Tom Long Movie Reviews & Previews - Rotten Tomatoes

Tom Long

Tom Long
Tom Long's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Detroit News

Movie Reviews Only

Rating T-Meter Title | Year Review
B 100% Harold And Lillian: A Hollywood Love Story (2017) Warm, enlightening and inevitably hopeful. Life can be so lovely.‐ Detroit News
Read More | Posted Aug 11, 2017
B+ 73% Landline (2017) A lovely success.‐ Detroit News
Read More | Posted Aug 4, 2017
B+ 92% Abacus: Small Enough to Jail (2017) "Abacus" is probably the only film made in the past decade that could get an audience rooting for a bank, but it does just that.‐ Detroit News
Read More | Posted Jul 21, 2017
B 100% Monterey Pop (1968) Like the time and artists it captures "Monterey Pop" is imperfect, yet vital.‐ Detroit News
Read More | Posted Jul 7, 2017
B+ 91% Obit (2017) "Obit" manages to be both about a specific type of journalism and the larger world it reflects while dropping in all manner of colorful lives and circumstances.‐ Detroit News
Read More | Posted Jun 23, 2017
B 90% Frantz (2017) "Frantz" offers a sympathetic, if dark, look at the awful wake of war, at the cost of institutional violence, as well as the cost of surviving.‐ Detroit News
Read More | Posted Jun 2, 2017
B 84% The Wedding Plan (2017) Unexpectedly rich, "The Wedding Plan" uses the frame of an apparent romantic comedy as a vehicle to study religious faith, loneliness, culture and inner turmoil.‐ Detroit News
Read More | Posted May 19, 2017
B+ 90% Hounds of Love (2017) This movie grabs you by the throat and squeezes.‐ Detroit News
Read More | Posted May 12, 2017
A 92% A Quiet Passion (2017) Davies specializes in period pieces and here he captures Dickinson's miserable isolation and terrible intelligence perfectly.‐ Detroit News
Read More | Posted Apr 28, 2017
B+ 96% After the Storm (Umi yori mo mada fukaku) (2017) For a film filled with broken promises, dead dreams, conniving duplicity and desperation, "After the Storm" has a surprisingly light touch and odd charm.‐ Detroit News
Read More | Posted Apr 7, 2017
B 43% The Most Hated Woman In America (2017) She is an enigma and her rise to success a mirror of self-delusional hokum that should make us pause in reflection.‐ Detroit News
Read More | Posted Mar 30, 2017
C- 9% Bitter Harvest (2017) This is a shameful piece of history that deserves a far better film.‐ Detroit News
Read More | Posted Feb 24, 2017
B- 84% The Girl With All the Gifts (2017) It's all fairly interesting if less than captivating, driven mostly by Nanua's bright performance.‐ Detroit News
Read More | Posted Feb 24, 2017
B+ 100% 2017 Oscar Nominated Shorts: Live Action (2017) Arresting, often impassioned and technically deft proof that a film doesn't have to drone on for an hour and a half to qualify as art.‐ Detroit News
Read More | Posted Feb 10, 2017
B+ 100% 2017 Oscar Nominated Shorts: Documentary (2017) Arresting, often impassioned and technically deft proof that a film doesn't have to drone on for an hour and a half to qualify as art.‐ Detroit News
Read More | Posted Feb 10, 2017
B+ 100% 2017 Oscar Nominated Shorts: Animation (2017) Arresting, often impassioned and technically deft proof that a film doesn't have to drone on for an hour and a half to qualify as art.‐ Detroit News
Read More | Posted Feb 10, 2017
B 96% Seasons (Les saisons) (2016) "Seasons" paints a beautiful picture and then takes a somewhat obvious hammer to it, leaving its upbeat afterthought somewhat stranded.‐ Detroit News
Read More | Posted Jan 26, 2017
B+ 94% Fire at Sea (Fuocoammare) (2016) A fascinating study in contrasts, "Fire at Sea' shows how the normal and painfully abnormal exist side by side - the horrific and the serene, the tragic and the mundane, global crisis and daily humdrum.‐ Detroit News
Read More | Posted Jan 20, 2017
B 95% Old Stone (Lao Shi) (2016) First-time director Johnny Ma goes for gritty realism in this mostly psychological thriller about a good Samaritan drowning in dark waters.‐ Detroit News
Read More | Posted Jan 13, 2017
B+ 100% Bright Lights: Starring Carrie Fisher and Debbie Reynolds (2017) Simultaneously heartwarming and heartbreaking ...‐ Detroit News
Read More | Posted Jan 6, 2017
A 96% 13th (2016) It's all very alarming and upsetting and terrifying.‐ Detroit News
Read More | Posted Dec 9, 2016
B- 92% The Eagle Huntress (2016) The film's feminist message is hardly subtle, but it's still effective. And the peak into the nomad lifestyle - where an eagle just sits on a perch in the living room - is fascinating.‐ Detroit News
Read More | Posted Nov 23, 2016
D- No Score Yet Chatty Catties (2016) The look of the movie is amateurish beginning to end. It's impossible to tell if any of the actors are any good because the film itself is so thoroughly awful.‐ Detroit News
Read More | Posted Nov 18, 2016
B 80% Don't Call Me Son (Mãe Só Há Uma) (2016) Imagine the shock, imagine the adjustment, imagine not wanting to adjust. "Don't Call Me Son" imagines all that and more while calling into question the nature of bonding, blood and close ties.‐ Detroit News
Read More | Posted Nov 18, 2016
A+ 95% The Handmaiden (Ah-ga-ssi) (2016) Go see it. If you love cinema at all, go see it.‐ Detroit News
Read More | Posted Nov 11, 2016
A- 88% Christine (2016) Something of a tour de force for star Rebecca Hall who, in keeping with the film's approach, does so much while seeming to do so little.‐ Detroit News
Read More | Posted Nov 4, 2016
B 25% The Pickle Recipe (2016) Look, you can see where all this is going in the first 15 minutes, but getting there is plenty of fun.‐ Detroit News
Read More | Posted Nov 4, 2016
B+ 89% Do Not Resist (2016) This is not a film about racism in America. It is, instead, a film about the increased militarization of America's police forces. And it is scary stuff indeed.‐ Detroit News
Read More | Posted Nov 4, 2016
A 97% Aquarius (2016) This isn't a movie about a situation; it's a movie about a fully formed, red-blooded character dealing with a situation while also dealing with everything else.‐ Detroit News
Read More | Posted Oct 28, 2016
B+ 94% Miss Hokusai (Sarusuberi: Miss Hokusai) (2016) There are meditations on mortality, art, relationships, love, fear, sexuality and spirituality in this sumptuous-looking film. They cohere into a portrait of a young woman as complex as any big screen character can be.‐ Detroit News
Read More | Posted Oct 21, 2016
B+ 89% Tanna (2016) The performances here, from complete nonprofessionals, make you wonder whether acting is as much a natural inheritance as a trained craft.‐ Detroit News
Read More | Posted Oct 14, 2016
B+ 90% A Man Called Ove (En man som heter Ove) (2016) "A Man Called Ove" starts out gruff and unlikable and more than a bit stereotypical. Then it opens up and becomes something of an epic about ordinary life, touching, funny and engrossing.‐ Detroit News
Read More | Posted Oct 7, 2016
B 85% Don't Blink - Robert Frank (2016) "Don't Blink" is a portrait of an artist, a portrait that draws upon Frank's own improvisational approach to filmmaking, but which also manages to capture a life's story, as well as its subject's essence.‐ Detroit News
Read More | Posted Sep 30, 2016
C 35% Max Rose (2016) Max Rose, and Jerry Lewis, deserve a better movie than this one.‐ Detroit News
Read More | Posted Sep 16, 2016
B 98% The Fits (2016) Using a lot of real-life West End of Cincinnati dancers and athletes in the cast lends the film an authentic feel without ever feeling amateurish, and the specificity of Toni's story resonates outward.‐ Detroit News
Read More | Posted Sep 9, 2016
B+ 76% Eva Hesse (2016) "Eva Hesse" is a remarkable film about an even more remarkable artist, a woman who playfully and resolutely turned the world of sculpture inside out.‐ Detroit News
Read More | Posted Aug 26, 2016
B+ 94% Lo and Behold, Reveries of the Connected World (2016) It's fascinating, scary (so scary), interesting stuff.‐ Detroit News
Read More | Posted Aug 26, 2016
B 90% Eat That Question: Frank Zappa in His Own Words (2016) Any true Zappa fan will eat this stuff up. For novices it may open up the universe.‐ Detroit News
Read More | Posted Aug 19, 2016
B 85% Norman Lear: Just Another Version of You (2016) An affectionate reminder of what an impact one writer-producer had on the modern world.‐ Detroit News
Read More | Posted Aug 5, 2016
D 59% The Mind's Eye (2016) In the history of cheap gore films, "The Mind's Eye" is just another blip on the bloody screen.‐ Detroit News
Read More | Posted Aug 5, 2016
B+ 96% Nuts! (2016) Lane uses creative animation, archival footage and recordings - the good doctor apparently loved to be filmed - to tell an absolutely outrageous story of neediness, greed, delusion and gullibility.‐ Detroit News
Read More | Posted Jul 29, 2016
B+ 94% Life, Animated (2016) There are moments of joy, revelation, connection, sadness and hope, and the film is very, very moving.‐ Detroit News
Read More | Posted Jul 22, 2016
B 77% Viktoria (2016) This is writer-director Maya Vitkova's first feature and she deftly blends the mundane, the operatic and the bittersweet.‐ Detroit News
Read More | Posted Jul 22, 2016
C 87% Neon Bull (Boi Neon) (2016) Most of the movie is poking bulls, blaring rodeo announcers, time spent in the back of the truck as the bulls are moved from point A to point B. Not exactly riveting stuff ...‐ Detroit News
Read More | Posted Jul 15, 2016
B+ 97% Hunt for the Wilderpeople (2016) "Hunt for the Wilderpeople" is a hoot with heart.‐ Detroit News
Read More | Posted Jul 15, 2016
B+ 86% The Idol (Ya Tayr El Tayer) (2016) Obviously anyone can see where this going, but director Abu-Assad wisely makes the journey fascinating by factoring in cultural and political considerations.‐ Detroit News
Read More | Posted Jun 24, 2016
C- 84% Francofonia (2016) "Francofonia" is terribly over-directed and seems strange just for the sake of being strange.‐ Detroit News
Read More | Posted Jun 17, 2016
A 100% Fireworks Wednesday (Chaharshanbe-soori) (2016) Farhadi manages to skirt the political and focus on human emotion, deception and frailty with such force that his setting and artistic restraints are rendered near irrelevant.‐ Detroit News
Read More | Posted Jun 10, 2016
A 87% All the Way (2016) The film posits LBJ and King as imperfect men who sincerely wanted to do good, even if their paths weren't completely straight. Much of the backroom dealing and power brokering is revelatory.‐ Detroit News
Read More | Posted May 20, 2016
C- 10% Papa: Hemingway in Cuba (2016) Richardson deserves better. Hemingway certainly deserves better. And so does the audience.‐ Detroit News
Read More | Posted Apr 29, 2016