Tim Coleman Movie Reviews & Previews - Rotten Tomatoes

Tim Coleman

Tim Coleman
Tim Coleman's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Total Film

Movie Reviews Only

Rating T-Meter Title | Year Review
2/5 83% The Divine Order (Die göttliche Ordnung) (2017) If the story beats are familiar, writer/director Petra Biondina Volpe elevates them with an unerring focus on character, while the excellent ensemble deliver a genuine sense of sisterhood.‐ Total Film
Read More | Posted Mar 6, 2018
4/5 70% Erase and Forget (2017) The result is like a Lynchian nightmare of right-wing America. Chilling.‐ Total Film
Read More | Posted Feb 27, 2018
2/5 25% Birth of the Dragon (2017) What could have been a fascinating insight into street versus classical martial arts instead becomes a generic fight flick, with a script so heavy-handed it feels like it was bashed out with knuckle-dusters.‐ Total Film
Read More | Posted Feb 21, 2018
3/5 75% You Have No Idea How Much I Love You (Nawet nie wiesz, jak bardzo cie kocham) (2016) Although the film lacks cinematic scope, it offers a raw emotional honesty.‐ Total Film
Read More | Posted Feb 14, 2018
4/5 88% Makala (2018) It plays like some post-apocalyptic Malick movie: thick dust storms, whispered prayers and an aching empathy for people scraping a living amid utter deprivation.‐ Total Film
Read More | Posted Jan 30, 2018
3/5 100% My Life Story (2018) Temple uses dramatisations and archive footage to add visual breadth, but keeps Suggs' charisma front and centre. It's surprisingly intimate and effortlessly charming.‐ Total Film
Read More | Posted Jan 15, 2018
3/5 80% Walk With Me (2017) The result is poetic but unfocused, with Benedict Cumberbatch providing sparse narration.‐ Total Film
Read More | Posted Jan 2, 2018
4/5 85% Bingo: The King of the Mornings (Bingo - O rei das manhãs) (2017) Dripping with '80s neon, drugs and clown sex, it's Boogie Nights with funny shoes.‐ Total Film
Read More | Posted Dec 15, 2017
2/5 63% The Unseen (2017) Sinyor's film is turgid, flabby and - despite some committed performances and great ideas - toothless, with neither tension nor bite.‐ Total Film
Read More | Posted Dec 15, 2017
3/5 80% Strangled (A martfüi rém) (2017) Although beautifully shot, this is surface-level only: besides the underdeveloped characters, the scenes of sexual violence are gratuitously repetitive.‐ Total Film
Read More | Posted Nov 14, 2017
3/5 60% A Caribbean Dream (2017) Shakirah Bourne's feature has a strong sense of place, with the colours of the Caribbean lending rich texture to the Bard's joyous text.‐ Total Film
Read More | Posted Nov 6, 2017
4/5 78% Pawno (2015) Captivates with compassionate vignettes of humanity.‐ Total Film
Read More | Posted Oct 23, 2017
2/5 88% The Ballad of Shirley Collins (2017) It's chaotic, flitting between Collins' early years collecting songs in the Deep South and her later life, brushing over the fascinating moment she lost her voice following a personal trauma.‐ Total Film
Read More | Posted Oct 23, 2017
4/5 90% Our Last Tango (Un Tango Más) (2016) The result is giddy, meta and soulful, even if the melancholic beats get a little repetitive in the final act.‐ Total Film
Read More | Posted Sep 21, 2017
4/5 88% The Untamed (La región salvaje) (2017) Director Amat Escalante channels Cronenbergian carnality and Andrzej Żuławski's Possession, while Simone Bucio and Ruth Ramos deliver stunning performances. Beware: this is explicit stuff.‐ Total Film
Read More | Posted Aug 14, 2017
4/5 100% Harmonium (Fuchi ni tatsu) (2017) Fukada contrasts understated realism with haunting, dreamlike images. Unsettling and morally complex.‐ Total Film
Read More | Posted May 4, 2017
3/5 14% Finding Fatimah (2017) There's real chemistry between the leads, and Arshad's script evokes the Brit-pic charms of vintage Richard Curtis. But despite strong messages of tolerance and some great gags, a small-screen feel prevails.‐ Total Film
Read More | Posted Apr 19, 2017
2/5 59% Cezanne and I (Cézanne et Moi) (2017) The cinematography's sumptuous, but pacing is very stop-start. Worse, there's an aura of male entitlement, fuelled by the script's uncritical reverence of its flawed philanderers.‐ Total Film
Read More | Posted Apr 11, 2017
4/5 No Score Yet Rahm (2016) If Rahm feels more stagey than cinematic, it's still a gripper.‐ Total Film
Read More | Posted Mar 16, 2017
3/5 98% The Fits (2016) Mood ultimately trumps character, but Holmer's helming brims with promise.‐ Total Film
Read More | Posted Feb 20, 2017
3/5 80% The Park (Le parc) (2016) It's confidently shot with an understated classicism and reaches for meaty themes, such as psychoanalysis and healing from trauma, but the second half is punishingly dull, exhausting the goodwill earned by the charming opener.‐ Total Film
Read More | Posted Feb 6, 2017
3/5 No Score Yet Holy Cow (2015) A refreshing concept, but it's a shame the heft of these themes is undercut by scenes that feel overly staged.‐ Total Film
Read More | Posted Dec 5, 2016