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Alberto Bermejo
Alberto Bermejo's reviews only count toward the Tomatometer® when published at the following Tomatometer-approved publication(s):
El Mundo (Spain)
Movies reviews only
| Rating | T-Meter | Title | Year | Review |
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The Truth (2019) |
[The movie] manages with elegance and dazzling poise the feelings and emotions on the ambiguous edge that separates the authentic from deception, what we see onscreen and reality. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Dec 27, 2019
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Rojo (2018) |
A strange metaphor about moral depravity. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Aug 09, 2019
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Peterloo (2018) |
A hyperrealist approximation of the origins of class warfare and an efficient didactic exercise that gives a voice to all parties involved. [Full Review in Spanish] - El Mundo (Spain)
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| Posted May 10, 2019
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Red Joan (2018) |
Undoubtedly interesting but far from being the cinematographic jewel that the topic deserves. [Full review in Spanish] - El Mundo (Spain)
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| Posted Apr 22, 2019
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Becoming Astrid (2018) |
The director is able to show the adolescence of the author as an antecedent of what her work would be. [Full Review in Spanish - El Mundo (Spain)
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| Posted Apr 02, 2019
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Bel Canto (2018) |
Claiming the best of what nests in the human condition is an encouraging idea but its artificial and superficial development only rests on the inspired work of the cast. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Mar 22, 2019
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Yomeddine (2018) |
The director builds a moderately discarded, friendly and, especially predictable story. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Mar 15, 2019
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The Heiresses (2018) |
An eloquent portrait of an authoritative and conservative country. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Mar 11, 2019
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70 Big Ones (2018) |
The film feels frustrated and seems to never reach its potential. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Mar 11, 2019
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Sobibor (2018) |
There is an evident disconnect between the story the film is trying to tell and how they want it to reach mass audiences. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Mar 02, 2019
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Feedback (2019) |
Inspiring thriller that penetrates with forcefulness in some hot topics. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Mar 01, 2019
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Everyday Heroes (2016) |
[An] emotional and devastating portrait of their desires to have fun, to play and, in short, to live. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Feb 28, 2019
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Capernaum (2018) |
A narrative that openly directs itself to your feelings and the sensibility of anyone who sees its images. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Feb 15, 2019
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School of Life (2017) |
It's a shame that the solvency of these performances is not enough to save the simplistic story. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Feb 15, 2019
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Chacun pour tous (2018) |
They stage it as something luminous, transforming the shameful episode into a picturesque, pleasant narrative, within the parameters of what big industry defines as a "feel good" movie. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Feb 04, 2019
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Life Itself (2018) |
Promising proposal that is lost between dispersion and forced complexity. - El Mundo (Spain)
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| Posted Jan 04, 2019
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Elis (2016) |
A charismatic character that the film trivializes in the conventions of a biopic and a visual and dramatic treatment that navigates between the torn soap opera and the superficial telefilm. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Dec 28, 2018
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Vision (2018) |
The artifice of the story ends up flooding the story in the name of a complex spirituality. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Dec 28, 2018
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Dantza (2018) |
Without any dialogue, the film captures your interest with its dazzling beauty and the hypnotic sound of its atavic rhythms. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Dec 28, 2018
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Lost in Paris (2016) |
A sweet and entertaining comedy that in moments feels like a comedian's stand up performance. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Dec 27, 2018
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La familia (2017) |
The director lavishes a narrative pulse and perspicacity in this portrait of deep misery. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Dec 15, 2018
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Galveston (2018) |
The filmmaker brings subtlety and sensitivity to tell a torn and atypical story of redemption. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Dec 07, 2018
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Genezis (2018) |
A startling allegation against the rebound of violent intolerance in the back patio of Europe. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Dec 03, 2018
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Two Waters (2014) |
The result is at times incontestable, from the very start to an exceptionally powerful final stage. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Dec 03, 2018
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A Twelve-Year Night (La noche de 12 años) (2018) |
Álvaro Brechner has reconstructed with remarkable rigor the story of these three characters who survived. [Full review in Spanish] - El Mundo (Spain)
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| Posted Nov 26, 2018
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Bad Times at the El Royale (2018) |
The relations include extreme situations resolved with an overwhelming visual power that becomes hypnotic in some stretches. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Nov 19, 2018
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Dogman (2018) |
Matteo Garrone feels comfortable detonating a loaded costumbrismo, with extreme violence but full of humanity. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Nov 12, 2018
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Fahrenheit 11/9 (2018) |
A combative documentary, with hardly any presence of the director, which is appreciated. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Nov 12, 2018
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The Angel (2018) |
The director opts for a distended treatment contemplating the protagonist with something similar to fascination, admiration or empathy. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Nov 01, 2018
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BlacKkKlansman (2018) |
The stupendous chemistry between the leads and the precision of the entire ensemble fill this movie with credibility on an already incredible story. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Nov 01, 2018
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El fotógrafo de Mauthausen (2018) |
Certain narrative impotence despite the innumerable references to a handful of memorable titles. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Oct 26, 2018
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Burning (2018) |
The director, aside from telling a fascinating story on its own merit, articulates an eloquent portrait of South Korea. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Oct 25, 2018
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What Will People Say (2017) |
The credibility of the staging... comes from the precise work of its performers. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Aug 26, 2018
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Promise at Dawn (2017) |
Paradoxical. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Aug 26, 2018
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Rodin (2017) |
Somewhat dissuasive because of its uneven dramatic intensity. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Aug 26, 2018
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Ceasefire (2017) |
The story is sustained in its actors, but burns out in a scattered framework. [Full review in Spanish] - El Mundo (Spain)
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| Posted Aug 10, 2018
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Just Like Our Parents (2017) |
The filmmaker Laís Bodanzky proposes a timely feminist reflection... supported by the great work of a cast headed by Maria Ribeiro and an appreciable balance between the intensity of the sequences and the beauty of the images. [full review in Spanish] - El Mundo (Spain)
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| Posted Aug 10, 2018
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Alone (Solo) (2018) |
Alain Hernández makes an effort, above all physically, to fill his character with credibility. [Full review in Spanish] - El Mundo (Spain)
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| Posted Aug 06, 2018
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Place Publique (2018) |
Funny but somewhat disenchanted, there's an air of sadness and melancholy. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Jul 27, 2018
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Dark Buildings (A Crack in the Wall) (2018) |
There are too many limitations placed on the narrative. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Jul 18, 2018
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Jean-François and the Meaning of Life (Jean-François i el sentit de la vida) (2018) |
A convincing performance from Max Megias. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Jul 18, 2018
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Los perros (2017) |
Intense. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Jul 03, 2018
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78/52 (2017) |
Passionate cinephiles. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Jul 03, 2018
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Nobody's Watching (2017) |
Nobody's Watching exudes melancholy. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Jun 26, 2018
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The Guardians (2017) |
Outstanding work from the three protagonists. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Jun 26, 2018
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The Cakemaker (2017) |
It's an unusual approach to intimacy and love... [Full Review in Spanish] - El Mundo (Spain)
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| Posted Jun 18, 2018
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Naked Normandy (2018) |
There's a lack of definition in this film; it fails to be either tragedy or comedy. [Full Review in Spanish] - El Mundo (Spain)
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| Posted Jun 12, 2018
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In Times of Fading Light (2017) |
Tragedy with flashes of humor... [Full Review in Spanish] - El Mundo (Spain)
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| Posted Jun 12, 2018
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Corporate (2017) |
[An] unsettling portrait of the world in which we live. [Full review in Spanish] - El Mundo (Spain)
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| Posted May 25, 2018
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Faces Places (2017) |
Few experiences are as dynamic and inspiring as this overflowing exercise of freedom signed by the veteran Agnès Varda in connivance and complicity with the young photographer JR. [Full review in Spanish] - El Mundo (Spain)
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| Posted May 25, 2018
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