Eulàlia Iglesias
Eulàlia Iglesias's reviews only count toward the Tomatometer® when published at the following Tomatometer-approved publication(s):
Fotogramas
Caimán Cuadernos de Cine
Movies reviews only
| Rating | T-Meter | Title | Year | Review |
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All the Beauty and the Bloodshed (2022) |
... A splendid celebration of art as a form of vital combat from the beauty and pain of otherness. [Full review in Spanish] - Fotogramas
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| Posted Mar 10, 2023
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I Have Electric Dreams (2022) |
The director creates an atmosphere filled with incipient eroticism and undeniable discomfort, a setting of welcome complexity in which the ease of Daniela Marín Navarro shines at all times; her magnetism electrifies the screen. [Full review in Spanish] - Fotogramas
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| Posted Feb 02, 2023
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R.M.N. (2022) |
With Romanian New Wave's characteristic mastery... Mungiu explores the accumulation of factors that feeds the xenophobic hatred triggered by the arrival of three immigrant workers. [Full review in Spanish] - Fotogramas
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| Posted Dec 29, 2022
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Aftersun (2022) |
Beneath the luminous surface of a summer film, one of the most devastating movies of the season emerges. [Full review in Spanish] - Fotogramas
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| Posted Dec 15, 2022
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Close (2022) |
Once again, Dhont captures a queer adolescent experience with undeniable hyper sensibility, but also with the same thirst for taking the dramatic conflict to extreme situations to steal tears away from the audience. [Full review in Spanish] - Fotogramas
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| Posted Nov 30, 2022
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Ali & Ava (2021) |
Awards starring roles to Claire Rushbrook and Adeel Akhtar, two magnificent interpreters who are usually limited to supporting roles. [Full review in Spanish] - Fotogramas
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| Posted Aug 26, 2022
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Fire of Love (2022) |
Results in a splendid revindication of the quality of amateur scientific cinema capturing nature in its spectacular zenith. [Full review in Spanish] - Fotogramas
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| Posted Aug 26, 2022
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Brother's Keeper (2021) |
Uncovers the senselessness behind authoritarian disciplinary measures and their consequences for the most vulnerable. [Full review in Spanish] - Fotogramas
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| Posted Jun 29, 2022
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Las Gentiles (2021) |
The film throws us into that turbulent and nihilistic post-adolescent time in which the fantasy of suicide is more attractive than journeying into the mediocrity of adulthood. [Full review in Spanish] - Fotogramas
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| Posted Jun 03, 2022
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Costa Brava, Lebanon (2021) |
With two of the most charismatic presences of Arab cinema... Costa Brava, Lebanon connects ecological awareness with traditional political cinema that's more reflective than combative. [Full review in Spanish] - Fotogramas
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| Posted May 26, 2022
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Mass (2021) |
... Places an almost sacred value on the cathartic power of dialogue. [Full review in Spanish] - Fotogramas
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| Posted May 19, 2022
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What Do We See When We Look at the Sky? (2021) |
Confirms Alexandre Koberidze as one of the key directors of new European cinema. [Full review in Spanish] - Fotogramas
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| Posted Jan 18, 2022
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Libertad (2021) |
[Clara Roquet shows] immense talent for observing the nuances of social relationships and capturing them without underlining on the screen. [Full review in Spanish] - Fotogramas
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| Posted Dec 03, 2021
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Petite Maman (2021) |
One of the most transformative cinematic experiences that cinema has offered us in recent times. [Full review in Spanish] - Fotogramas
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| Posted Nov 03, 2021
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Cat in the Wall (2019) |
Transmits a reality as identifiable as it is complex. [Full Review in Spanish] - Fotogramas
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| Posted Oct 18, 2021
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Stillwater (2021) |
There's a dangerous lack of verisimilitude that hangs over the entire film. But McCarthy remains firm in his decision not to offer the usual satisfactions expected of these kind of American films. [Full Review in Spanish] - Fotogramas
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| Posted Oct 18, 2021
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Vitalina Varela (2019) |
The cinematography is other worldly. [Full Review in Spanish] - Fotogramas
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| Posted Oct 30, 2020
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I Was at Home, But (2019) |
A splendid Maren Eggert. [Full review in Spanish] - Fotogramas
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| Posted Oct 09, 2020
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Color Out of Space (2019) |
The director adds tasty homegrown details like casting Tommy Chong... [but] the aesthetic embodiment of terror as a chromatic spectrum leaves something to be desired. [Full Review in Spanish] - Fotogramas
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| Posted Aug 27, 2020
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The Last House on the Left (2009) |
Unlike the first version, there is no link here between the film's discomfort and its socio-historical context. [Full review in Spanish] - Sensacine
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| Posted Apr 24, 2020
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Let It Be Law (2019) |
The film portrays the unstoppable force of the feminist movement in Argentina in all its diversity, youthfulness, and egalitarianism. [Full Review in Spanish] - Fotogramas
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| Posted Mar 06, 2020
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The Mummy (1999) |
'The Mummy' ingenuously combines adventure with parody, a hint of horror, the dynamic plasticity of animation and excellent use of the special effects. [Full Review in Spanish] - Sensacine
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| Posted Feb 27, 2020
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The Swallows of Kabul (2019) |
The poetic and evocative strength of the animation compensates for a dramatic plot that is at times forced and predictable. [Full Review in Spanish] - Fotogramas
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| Posted Feb 21, 2020
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Cats (2019) |
Cats' biggest problem is its director. [Full Review in Spanish] - Fotogramas
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| Posted Dec 26, 2019
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Longa noite (2019) |
If the recited texts grant an specific identity to the characters, photography and art design create an almost abstract Galicia. [Full review in Spanish] - Fotogramas
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| Posted Dec 05, 2019
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Charlie's Angels (2019) |
The director limits herself to visit the common places of this type of movie. [Full review in Spanish] - Fotogramas
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| Posted Dec 05, 2019
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Invisible Life (2019) |
Karim Aïnouz updates and provides a twist to the traditional idea of romantic passion that dominates the genre. [Full Review in Spanish] - Fotogramas
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| Posted Nov 22, 2019
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Hormigas (El despertar de las hormigas) (2019) |
The director makes palpable the atmosphere, at the same time sensual and suffocating, where the characters live. [Full Review in Spanish] - Fotogramas
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| Posted Nov 13, 2019
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So Long, My Son (Di jiu tian chang) (2019) |
Like every great director of this kind of melodrama, [Wang Xiaoshuai] finds balance between the personal dimension of the protagonists' conflict and the multiple collective changes that operate in their surroundings. [Full Review in Spanish] - Fotogramas
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| Posted Nov 12, 2019
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Fire Will Come (2019) |
With Fire Will Come, [Oliver] Laxe achieves his most accessible film without renouncing an iota of the artistic ambition that defines his work. [Full Review in Spanish] - Fotogramas
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| Posted Nov 08, 2019
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Kiss Kiss, Bang Bang (2005) |
Kiss Kiss, Bang Bang is a film that is unjustly ignored. [Full Review in Spanish] - Sensacine
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| Posted Nov 05, 2019
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The Santa Clause 2 (2002) |
A rancid Christmas. [Full Review in Spanish] - Sensacine
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| Posted Nov 05, 2019
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Ojos Negros (2018) |
Ojos Negros breathes with its own rhythm. [Full review in Spanish] - Fotogramas
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| Posted Jul 23, 2019
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Wild (2018) |
Frank, intense and emotional, Sauvage transmits, through its splendid protagonist, a fragile and indomitable vitality. [Full Review in Spanish] - Fotogramas
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| Posted Jun 17, 2019
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Touch Me Not (2018) |
A sensual and liberating film. [Full Review in Spanish] - Fotogramas
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| Posted Jun 12, 2019
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Border (2018) |
The emotional complexity of the character is, in fact, the strongest strength of the film. [Full Review in Spanish] - Fotogramas
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| Posted Jan 31, 2019
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Vacancy (2007) |
But the film does not arouse interest enough to leave you eager to see its possible continuation. [Full Review in Spanish] - Sensacine
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| Posted Oct 19, 2018
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Schindler's List (1993) |
Schindler's List is bearable when the characters keep the tension, but the film lapses when its epic drama and sentimentality take over. [Full Review in Spanish] - Sensacine
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| Posted Feb 28, 2018
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Bright (2017) |
Bright's failur does not lie in its hybrid nature, which is not without complexities, but in its inability to exploit this potential. [Full Review in Spanish] - Sensacine
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| Posted Jan 22, 2018
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