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Critics list

Claudia Puig

Tomatometer-approved critic

Reviews

Movies TV Shows
Waltzing with Brando (2024) 56% EDIT “It feels like a bad sitcom. ” – FilmWeek (LAist) Dec 31, 2025 Full Review Democracy Noir (2024) EDIT “Well made, eye-opening, and extremely timely.” – FilmWeek (LAist) Dec 31, 2025 Full Review The Summer Book (2024) 83% EDIT “Glenn Close is wonderful in it. Besides her performance, the main it has going for it is this evocative sense of place.” – FilmWeek (LAist) Dec 31, 2025 Full Review Another End (2024) 29% EDIT “A vaguely sci-fi story that's so lifeless and apathetic it's almost inert. It doesn't deserve these vibrant actors.” – FilmWeek (LAist) Dec 31, 2025 Full Review A Big Bold Beautiful Journey (2025) 36% EDIT “A misfire with about as much emotional depth as a greeting card.” – FilmWeek (LAist) Dec 31, 2025 Full Review The Tale of Silyan (2025) 100% EDIT “A lovely, lyrical film... The images are just so striking.” – FilmWeek (LAist) Dec 31, 2025 Full Review Cutting Through Rocks (2025) 100% EDIT “Inspiring, really well-shot, and also quite moving.” – FilmWeek (LAist) Dec 31, 2025 Full Review Fackham Hall (2025) 74% EDIT “It's not as good as Airplane!, but it's fun. ” – FilmWeek (LAist) Dec 31, 2025 Full Review The Secret Agent (2025) 98% EDIT “A top-notch political thriller. It's layered, absorbing, and also has a lot of humanity amidst the twists and turns.” – FilmWeek (LAist) Dec 31, 2025 Full Review Man Finds Tape (2025) 82% EDIT “It's pretty smart and sophisticated. It devolves, as so many horror movies do... [But] it is kind of a fun. A good idea that maybe needed stronger execution.” – FilmWeek (LAist) Dec 12, 2025 Full Review The Making of a Japanese (2023) EDIT “It's students learning how to live in their society. It's quite interesting. ” – FilmWeek (LAist) Nov 25, 2025 Full Review Manas (2024) EDIT “What I loved about it is how it feels really realistic and authentic in its depiction of the Amazon community.” – FilmWeek (LAist) Nov 25, 2025 Full Review Out of Plain Sight (2024) EDIT “Chilling and also very briskly paced... Equal parts illuminating, unsettling and infuriating. ” – FilmWeek (LAist) Nov 25, 2025 Full Review Left-Handed Girl (2025) 98% EDIT “A really wonderful film. ” – FilmWeek (LAist) Nov 25, 2025 Full Review Rental Family (2025) 87% EDIT “The main reason to see it is Brendan Fraser. He is perfectly cast in this role. ” – FilmWeek (LAist) Nov 25, 2025 Full Review Wicked: For Good (2025) 66% EDIT “It's more pointedly political, but it's more lackluster when it should feel more buoyant. ” – FilmWeek (LAist) Nov 25, 2025 Full Review Griffin in Summer (2024) 94% EDIT “A really promising feature directorial debut... The casting is so spot on. It's such a top-notch ensemble. ” – FilmWeek (LAist) Sep 20, 2025 Full Review We Are Guardians (2023) 100% EDIT “It's done in a way that goes deeper into all the different threads that are involved in the deforestation of the Amazon.” – FilmWeek (LAist) Jun 7, 2025 Full Review The Surrender (2025) 85% EDIT “It's a very strong strong directorial debut... It's really fun to watch as an acting exercise, too. ” – FilmWeek (LAist) Jun 3, 2025 Full Review The Rule of Jenny Pen (2024) 72% EDIT “Slow and creeps along. Setting a movie in a senior home with mostly infirm and incapacitated people can be dicey, and it takes a special kind of film to make that anything other than bleak. ” – FilmWeek (LAist) May 9, 2025 Full Review On Becoming a Guinea Fowl (2024) 100% EDIT “It feels so specific and also universal, which are my favorite kinds of movies. ” – FilmWeek (LAist) May 9, 2025 Full Review Last Take: Rust and the Story of Halyna (2025) 86% EDIT “Essential viewing for anybody who works in the film industry. ” – FilmWeek (LAist) May 9, 2025 Full Review Art Spiegelman: Disaster Is My Muse (2024) 100% EDIT “It's very timely. A fascinating and intimate documentary. ” – FilmWeek (LAist) May 9, 2025 Full Review Riff Raff (2024) 55% EDIT “A clumsy blend of humor and violence. What should be funny isn't.” – FilmWeek (LAist) May 9, 2025 Full Review Mickey 17 (2025) 78% EDIT “I feel like this movie was made by a Bong Joon-ho admirer who wanted to make a pastiche of Bong Joon-ho movies, but it's just not as good as the other ones. ” – FilmWeek (LAist) May 9, 2025 Full Review
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