Susan Wloszczyna Movie Reviews & Previews - Rotten Tomatoes

Susan Wloszczyna

Susan Wloszczyna
Susan Wloszczyna's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
2/5 36% Snatched (2017) [Snatched] is an underdone farcical variation on the "vacation from hell" theme, combined with the mother-and-daughter-coming-to-terms scenario.‐ AARP Movies for Grownups
Read More | Posted Jun 19, 2017
2/4 22% The Book of Henry (2017) Every book needs an editor.‐ RogerEbert.com
Read More | Posted Jun 16, 2017
3/4 77% Beatriz at Dinner (2017) Hayek turns Beatriz into her own breed of wonder woman, Lithgow's Strutt is definitely a super villain of sorts and their head-to-head battle is clearly worth seeing even if, in real life, it has only begun.‐ RogerEbert.com
Read More | Posted Jun 9, 2017
2.5/4 81% The Exception (The Kaiser's Last Kiss) (2017) Yes, the narrative is occasionally clunky and there is often more tell than show. But a strong ensemble offers compensation.‐ RogerEbert.com
Read More | Posted Jun 2, 2017
2/4 29% Pirates of the Caribbean: Dead Men Tell No Tales (2017) Been there, plundered that.‐ RogerEbert.com
Read More | Posted May 25, 2017
2/4 49% Everything, Everything (2017) Only partially succeeds in being the right romantic medicine.‐ RogerEbert.com
Read More | Posted May 19, 2017
2.5/4 49% Paris Can Wait (Bonjour Anne) (2017) If nothing else, [Coppola] has proven that she can keep up with the other members of her famous clan.‐ RogerEbert.com
Read More | Posted May 12, 2017
3/4 84% The Wedding Plan (2017) Burshtein allows some loose and unexplained story threads to dangle needlessly along the way, but she does know how to ratchet up the tension and keep us guessing to the very end.‐ RogerEbert.com
Read More | Posted May 12, 2017
1.5/4 28% Voice from the Stone (2017) Duly drenched in Gothic atmosphere but disastrously drained of any solid suspense.‐ RogerEbert.com
Read More | Posted Apr 28, 2017
1.5/4 40% How to Be a Latin Lover (2017) How to Be a Latin Lover doesn't know how to be a comedy-at least not a 21st century one that can get away with dopey double entendres while promoting the importance of family ties over money.‐ RogerEbert.com
Read More | Posted Apr 28, 2017
2.5/4 67% Little Boxes (2017) What keeps their movie watchable is that Lynskey, Ellis and Jackson are completely believable as a loving family unit going through a rough patch concerning their sense of identity and place.‐ RogerEbert.com
Read More | Posted Apr 14, 2017
3/4 87% Their Finest (2017) Attempts to wed a '30s-style workplace screwball comedy with a misty-eyed World War II drama and, save for a few patchy spots, mostly succeeds.‐ RogerEbert.com
Read More | Posted Apr 6, 2017
3/4 59% Cezanne and I (Cézanne et Moi) (2017) Cézanne et Moi is at its most intoxicating whenever it looks and acts like a landscape painted by its title 19th-century French artist.‐ RogerEbert.com
Read More | Posted Mar 30, 2017
2/4 51% The Boss Baby (2017) The Boss Baby often tries too hard and succeeds too little.‐ RogerEbert.com
Read More | Posted Mar 28, 2017
2.5/4 46% Wilson (2017) The plot opts for cop-out sentimentality and begins to melt into goo.‐ RogerEbert.com
Read More | Posted Mar 24, 2017
3/4 71% Beauty and the Beast (2017) This gloriously old-fashioned musical with gee-whiz trappings is a dazzling beauty to behold.‐ RogerEbert.com
Read More | Posted Mar 13, 2017
2/4 73% The Other Half (2017) A somber and derivative relationship drama.‐ RogerEbert.com
Read More | Posted Mar 10, 2017
3/4 67% Before I Fall (2017) A story aimed primarily at teen and tween girls, one that doesn't pander or preach and avoids over-villainizing its characters, even if a cliché or two sneaks in.‐ RogerEbert.com
Read More | Posted Mar 3, 2017
3/4 77% Lovesong (2017) Kim has wisely provided her two stars with enough breathing room to bring her movie to life.‐ RogerEbert.com
Read More | Posted Feb 17, 2017
2.5/4 90% The Lego Batman Movie (2017) It soon becomes apparent that not everything is quite as awesome this time around.‐ RogerEbert.com
Read More | Posted Feb 9, 2017
2.5/4 56% Wheeler (2017) Dang if [Dorff] doesn't make this simple yet sincere saga hit more than a few high notes.‐ RogerEbert.com
Read More | Posted Feb 3, 2017
2.5/4 76% The Daughter (2017) The off-kilter handheld camerawork frequently chases after the figures as they move about. But there is no disguising that there's much more talk than action in The Daughter.‐ RogerEbert.com
Read More | Posted Jan 27, 2017
2/4 32% Monster Trucks (2017) It never made me want to sink ever deeper in my seat with despair at every plot turn as some flat-out lemons do.‐ RogerEbert.com
Read More | Posted Jan 12, 2017
3/4 No Score Yet Everybody Knows... Elizabeth Murray (2017) Despite the compact running time, it is easy to feel that you have come to know-and likely admire-Elizabeth Murray.‐ RogerEbert.com
Read More | Posted Jan 11, 2017
2.5/4 58% Middle School: The Worst Years of My Life (2016) Middle School: The Worst Years of My Life is better than middling as it sidesteps the trap of simply pandering to its youthful demo with cheap laughs and silly mugging.‐ RogerEbert.com
Read More | Posted Jan 5, 2017
4/4 92% Toni Erdmann (2016) Abundantly talented writer/director Maren Ade fully embraces the inherent awkwardness of a testy emotional bond and tackles it to the ground.‐ RogerEbert.com
Read More | Posted Dec 23, 2016
3/4 73% Sing (2016) Its makers know all too well how to fully exploit the power of a catchy pop song.‐ RogerEbert.com
Read More | Posted Dec 19, 2016
1.5/4 13% Collateral Beauty (2016) I don't think I've witnessed a film this year that managed to so completely and utterly collapse into crass garbage in its last few minutes while abusing what little goodwill it has.‐ RogerEbert.com
Read More | Posted Dec 15, 2016
2/4 41% Office Christmas Party (2016) Yet another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of logic often leads to a decline in sustained laughter.‐ RogerEbert.com
Read More | Posted Dec 9, 2016
3.5/4 86% Lion (2016) Let's just say if you are human, there is no way that Lion won't move you.‐ RogerEbert.com
Read More | Posted Nov 24, 2016
3/4 73% Fantastic Beasts and Where to Find Them (2016) It is best to simply sit back at some point and enjoy the ride.‐ RogerEbert.com
Read More | Posted Nov 17, 2016
2.5/4 74% Trolls (2016) A derivative madcap money machine that is all about ensuring that DreamWorks, which has had few hits other than sequels in recent years, has a fresh pipeline of steady revenue.‐ RogerEbert.com
Read More | Posted Nov 3, 2016
3/4 92% The Eagle Huntress (2016) A sky-high documentary salute to girl power.‐ RogerEbert.com
Read More | Posted Nov 2, 2016
1.5/4 No Score Yet Priceless (2016) What should be a lean and taut thriller based on true stories is about as exciting as watching wet socks bounce around in the dryer.‐ RogerEbert.com
Read More | Posted Oct 14, 2016
2/4 51% Mascots (2016) As hard as it is to admit, Guest's once-incisive satirical bite has grown dull in its familiarity. He doesn't seem to be having as much fun here and neither are we.‐ RogerEbert.com
Read More | Posted Oct 13, 2016
2.5/4 83% Denial (2016) Much like Lipstadt, viewers aren't privy to the inner workings of the defense except in dribs and drabs.‐ RogerEbert.com
Read More | Posted Sep 30, 2016
2.5/4 55% The Dressmaker (2016) Positively explodes with a surfeit of pent-up creative energy that unfortunately doesn't know when to stop.‐ RogerEbert.com
Read More | Posted Sep 23, 2016
3/4 76% Bridget Jones's Baby (2016) This update on Bridget's always-complicated affairs of the heart is more often than not a bundle of joy to watch and a far cry from being a pail of poopy nappies.‐ RogerEbert.com
Read More | Posted Sep 15, 2016
3/4 85% Sully (2016) A porterhouse of a movie that touches your heart. ‐ RogerEbert.com
Read More | Posted Sep 9, 2016
2/4 40% Morgan (2016) Before the midway point, it is pretty obvious what the eventual outcome and supposed big reveal will be. ‐ RogerEbert.com
Read More | Posted Sep 1, 2016
2/4 80% The Intervention (2016) If DuVall's purpose was to provide a snapshot of her generation, she should have sharpened her focus. ‐ RogerEbert.com
Read More | Posted Aug 26, 2016
2.5/4 65% A Tale of Love and Darkness (2016) Portman has an artistic vision worth sharing and developing. ‐ RogerEbert.com
Read More | Posted Aug 19, 2016
3.5/4 87% Florence Foster Jenkins (2016) Florence Foster Jenkins will strike a chord with those looking for relief in the form of originality, top-tier acting and amazingly godawful singing. ‐ RogerEbert.com
Read More | Posted Aug 12, 2016
0/4 12% Nine Lives (2016) Let's just say I have been to wakes that have elicited more laughs.‐ RogerEbert.com
Read More | Posted Aug 5, 2016
2.5/4 81% Equity (2016) Good intentions do count even if the outcome is not perfect. Here is hoping that future productions from Broad Street Pictures prove more satisfying and offer bigger payoffs. ‐ RogerEbert.com
Read More | Posted Jul 29, 2016
2/4 15% Ice Age: Collision Course (2016) It's almost as if the writers were simply using ideas left over from other Ice Age scripts that are about as fresh as the wind beneath Sid's fleas. ‐ RogerEbert.com
Read More | Posted Jul 20, 2016
2/4 73% Ghostbusters (2016) I would have preferred that they simply had shut their naysayers down by producing a better movie. ‐ RogerEbert.com
Read More | Posted Jul 14, 2016
2.5/4 60% Roseanne for President! (2016) Ragtag though fairly amusing ...‐ RogerEbert.com
Read More | Posted Jul 1, 2016
3/4 93% Right Now, Wrong Then (2016) Despite the fact that not much of actual consequence happens during "Right Now, Wrong Then," Hong does much more right here than he does wrong.‐ RogerEbert.com
Read More | Posted Jun 24, 2016
3/4 94% Finding Dory (2016) The result might be less fulfilling this time, but "Dory" is ultimately worth the voyage.‐ RogerEbert.com
Read More | Posted Jun 13, 2016