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Andrea Hubert
Andrea Hubert's reviews only count toward the Tomatometer® when published at the following Tomatometer-approved publication(s):
Little White Lies
Movies reviews only
| Rating | T-Meter | Title | Year | Review |
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The Expendables (2010) |
It's difficult not to cringe, albeit nostalgically, at the vast gap between what they're trying to achieve and what they actually manage to accomplish. - NME (New Musical Express)
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| Posted May 19, 2021
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The Last Airbender (2010) |
Time was, the endings of M.Night Shyamalan films were always the biggest mystery. Now, the only mystery remaining is how, in a recession, he continues to get studios to fund his films. - NME (New Musical Express)
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| Posted May 19, 2021
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Coco Chanel & Igor Stravinsky (2009) |
If the aftertaste desired is one of artistic expression taking the place of human emotion, then job well done. But I highly doubt I'd have cared as little for either genius in the flesh as I did for their representation here. - NME (New Musical Express)
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| Posted May 19, 2021
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The Human Centipede (2009) |
Psychologically indelible nastiness. - NME (New Musical Express)
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| Posted May 19, 2021
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The Sorcerer's Apprentice (2010) |
Sadly, there is precious little left of the genius that once was Cage, the man whose electric insanity made instant classics of Wild at Heart and Raising Arizona. - NME (New Musical Express)
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| Posted May 19, 2021
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Salt (2010) |
Noyce cleverly keeps us guessing, but we know that just as the protagonist' truth is built upon lies, so too is the film's heart - exciting, yet empty and full of glaring holes. - NME (New Musical Express)
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| Posted May 19, 2021
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Toy Story 3 (2010) |
Third time is equally charming for Woody and the gang. - NME (New Musical Express)
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| Posted May 19, 2021
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The A-Team (2010) |
This film is no great work of art, it's true - but it"s a perfect version of what it's meant to be. - NME (New Musical Express)
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| Posted May 19, 2021
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Splice (2009) |
The big showdown, when it comes, is a disappointment. But on reflection, that's probably because the determination to get there overshadows the moral ambiguity of human decisions which is, as in life, where the real horror lies. - NME (New Musical Express)
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| Posted May 19, 2021
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City Island (2009) |
A surprising, thoughtful and funny gem. - NME (New Musical Express)
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| Posted May 19, 2021
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Gainsbourg (2010) |
Gainsbourg is often just the right side of uncomfortably intimate, but that's what makes it such a magnetic film. - NME (New Musical Express)
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| Posted May 19, 2021
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South of the Border (2009) |
...a brilliantly made film, as one would expect, articulated by a master filmmaker and a brave and admirable pioneer for democracy. - NME (New Musical Express)
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| Posted May 19, 2021
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Separado! (2009) |
Separado! is an enjoyable history lesson the way one would have wanted to learn history, but perhaps one best learnt when it finds its way, as it certainly will, to your living room, rather than the big screen. - NME (New Musical Express)
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| Posted May 19, 2021
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Step Up 3 (2010) |
A choreographical misstep, perhaps? - NME (New Musical Express)
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| Posted May 19, 2021
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The Karate Kid (2010) |
Keeping comparisons to a minimum, this is a competent and enjoyable film in its own right, the essence of the original being the cultivation of a father/son relationship and the moral platitudes of respect and mercy holding fast in the remake. - NME (New Musical Express)
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| Posted May 19, 2021
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Predators (2010) |
If you're looking for psychological depth, save your money - what little there is frankly, embarrassingly bad and the characters remain disappointingly shallow, despite their endless drip-feed of personal exposition... - NME (New Musical Express)
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| Posted May 19, 2021
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Knight and Day (2010) |
Bland, forgettable, expensive action... - NME (New Musical Express)
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| Posted May 19, 2021
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Lymelife (2008) |
In short, voyeurism hour is over - either come up with something fresh, or pick up your own keys and go back home. - NME (New Musical Express)
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| Posted May 19, 2021
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Shrek Forever After (2010) |
Fourth time isn't the charm. - NME (New Musical Express)
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| Posted May 19, 2021
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Get Him to the Greek (2010) |
If the comedy formula works as well as it does here, a little fraying around the edges isn't going to hurt... - NME (New Musical Express)
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| Posted May 19, 2021
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The Collector (2009) |
Watching innocent people suffer for two hours in near silence doesn't cut it, no matter how interesting the moral turmoil of the anti-hero may be. - NME (New Musical Express)
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| Posted May 19, 2021
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Jerusalema (2008) |
Rooting for the bad guys all the way... - NME (New Musical Express)
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| Posted May 19, 2021
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London River (2009) |
It's to her credit that Blethyn never alienates the audience, despite this, and manages to prioritise the subtly beautiful relationship between the suffering duo. Without it, the film is less than the sum of its parts perhaps, but it's worth seeing... - NME (New Musical Express)
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| Posted May 19, 2021
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Inception (2010) |
"They say we only use a fraction of our brain's potential" we are told in Inception. The same will never be said of Nolan. - NME (New Musical Express)
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| Posted May 19, 2021
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Good Hair (2009) |
Chris Rock talks about ladies hair - and it's awesome... - NME (New Musical Express)
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| Posted May 19, 2021
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Whatever Works (2009) |
The script is as tight as any Curb episode, as waspish, as bitchy and clever as it should be, and though there is no ground broken here, there is none lost either. - NME (New Musical Express)
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| Posted May 19, 2021
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Black Dynamite (2009) |
Brilliant Blaxploitation re-crafting - NME (New Musical Express)
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| Posted Apr 29, 2021
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The Last Station (2009) |
Hoffman injects as much wit, humour and pace into an essentially dry sequence of events as possible... yet even the film's ironclad performances can't save The Last Station from a distinct lack of action. - Little White Lies
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| Posted Feb 19, 2010
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