Wendy Ide Movie Reviews & Previews - Rotten Tomatoes

Wendy Ide

Wendy Ide
Wendy Ide's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
22% All Eyez on Me (2017) It is hard to really get a sense of the rapper as a character, so armoured is he by the crackling forcefield of anger which builds exponentially along with his success.‐ Screen International
Read More | Posted Jun 15, 2017
3/5 76% Ballerina (2016) Nineteenth-century Paris is handsomely captured in pleasing sun-dappled computer-animation. And the message of fortitude and resilience is undercut with humour.‐ Observer (UK)
Read More | Posted Jun 13, 2017
2/5 15% The Mummy (2017) No amount of clunky expository dialogue can untangle this mess of bones, bandages and bald commercial cynicism.‐ Observer (UK)
Read More | Posted Jun 11, 2017
3/5 89% Norman (Norman: The Moderate Rise and Tragic Fall of a New York Fixer) (2017) It's a light-footed shimmy of a performance from Gere, who connects us with an unexpected dignity in the soul of this professional parasite.‐ Observer (UK)
Read More | Posted Jun 11, 2017
2/5 24% From the Land of the Moon (Mal de pierres) (2016) The final twist ramps up the feverish silliness of a story that is already unintentionally daft.‐ Observer (UK)
Read More | Posted Jun 11, 2017
2/5 46% Wilson (2017) Despite the mordant humour and the full-throttle chaos of Harrelson's performance, we struggle to connect with any emotional truth here.‐ Observer (UK)
Read More | Posted Jun 11, 2017
4/5 76% Berlin Syndrome (2017) Shortland delves into the knotty complexity of the co-dependent relationship between captor and captive.‐ Observer (UK)
Read More | Posted Jun 11, 2017
1/5 20% The Shack (2017) Making a sincere film about religious faith is a tricky thing to pull off. And this folksy dose of misguided manipulation demonstrates many of the common pitfalls.‐ Observer (UK)
Read More | Posted Jun 11, 2017
3/5 100% Disturbing The Peace (2016) The film gives a hearing to people from both sides, unpicking their ingrained hatred and exploring the moment when they decided that enough was enough.‐ Observer (UK)
Read More | Posted Jun 4, 2017
2/5 91% The Shepherd (El pastor) (2016) Well-meaning but predictable ...‐ Observer (UK)
Read More | Posted Jun 4, 2017
3/5 45% The Hippopotamus (2017) This adaptation of Stephen Fry's novel leans heavily on the elegant profanity of the source material.‐ Observer (UK)
Read More | Posted Jun 4, 2017
2/5 53% Dough (2016) Best filed alongside tandoori chicken pizza in the list of hybrid recipes that should never have left the kitchen ...‐ Observer (UK)
Read More | Posted Jun 4, 2017
4/5 96% After the Storm (Umi yori mo mada fukaku) (2017) Hirokazu Koreeda's bittersweet comedy about three generations of a Japanese family is a gentle delight.‐ Observer (UK)
Read More | Posted Jun 4, 2017
4/5 92% Wonder Woman (2017) In common with Diana, there is a genuine wonder at work here. We rediscover the tropes of genre through her questioning eyes. And for once, the comic-book movie almost seems fresh again.‐ Observer (UK)
Read More | Posted Jun 4, 2017
48% Churchill (2017) Too ponderously paced and conventional to make much of an impact.‐ Screen International
Read More | Posted May 29, 2017
39% In the Fade (Aus dem Nichts) (2017) Doggedly conventional in its approach, the film walks an uneasy line between unflinching honesty and crass emotional exploitation, before tipping into the latter in a questionable final act.‐ Screen International
Read More | Posted May 26, 2017
No Score Yet Zombillenium (2017) Laugh-out-loud moments are about as common as heartbeats in this tale of the industrious undead.‐ Screen International
Read More | Posted May 26, 2017
No Score Yet I Am Not a Witch (2017) The film crafts a framework of superstition and ritual, onto which is hung a vividly realised, if somewhat enigmatic portrait of a child's life.‐ Screen International
Read More | Posted May 26, 2017
4/5 83% 12 Days (2017) It's a quietly devastating film.‐ Observer (UK)
Read More | Posted May 25, 2017
53% Radiance (Hikari) (2017) Fans of Kawase's small scale personal dramas will respond to the film's wistful tone, as well as the plaintive prettiness of the photography.‐ Screen International
Read More | Posted May 23, 2017
4/5 89% The Workshop (L'atelier) (2017) It's a film which demonstrates that debate, the exchange of ideas, can be as thrilling as any ramped up action flick.‐ Observer (UK)
Read More | Posted May 22, 2017
75% Before We Vanish (Sanpo suru shinryakusha) (2017) The sparks of dark humour within this awkwardly paced and overlong drama are not enough to sustain audience interest until the film's laboured conclusion.‐ Screen International
Read More | Posted May 22, 2017
100% A Man of Integrity (Lerd) (2017) A satisfyingly gritty addition to Iran's tradition of humanist cinema.‐ Screen International
Read More | Posted May 22, 2017
3/5 20% Alive in France (2017) [A] shambling blues jam of a documentary.‐ Observer (UK)
Read More | Posted May 22, 2017
67% The Day After (Geu-hu) (2017) All but the most dedicated fans of the director's work might find this story a little too diffuse and meandering, its rewards too deeply buried beneath the evasive wordiness.‐ Screen International
Read More | Posted May 22, 2017
No Score Yet Beauty and the Dogs (Aala Kaf Ifrit) (2017) It's not an easy watch. But, with its feminist spin on the continued battle for basic legal rights following the 2011 ousting of Tunisia's Ben Ali regime, it feels like an important one.‐ Screen International
Read More | Posted May 19, 2017
No Score Yet Ava (2017) Stylistic impact notwithstanding, the film is unbalanced by aimless plotting and queasy questions about the sexualisation of a vulnerable child protagonist.‐ Screen International
Read More | Posted May 19, 2017
71% Wonderstruck (2017) While some might question the key role that serendipity plays in this story, more will respond to the immaculate period work, the engaged approach to disability and the gradual swell of emotion which builds to a belter of a tear jerking climax.‐ Screen International
Read More | Posted May 18, 2017
71% A Suitable Girl (2017) While this triptych portrait of three modern Indian women who have decided, for various reasons, to wed in this way provides some insights, it feels like a tiny chink into a vast and complex subject‐ Screen International
Read More | Posted May 17, 2017
93% Radio Dreams (2017) Radio Dreams' aimless pacing and the characters' fatalistic attitude to the events means that dramatic tension is lacking.‐ Screen International
Read More | Posted May 17, 2017
3/5 75% Miss Sloane (2016) It's a towering, armour-plated performance.‐ Observer (UK)
Read More | Posted May 14, 2017
4/5 100% Jawbone (2017) The familiar boxing movie trajectory doesn't lessen the forceful punch of this underdog story.‐ Observer (UK)
Read More | Posted May 14, 2017
3/5 57% Tomcat (Kater) (2016) [An] intriguing study of a relationship suddenly tipped off balance.‐ Observer (UK)
Read More | Posted May 14, 2017
2/5 29% The Secret Scripture (2016) All the smouldering gorgeousness of Rooney Mara, Theo James, Jack Reynor and Eric Bana can't dress up this mawkish slog of a movie.‐ Observer (UK)
Read More | Posted May 14, 2017
4/5 90% Frantz (2017) There's a pleasing symmetry to this story - lie is matched by lie, journey by journey - and Beer's silky self-possession is utterly beguiling.‐ Observer (UK)
Read More | Posted May 14, 2017
3/5 71% Alien: Covenant (2017) There is plenty to admire here.‐ Observer (UK)
Read More | Posted May 14, 2017
5/5 90% Heal the Living (Réparer les vivants) (2017) This truly is cinema to make the heart beat faster.‐ Observer (UK)
Read More | Posted Apr 30, 2017
3/5 81% Guardians of the Galaxy Vol. 2 (2017) Enormous fun.‐ Observer (UK)
Read More | Posted Apr 30, 2017
4/5 75% Suntan (2017) The inevitable trajectory is agonising - director Argyris Papadimitropoulos brilliantly uses rhythms and repetition to capture Kostis's fall from grace.‐ Observer (UK)
Read More | Posted Apr 30, 2017
4/5 81% Handsome Devil (2017) A warm, reassuring hug of a film that should be shown to every confused kid trying to piece together their identity.‐ Observer (UK)
Read More | Posted Apr 30, 2017
2/5 50% The Promise (2017) With its sugary soft-focus, treacle-toned cinematography, over-masticated fake Turkish accents and cloying love triangle device, this is film that delivers more empty calories than historical sustenance.‐ Observer (UK)
Read More | Posted Apr 30, 2017
3/5 82% A Moving Image (2017) Although the film's approach to issues is a little on the nose at times, in Amoo, we are introduced to a distinctive and bold new voice in British cinema.‐ Observer (UK)
Read More | Posted Apr 30, 2017
No Score Yet House of Z (2017) While all the flurrying and fluster over the engineering of a particularly extravagant gown - and there are skyscrapers which have a less complicated internal infrastructure - gives the third act of the film a sense of peril, the substance comes earlier.‐ Screen International
Read More | Posted Apr 25, 2017
No Score Yet Ice Mother (2017) Kronerová and Nový are persuasive and engaging in the main roles. And they receive sterling support from the peerless avian acting of Adela the depressive chicken.‐ Screen International
Read More | Posted Apr 25, 2017
4/5 87% Their Finest (2017) Arterton brings a grace and dignity to the role, which suggests reserves of courage in her character that the screenplay only hints at.‐ Observer (UK)
Read More | Posted Apr 23, 2017
5/5 95% One Flew Over the Cuckoo's Nest (1975) It's not just Nicholson's performance that makes this film a masterpiece; it's the fact that Forman was able to prevent that performance from capsizing the whole enterprise.‐ Observer (UK)
Read More | Posted Apr 17, 2017
3/5 59% Cezanne and I (Cézanne et Moi) (2017) The film wears its luxuriant production design with the same satisfaction as the newly wealthy Zola does his brocade dressing gown.‐ Observer (UK)
Read More | Posted Apr 17, 2017
3/5 66% The Fate of the Furious (2017) It's Statham who swaggers away with the movie, thanks to an audacious fight sequence accessorised with a gurgling baby in a travel seat and a cameo from British grand dame Helen Mirren as his tea-swilling mum.‐ Observer (UK)
Read More | Posted Apr 17, 2017
2/5 27% The Hatton Garden Job (2017) From the wocka-wocka retro-funk score to the glitchy Guy Ritchie-lite jump cuts, split screens and wipe edits, to the smattering of rhyming slang, this film doesn't have an original idea in its entire running time.‐ Observer (UK)
Read More | Posted Apr 17, 2017
4/5 73% The Sense Of An Ending (2017) Director Ritesh Batra's camera is particularly adept at capturing the subtle flags that indicate that people know each other a little too well.‐ Observer (UK)
Read More | Posted Apr 17, 2017