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      Namwali Serpell

      Namwali Serpell

      Namwali Serpell's reviews only count toward the Tomatometer® when published at the following Tomatometer-approved publication(s): The Nation The New York Review of Books
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      (Photo Credit: Simone Padovani/Awakening / Contributor/Getty Images Entertainment/Getty Images Europe)

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      Rating T-Meter Title | Year Review
      Atlantics (2019) It wreaks havoc with the interlocking hierarchy of class, race, and gender that most of these other films assume, leaving in its wake a startling study of power in the raw. - The Nation
      Read More | Posted Nov 20, 2019
      Us (2019) An extraordinary turn by Nyong'o. - The Nation
      Read More | Posted Mar 29, 2019
      The Favourite (2018) Strangely enough, it may be through its beasts that The Favourite makes the strongest case that women are, in fact, humans. - The New York Review of Books
      Read More | Posted Dec 14, 2018
      Blade Runner 2049 (2017) In the end, Villeneuve's allusion to Nabokov confesses the derivative status of his sequel... - The New York Review of Books
      Read More | Posted Nov 14, 2018
      Sorry to Bother You (2018) Indeed, smuggled inside Riley's rollicking mashup of surrealism and sci-fi is a cutting critique of race and class. - The New York Review of Books
      Read More | Posted Jul 24, 2018
      Black Panther (2018) Rather than reflecting or distorting a world, this technology builds a world and then lets it fall away. I cannot think of a better metaphor than black sand for a diaspora, a word that comes from a "scattering" yet has come to signify unity and solidarity - The New York Review of Books
      Read More | Posted Feb 22, 2018
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