt into goo.‐ RogerEbert.com
Read More | Posted Mar 24, 2017
3/4 70% Beauty and the Beast (2017) This gloriously old-fashioned musical with gee-whiz trappings is a dazzling beauty to behold.‐ RogerEbert.com
Read More | Posted Mar 13, 2017
2/4 77% The Other Half (2017) A somber and derivative relationship drama.‐ RogerEbert.com
Read More | Posted Mar 10, 2017
3/4 67% Before I Fall (2017) A story aimed primarily at teen and tween girls, one that doesn't pander or preach and avoids over-villainizing its characters, even if a cliché or two sneaks in.‐ RogerEbert.com
Read More | Posted Mar 3, 2017
3/4 75% Lovesong (2017) Kim has wisely provided her two stars with enough breathing room to bring her movie to life.‐ RogerEbert.com
Read More | Posted Feb 17, 2017
2.5/4 91% The Lego Batman Movie (2017) It soon becomes apparent that not everything is quite as awesome this time around.‐ RogerEbert.com
Read More | Posted Feb 9, 2017
2.5/4 56% Wheeler (2017) Dang if [Dorff] doesn't make this simple yet sincere saga hit more than a few high notes.‐ RogerEbert.com
Read More | Posted Feb 3, 2017
2.5/4 76% The Daughter (2017) The off-kilter handheld camerawork frequently chases after the figures as they move about. But there is no disguising that there's much more talk than action in The Daughter.‐ RogerEbert.com
Read More | Posted Jan 27, 2017
2/4 32% Monster Trucks (2017) It never made me want to sink ever deeper in my seat with despair at every plot turn as some flat-out lemons do.‐ RogerEbert.com
Read More | Posted Jan 12, 2017
3/4 No Score Yet Everybody Knows... Elizabeth Murray (2017) Despite the compact running time, it is easy to feel that you have come to know-and likely admire-Elizabeth Murray.‐ RogerEbert.com
Read More | Posted Jan 11, 2017
2.5/4 58% Middle School: The Worst Years of My Life (2016) Middle School: The Worst Years of My Life is better than middling as it sidesteps the trap of simply pandering to its youthful demo with cheap laughs and silly mugging.‐ RogerEbert.com
Read More | Posted Jan 5, 2017
4/4 92% Toni Erdmann (2016) Abundantly talented writer/director Maren Ade fully embraces the inherent awkwardness of a testy emotional bond and tackles it to the ground.‐ RogerEbert.com
Read More | Posted Dec 23, 2016
3/4 73% Sing (2016) Its makers know all too well how to fully exploit the power of a catchy pop song.‐ RogerEbert.com
Read More | Posted Dec 19, 2016
1.5/4 12% Collateral Beauty (2016) I don't think I've witnessed a film this year that managed to so completely and utterly collapse into crass garbage in its last few minutes while abusing what little goodwill it has.‐ RogerEbert.com
Read More | Posted Dec 15, 2016
2/4 41% Office Christmas Party (2016) Yet another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of logic often leads to a decline in sustained laughter.‐ RogerEbert.com
Read More | Posted Dec 9, 2016
3.5/4 86% Lion (2016) Let's just say if you are human, there is no way that Lion won't move you.‐ RogerEbert.com
Read More | Posted Nov 24, 2016
3/4 73% Fantastic Beasts and Where to Find Them (2016) It is best to simply sit back at some point and enjoy the ride.‐ RogerEbert.com
Read More | Posted Nov 17, 2016
2.5/4 74% Trolls (2016) A derivative madcap money machine that is all about ensuring that DreamWorks, which has had few hits other than sequels in recent years, has a fresh pipeline of steady revenue.‐ RogerEbert.com
Read More | Posted Nov 3, 2016
3/4 92% The Eagle Huntress (2016) A sky-high documentary salute to girl power.‐ RogerEbert.com
Read More | Posted Nov 2, 2016
1.5/4 No Score Yet Priceless (2016) What should be a lean and taut thriller based on true stories is about as exciting as watching wet socks bounce around in the dryer.‐ RogerEbert.com
Read More | Posted Oct 14, 2016
2/4 53% Mascots (2016) As hard as it is to admit, Guest's once-incisive satirical bite has grown dull in its familiarity. He doesn't seem to be having as much fun here and neither are we.‐ RogerEbert.com
Read More | Posted Oct 13, 2016
2.5/4 82% Denial (2016) Much like Lipstadt, viewers aren't privy to the inner workings of the defense except in dribs and drabs.‐ RogerEbert.com
Read More | Posted Sep 30, 2016
2.5/4 54% The Dressmaker (2016) Positively explodes with a surfeit of pent-up creative energy that unfortunately doesn't know when to stop.‐ RogerEbert.com
Read More | Posted Sep 23, 2016
3/4 76% Bridget Jones's Baby (2016) This update on Bridget's always-complicated affairs of the heart is more often than not a bundle of joy to watch and a far cry from being a pail of poopy nappies.‐ RogerEbert.com
Read More | Posted Sep 15, 2016
3/4 85% Sully (2016) A porterhouse of a movie that touches your heart. ‐ RogerEbert.com
Read More | Posted Sep 9, 2016
2/4 40% Morgan (2016) Before the midway point, it is pretty obvious what the eventual outcome and supposed big reveal will be. ‐ RogerEbert.com
Read More | Posted Sep 1, 2016
2/4 80% The Intervention (2016) If DuVall's purpose was to provide a snapshot of her generation, she should have sharpened her focus. ‐ RogerEbert.com
Read More | Posted Aug 26, 2016
2.5/4 65% A Tale of Love and Darkness (2016) Portman has an artistic vision worth sharing and developing. ‐ RogerEbert.com
Read More | Posted Aug 19, 2016
3.5/4 87% Florence Foster Jenkins (2016) Florence Foster Jenkins will strike a chord with those looking for relief in the form of originality, top-tier acting and amazingly godawful singing. ‐ RogerEbert.com
Read More | Posted Aug 12, 2016
0/4 11% Nine Lives (2016) Let's just say I have been to wakes that have elicited more laughs.‐ RogerEbert.com
Read More | Posted Aug 5, 2016
2.5/4 81% Equity (2016) Good intentions do count even if the outcome is not perfect. Here is hoping that future productions from Broad Street Pictures prove more satisfying and offer bigger payoffs. ‐ RogerEbert.com
Read More | Posted Jul 29, 2016
2/4 15% Ice Age: Collision Course (2016) It's almost as if the writers were simply using ideas left over from other Ice Age scripts that are about as fresh as the wind beneath Sid's fleas. ‐ RogerEbert.com
Read More | Posted Jul 20, 2016
2/4 73% Ghostbusters (2016) I would have preferred that they simply had shut their naysayers down by producing a better movie. ‐ RogerEbert.com
Read More | Posted Jul 14, 2016
2.5/4 60% Roseanne for President! (2016) Ragtag though fairly amusing ...‐ RogerEbert.com
Read More | Posted Jul 1, 2016
3/4 93% Right Now, Wrong Then (2016) Despite the fact that not much of actual consequence happens during "Right Now, Wrong Then," Hong does much more right here than he does wrong.‐ RogerEbert.com
Read More | Posted Jun 24, 2016
3/4 94% Finding Dory (2016) The result might be less fulfilling this time, but "Dory" is ultimately worth the voyage.‐ RogerEbert.com
Read More | Posted Jun 13, 2016
2.5/4 84% The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble (2016) Much like "20 Feet from Stardom," the doc becomes a grabber whenever it focuses on the immensely skilled and unique individuals who form this melodic melting pot.‐ RogerEbert.com
Read More | Posted Jun 10, 2016
2.5/4 58% Me Before You (2016) Luckily, many of the plot's maudlin pitfalls are greatly mitigated by the film's utterly infectious leading lady.‐ RogerEbert.com
Read More | Posted Jun 2, 2016
2/4 22% Ma ma (2016) Cruz ... single-handedly breathes a sense of genuineness into this maudlin exercise even if she can't cure all of its flaws.‐ RogerEbert.com
Read More | Posted May 20, 2016
1.5/4 43% The Angry Birds Movie (2016) Instead of elevating the Angry Birds concept to surreal heights of insane genius, the filmmakers settle for a tale bogged down by familiar themes plucked from much better films.‐ RogerEbert.com
Read More | Posted May 17, 2016
2.5/4 75% Last Days In The Desert (2016) "Last Days in the Desert" soon expands into a meditation on such themes as fathers and sons, family responsibilities, trust, destiny and death ...‐ RogerEbert.com
Read More | Posted May 13, 2016
2.5/4 24% Being Charlie (2016) Like most family affairs, the film isn't perfect but it is memorable, and provides a passable high when it is over-one that you haven't felt from a Rob Reiner production in ages.‐ RogerEbert.com
Read More | Posted May 6, 2016
3/4 70% The Wait (L'attesa) (2016) What Messina lacks in substance in his storytelling, he mostly makes up with raw feelings. We come to care through our own powers of observation, and that might be enough.‐ RogerEbert.com
Read More | Posted Apr 29, 2016
2/4 61% The Man Who Knew Infinity (2016) An account of a remarkable person should strive to be as equally remarkable as its subject, not the timid and tidy boilerplate special of a biopic that "The Man Who Knew Infinity" too often resembles.‐ RogerEbert.com
Read More | Posted Apr 28, 2016
3/4 89% The Invitation (2016) An intimate, highly effective chiller in a confined space with an armrest-grabber of a payoff.‐ RogerEbert.com
Read More | Posted Apr 8, 2016
2/4 82% Standing Tall (La Tête Haute) (2016) Earnest can mean serious and sincere. But, in this case, it too often means repetitive and plodding.‐ RogerEbert.com
Read More | Posted Apr 1, 2016
2/4 29% Jane Wants a Boyfriend (2016) Sweetly-intentioned though somewhat awkwardly structured ...‐ RogerEbert.com
Read More | Posted Mar 25, 2016
2/4 59% The Program (2016) The flashily photographed enterprise too often becomes a blur of sound bites and slick aesthetics akin to a Nike commercial.‐ RogerEbert.com
Read More | Posted Mar 18, 2016
1.5/4 12% The Divergent Series: Allegiant (2016) "Allegiant" is basically a thumb-twiddling place holder that relies on crashes, attacks and subpar effects rather than dramatic substance.‐ RogerEbert.com
Read More | Posted Mar 17, 2016
3/4 83% Hello, My Name is Doris (2016) Some might dismiss this tale of a blooming wallflower as simply a manipulative twee fantasy. But for those of us who trust in Field, this film will have us at "Hello."‐ RogerEbert.com
Read More | Posted Mar 11, 2016