Tim Robey Movie Reviews & Previews - Rotten Tomatoes

Tim Robey

Tim Robey
Tim Robey's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
4/5 86% Captain Underpants: The First Epic Movie (Captain Underpants) (2017) In the best way, it's a gas.‐ Daily Telegraph (UK)
Read More | Posted Jul 23, 2017
2/5 54% 47 Meters Down (2017) The script is a particular disaster area. "Emotional" beats between the sisters, dismally mistimed, prompt guffaws.‐ Daily Telegraph (UK)
Read More | Posted Jul 20, 2017
4/5 88% David Lynch: The Art Life (2017) Not a frame of his post-Eraserhead work appears. Instead, Lynch himself is on screen a lot - daubing, smoking, recollecting.‐ Daily Telegraph (UK)
Read More | Posted Jul 13, 2017
3/5 86% The Midwife (Sage femme) (2017) It's Deneuve who musses up the formula and makes the film worth seeing ...‐ Daily Telegraph (UK)
Read More | Posted Jul 6, 2017
3/5 63% Tommy's Honour (2017) The film's no hole in one, but given the level of cringe that could have been possible, you'd have to chalk it up as a very dignified par.‐ Daily Telegraph (UK)
Read More | Posted Jul 6, 2017
1/5 23% The Book of Henry (2017) Whatever it thinks it is, it's a whole lot less than sensible, and several planets away from, you know, good.‐ Daily Telegraph (UK)
Read More | Posted Jun 22, 2017
2/5 69% Gifted (2017) Evans's dependable charisma and Grace's defiant odd-duck quality just about keep the basic story afloat, but only just.‐ Daily Telegraph (UK)
Read More | Posted Jun 15, 2017
3/5 76% My Cousin Rachel (2017) In the pantheon of du Maurier adaptations, with Rebecca and Don't Look Now up top, it reaches whatever the rung is just above interesting failure.‐ Daily Telegraph (UK)
Read More | Posted Jun 8, 2017
3/5 85% Okja (2017) There's a nifty plot manoeuvre in the middle.‐ Daily Telegraph (UK)
Read More | Posted Jun 7, 2017
5/5 80% You Were Never Really Here (2017) In these staggeringly taut 85 minutes, Ramsay sees a hopeless universe in a jelly bean.‐ Daily Telegraph (UK)
Read More | Posted May 29, 2017
3/5 96% 120 Beats Per Minute (120 battements par minute) (2017) The subject could hardly be more fascinating, and the devotion of these characters to living full lives, even with T-cells falling away and a dire clock ticking over all their futures, is exactly as moving as you would hope.‐ Daily Telegraph (UK)
Read More | Posted May 29, 2017
4/5 94% Good Time (2017) It's Pattinson here who manages to centre and save it, stripping himself free of artificial mannerism and working beautifully with the non-professionals bulking out the cast.‐ Daily Telegraph (UK)
Read More | Posted May 25, 2017
3/5 67% Happy End (2017) It flits from teasing sequence to sequence asking us to notice things: pregnant clues which make their individual contributions to meaning and sink in slowly.‐ Daily Telegraph (UK)
Read More | Posted May 22, 2017
2/5 28% How to Talk to Girls at Parties (2016) An unfortunate amount of the enjoyment began and ended on set.‐ Daily Telegraph (UK)
Read More | Posted May 22, 2017
4/5 73% Wonderstruck (2017) The film's finest sequences reach for the skies, achieving something like a Haynes-Spielberg alchemy in their consoling tenderness.‐ Daily Telegraph (UK)
Read More | Posted May 18, 2017
2/5 35% Snatched (2017) It's impossible not to come out wishing it were better.‐ Daily Telegraph (UK)
Read More | Posted May 18, 2017
3/5 100% Jawbone (2017) Harris ... has built and rendered a character Ken Loach might have won awards for.‐ Daily Telegraph (UK)
Read More | Posted May 12, 2017
4/5 75% Miss Sloane (2016) Lots is entertaining, not least the voracious Jessica Chastain as a she-shark coolly gliding her way through these murky waters.‐ Daily Telegraph (UK)
Read More | Posted May 11, 2017
2/5 21% Sleepless (2017) Alleged action movies need way more novelty than just flour being dusted over the combatants or brief bursts of underwater photography to ring the changes.‐ Daily Telegraph (UK)
Read More | Posted May 4, 2017
3/5 90% Mindhorn (2016) For fans of Barratt, Boosh and mock-heroic Britcoms, it'll mostly hit the spot.‐ Daily Telegraph (UK)
Read More | Posted May 4, 2017
5/5 90% Lady Macbeth (2017) A British, period-set chamber thriller with a star-making turn on one side of the camera, and one hell of a directing debut on the other.‐ Daily Telegraph (UK)
Read More | Posted Apr 27, 2017
1/5 26% Unforgettable (2017) Unforgettable is the sort of psychothriller that comes back in ever tattier incarnations, like a wind-tossed scarecrow whose limbs keep falling off.‐ Daily Telegraph (UK)
Read More | Posted Apr 20, 2017
3/5 73% The Sense Of An Ending (2017) As a part for Jim Broadbent, this is a supremely natural, silky-glove fit. He gets to be haughty, a little cantankerous, rude to his postman.‐ Daily Telegraph (UK)
Read More | Posted Apr 13, 2017
3/5 92% A Quiet Passion (2017) Achingly sensitive in all departments, not least in Nixon's quiveringly intense bluestocking workout. But it aches too loudly.‐ Daily Telegraph (UK)
Read More | Posted Apr 6, 2017
1/5 39% Aftermath (2017) The film takes leave of credibility early, but thinks 271 people unconvincingly dying in the sky should power it through, even though little else happens you could dignify with the word story.‐ Daily Telegraph (UK)
Read More | Posted Apr 6, 2017
2/5 37% Smurfs: The Lost Village (2017) If you know what Smurfs are, you've only got yourself to blame.‐ Daily Telegraph (UK)
Read More | Posted Mar 30, 2017
1/5 14% Man Down (2016) The movie is fragmented enough from the word go, but plummets from such an insane height at the end that you want to rewind and hand everyone involved a personalised black-box recorder.‐ Daily Telegraph (UK)
Read More | Posted Mar 30, 2017
4/5 45% Ghost in the Shell (2017) For Johansson, this could easily be a franchise in the making, her own futuristic, post-human equivalent of a John Wick or Bourne.‐ Daily Telegraph (UK)
Read More | Posted Mar 28, 2017
2/5 42% Another Mother's Son (2017) Beyond a presiding innocuousness, detecting active virtues in Christopher Menaul's film takes some digging.‐ Daily Telegraph (UK)
Read More | Posted Mar 23, 2017
3/5 67% Life (2017) Taken on its entertainingly trashy terms, Espinosa's film does most of the things you want from it quite well ...‐ Daily Telegraph (UK)
Read More | Posted Mar 23, 2017
4/5 99% Get Out (2017) The most forceful and inventive American horror film since It Follows.‐ Daily Telegraph (UK)
Read More | Posted Mar 16, 2017
3/5 73% Catfight (2017) Sheer novelty powers this confrontational curio, up to a point. But the nastiness cuts both ways.‐ Daily Telegraph (UK)
Read More | Posted Mar 9, 2017
1/5 10% I.T. (2016) The Matrix wants its green-and-black colour scheme back. Cape Fear wants its toxic male combat back. You may well want your money back.‐ Daily Telegraph (UK)
Read More | Posted Mar 9, 2017
4/5 71% Beauty and the Beast (2017) Gorging all at once on this chocolate box of a picture feels almost greedy, but why stop at once? A large chunk of its audience will be straight back in line for seconds.‐ Daily Telegraph (UK)
Read More | Posted Mar 3, 2017
5/5 92% Certain Women (2016) Without seeking to push a one-size-fits-all philosophy, Certain Women coalesces magically and suggests many - in the end, it's about things missing, all the more acutely missed when you briefly think you've found them.‐ Daily Telegraph (UK)
Read More | Posted Mar 2, 2017
2/5 42% A Cure For Wellness (2017) The sanatorium might as well be signposted "this way to campy-Gothic set piece #5", and so on - it just feels like a playground for Verbinski's impish style fetishes.‐ Daily Telegraph (UK)
Read More | Posted Feb 23, 2017
3/5 50% The Dinner (2017) It's the pace and panic of modernity Moverman grasps best as morally corrosive forces: the soft ping of iPhone email alerts never letting us be, and consciences wiped clean as quickly as the next news cycle whips around.‐ Daily Telegraph (UK)
Read More | Posted Feb 16, 2017
3/5 100% The Party (2017) It has a vigorous sense of entertainment value and a cast relishing every moment.‐ Daily Telegraph (UK)
Read More | Posted Feb 16, 2017
5/5 94% The Other Side of Hope (Toivon tuolla puolen) (2017) Watching these players try to out-deadpan each other, almost to out-Kaurismäki each other, as preposterous flukes wipe them out is every bit as addictive as being on a winning streak.‐ Daily Telegraph (UK)
Read More | Posted Feb 16, 2017
3/5 89% John Wick: Chapter 2 (2017) A sequel is entirely welcome, and Chapter 2 does its job entirely ably, without exactly doing much overtime.‐ Daily Telegraph (UK)
Read More | Posted Feb 16, 2017
4/5 92% Hidden Figures (2017) Hidden Figures isn't pushing the cinematic boat out in any new directions, but it steers its prescribed course nimbly and nicely.‐ Daily Telegraph (UK)
Read More | Posted Feb 16, 2017
3/5 77% Viceroy's House (2017) This is easily Chadha's most ambitious film to date, and her best in a long time.‐ Daily Telegraph (UK)
Read More | Posted Feb 13, 2017
5/5 89% 20th Century Women (2017) There are louder films jostling for attention out there. This one is the secret treasure of the season, though - crafted with tender precision, and built to last.‐ Daily Telegraph (UK)
Read More | Posted Feb 12, 2017
2/5 45% Billy Lynn's Long Halftime Walk (2016) Ideally, Billy Lynn's Long Halftime Walk shouldn't play like a demo reel for new technology Ang Lee wishes to unveil. Unfortunately, it does.‐ Daily Telegraph (UK)
Read More | Posted Feb 9, 2017
4/5 93% Fences (2016) The great coup Washington delivers, beyond framing his co-star's virtuous anguish so well, is the risky, brilliant, and frequently alienating performance he gives as Troy.‐ Daily Telegraph (UK)
Read More | Posted Feb 9, 2017
2/5 35% Resident Evil: The Final Chapter (2017) Anderson borrows so many bits and pieces from James Cameron's Aliens you sometimes wonder if he's seen a single other film.‐ Daily Telegraph (UK)
Read More | Posted Feb 2, 2017
4/5 88% Christine (2016) The film's compassion towards Chubbuck emanates from a star turn of huge sensitivity: Hall's version of her is a crumbling person, not a concept.‐ Daily Telegraph (UK)
Read More | Posted Jan 26, 2017
2/5 73% Sing (2016) It feels passionless and market-tested; an unconvincing cover version of fun.‐ Daily Telegraph (UK)
Read More | Posted Jan 26, 2017
3/5 83% Denial (2016) Lipstadt's day in court with Irving has been dramatised by David Hare with his usual keen fidelity to argument and counter-argument.‐ Daily Telegraph (UK)
Read More | Posted Jan 26, 2017
2/5 43% xXx: Return of Xander Cage (2017) Diesel isn't quite 50 yet, and has very big arms, but we're still nearing Roger-Moore-in-A-View-to-a- Kill levels of barely dominating his own film: you feel sorry for the conspicuously agile stunt doubles who've had to shave all their hair off.‐ Daily Telegraph (UK)
Read More | Posted Jan 19, 2017