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      Harry Windsor

      Harry Windsor

      Harry Windsor's reviews only count toward the Tomatometer® when published at the following Tomatometer-approved publication(s): Hollywood Reporter Junkee
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      Rating T-Meter Title | Year Review
      3/5
      Waiting for the Barbarians (2019) Guerra has tweaked the novel's Beckettian coda, and the film's final shot provides a full stop that is, in 2019, appropriately apocalyptic. The barbarians are us, and the wait is over. - Guardian
      Read More | Posted Sep 13, 2019
      Hearts and Bones (2019) The untangling of each man's past lets the film explore ideas about trust and blinkered assumptions, and Lawrence proves himself a very able director of actors. - Hollywood Reporter
      Read More | Posted Aug 16, 2019
      Iron Fists and Kung Fu Kicks (2019) Before the fadeout it serves as an illuminating, passionately argued tribute to the beauty of martial-arts cinema and its continuing evolution. - Hollywood Reporter
      Read More | Posted Aug 16, 2019
      Queer Japan (2019) An engagingly colorful panorama. - Hollywood Reporter
      Read More | Posted Jul 23, 2019
      Sequin in a Blue Room (2019) Sequin in a Blue Room feels very much of the moment, but it's upholstered by an impressive command of good old-fashioned craft. - Hollywood Reporter
      Read More | Posted Jul 23, 2019
      Danger Close: The Battle of Long Tan (2019) Orchestrated on an impressive scale, the movie nonetheless feels both familiar and diffuse, with thinly sketched variations on a bronzed theme rather than characters... - Hollywood Reporter
      Read More | Posted Jun 20, 2019
      Mystify: Michael Hutchence (2019) It should prove essential viewing for the subject's fans: a tender portrait of the man's highs and lows that sheds new light on the broken years that directly preceded his suicide at 37. - Hollywood Reporter
      Read More | Posted Jun 20, 2019
      Playmobil: The Movie (2019) It's safe to say that anyone who has already reached double digits will find little to enjoy in this generic and lifeless promotional tool... - Hollywood Reporter
      Read More | Posted Jun 11, 2019
      The Final Quarter (2019) The filmmaker's sympathies are not in doubt, though his decision to avoid talking heads - relying instead on contemporaneous television coverage - makes his case stronger by giving all the fulminators enough rope to hang themselves. - Hollywood Reporter
      Read More | Posted Jun 10, 2019
      Palm Beach (2019) What makes the whole thing work is Ward's facility with performers, and the wrinkles that are threaded into plot points we've seen a million times before. - Hollywood Reporter
      Read More | Posted Jun 06, 2019
      Lucky Grandma (2019) A crowd-pleaser with a slyly magnetic lead performance. - Hollywood Reporter
      Read More | Posted Apr 29, 2019
      Man Made (2018) A sensitive snapshot of four lives in transition. - Hollywood Reporter
      Read More | Posted Sep 27, 2018
      The House With a Clock in Its Walls (2018) It largely succeeds, buoyed by Black's typical exuberance, Blanchett's typical slyness and a richly evocative rendering of a Rockwellian suburb sprinkled with goofer dust. - Hollywood Reporter
      Read More | Posted Sep 18, 2018
      The Nun (2018) It's good clean fun nevertheless, and the set pieces expertly supply the tension-and-release satisfactions of the genre - Hollywood Reporter
      Read More | Posted Sep 05, 2018
      Seeds (2017) A melancholy look at a boy adrift. - Hollywood Reporter
      Read More | Posted Jul 23, 2018
      Jirga (2018) The filmmaking could most charitably be described as artless, with a medley of shaky thousand-pixel close-ups providing a sense of detail that doesn't quite extend to the script. - Hollywood Reporter
      Read More | Posted Jun 29, 2018
      Eurotrump (2017) The rise of populism in the United States shadows everything, and EuroTrump makes the case that the story of the global far-right's current moment begins in the Netherlands. - Hollywood Reporter
      Read More | Posted Jun 29, 2018
      Bethany Hamilton: Unstoppable (2018) The many vivid sequences on the waves are enough to justify the pic's presence on the big screen. - Hollywood Reporter
      Read More | Posted May 11, 2018
      Unsane (2018) The world of psychiatry is only a pretext for a Hitchcockian potboiler that plays with the audience's sense of the protagonist's identity and sanity. - The Neighbourhood Paper (Australia)
      Read More | Posted May 09, 2018
      Into the Okavango (2018) Transporting. - Hollywood Reporter
      Read More | Posted Apr 30, 2018
      Making the Grade (2017) A gently amusing mosaic. - Hollywood Reporter
      Read More | Posted Apr 30, 2018
      Ghostbox Cowboy (2018) If this all sounds a bit depressing, it is. But it's certainly never boring, and Maringouin makes the madness feel queasily real. - Hollywood Reporter
      Read More | Posted Apr 25, 2018
      The Guernsey Literary and Potato Peel Pie Society (2018) Buoyed by a reliably appealing star turn from James, this handsome tearjerker mostly sidesteps the tweeness of its title to become, somehow, both an old-fashioned romance and a detective story trumpeting gender equality. - Hollywood Reporter
      Read More | Posted Apr 13, 2018
      Brother's Nest (2018) This is a comedy that's blacker than pitch, and tethered enough to unexaggerated human behavior that it can really commit to the consequences of its characters' colossal stupidity. - Hollywood Reporter
      Read More | Posted Mar 12, 2018
      Alpha Gateway (2018) An intriguing concept, flatly executed. - Hollywood Reporter
      Read More | Posted Mar 12, 2018
      Finding Your Feet (2017) Precision-tooled for the Tuesday afternoon crowd it may be, but Finding Your Feet nevertheless does what it says on the tin, and does it expertly. - Hollywood Reporter
      Read More | Posted Mar 12, 2018
      Flammable Children (2018) Elliott whizzes from montage to sight gag to flashbacks and flash-forwards, skittering sideways for frequent discursions about the family pets, or a disastrous incident with a beach umbrella. - Hollywood Reporter
      Read More | Posted Feb 22, 2018
      Conor McGregor: Notorious (2017) Fans will find this outing a bit old-hat, and newbies will probably be wondering what the fuss is all about. - Hollywood Reporter
      Read More | Posted Jan 30, 2018
      The Space Between (2017) This rather earnest, Rilke-quoting drama boasts lovely locations but is unhurried to a fault, capturing the lead character's ennui a little too punctiliously. - Hollywood Reporter
      Read More | Posted Nov 30, 2017
      Blade of the Immortal (2017) The director's 100th feature, Blade of the Immortal shows Miike to have lost none of the madcap energy and wit that characterize his best work. And while this is not that, it's still got more style to burn than almost any recent Hollywood actioner. - Hollywood Reporter
      Read More | Posted Nov 02, 2017
      West of Sunshine (2017) [A] handsomely lensed slice of life ... - Hollywood Reporter
      Read More | Posted Sep 02, 2017
      The Butterfly Tree (2017) This rather underpowered tale of sexual awakening and grief proceeds at a leisurely pace before a couple of late scenes that strive to outdo each other for sheer melodramatic overreach. - Hollywood Reporter
      Read More | Posted Aug 23, 2017
      Jungle (2017) This is a survival thriller without much in the way of you-know-what, and seems destined to land in the Amazonian bog into which films that satisfy neither grindhouse nor art house are sucked. - Hollywood Reporter
      Read More | Posted Aug 09, 2017
      Rabbit (2017) Showcases strong work from its two promising leads and striking location photography, but doesn't finally make a lick of sense. - Hollywood Reporter
      Read More | Posted Aug 09, 2017
      OtherLife (2017) Knotty sci-fi. - Hollywood Reporter
      Read More | Posted Jun 20, 2017
      Mountain (2017) One of the most visceral essay films ever made, with Peedom and her Sherpa altitude cinematographer Renan Ozturk unfurling a series of glistening images that should be seen only on the biggest of big screens. - Hollywood Reporter
      Read More | Posted Jun 20, 2017
      Ali's Wedding (2017) Walker's debut mines rapid-fire laughs and bountiful heart from a story of romantic misadventure set in train by a young man desperate to live up to his father's expectations. - Hollywood Reporter
      Read More | Posted Jun 15, 2017
      Ellipsis (2017) Wenham ... demonstrates a deft hand here, keeping the wispiest of narratives afloat with a low-key portrait of budding romance that's awake to the excitement of first encounters. - Hollywood Reporter
      Read More | Posted Jun 14, 2017
      Assassin's Creed (2016) Assassin's Creed reps Fassbender's first film as a producer, though it's hard to see what excited him about it, given that he's got nothing to play. - Hollywood Reporter
      Read More | Posted Dec 19, 2016
      Girl Asleep (2015) Girl Asleep might be about an awakening, but it's not a sexual awakening, and this is one teen comedy in which, at long last, the geek doesn't get the girl. - Hollywood Reporter
      Read More | Posted Jul 07, 2016
      Honeyglue (2015) Worthy but more than a little sanctimonious. - Hollywood Reporter
      Read More | Posted May 31, 2016
      River (2015) Sutherland is superbly frayed, seeming to get appreciably thinner and more shell-like every minute. - Hollywood Reporter
      Read More | Posted Mar 10, 2016
      The 5th Wave (2016) Another week, another plucky teenage girl with the fate of the world on her shoulders, buffeted by smoldering glances from two strong, yet sensitive, young men. - Hollywood Reporter
      Read More | Posted Jan 14, 2016
      Holding the Man (2015) An affecting and unexpectedly funny tale of two lovers who had the misfortune to come of age during the burgeoning HIV/AIDS crisis of the 1980's. - Hollywood Reporter
      Read More | Posted Aug 21, 2015
      The Lobster (2015) Lanthimos has a gift for making imagined social conventions plausible and even logical, and in doing so he exposes -- in often brutal, mordantly funny fashion -- the arbitrariness of our own. - Junkee
      Read More | Posted Aug 21, 2015
      Love (2015) [Love] feels sincere if only because it's so unflattering. - Junkee
      Read More | Posted Aug 21, 2015
      Heaven Knows What (2014) Heaven Knows What is a stringently unromantic portrait of fringe dwelling and love, but its authentically monotone picture of street life also makes it kind of deadening. - Junkee
      Read More | Posted Aug 21, 2015
      The Daughter (2015) The performances are uniformly affecting, particularly by Ewen Leslie as Oliver, whose decency makes the pain he endures all the more wrenching. Or it would, if you believed any of it. - Hollywood Reporter
      Read More | Posted Aug 20, 2015
      Sherpa (2015) Rarely are documentaries as powerfully polemic and jaw-gapingly spectacular as Sherpa. - Hollywood Reporter
      Read More | Posted Aug 17, 2015
      One & Two (2015) Disparate influences percolate but never quite cohere in Andrew Droz Palermo's first narrative feature One & Two, which while atmospheric and beautifully lensed ends up being a touch too elliptical for its own good. - Hollywood Reporter
      Read More | Posted Aug 10, 2015
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