Nick Prigge
Nick Prigge's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Paths of the Soul (2015)
93%
3/4
EDIT
“Zhang Yang achieves an astonishing immediacy by simply allowing the prostration process to play out over and over with minimal aesthetic interference.” –
Slant Magazine
May 9, 2016
Full Review
Elstree 1976 (2015)
81%
2/4
EDIT
“Jon Spira doesn't extrapolate from his interviewees whether they feel like a true part of the Star Wars universe or mere tag-alongs to a pop-cultural phenomenon.” –
Slant Magazine
May 2, 2016
Full Review
Pelé (2016)
33%
1.5/4
EDIT
“The beautiful game, as Pelé called football (or soccer to us Americans), has never felt like such a sedate slog.” –
Slant Magazine
Apr 25, 2016
Full Review
Diamond Tongues (2015)
100%
3/4
EDIT
“Throughout, Pavan Moondi and Brian Robertson purposely indulge Hollywood formula only to subvert it.” –
Slant Magazine
Feb 15, 2016
Full Review
Band of Robbers (2015)
81%
3/4
EDIT
“It places more focus on the childish fabulousness of The Adventures of Tom Sawyer than the racial reckoning of The Adventures of Huckleberry Finn.” –
Slant Magazine
Jan 10, 2016
Full Review
Addicted to Fresno (2015)
32%
1.5/4
EDIT
“According to the film, killing a guy is all it takes to save one's soul.” –
Slant Magazine
Sep 27, 2015
Full Review
The Mend (2014)
78%
3/4
EDIT
“The film is defined by its staunch refusal to clarify its characters' emotional issues, marooning them instead in the messes those emotions have wrought.” –
Slant Magazine
Aug 19, 2015
Full Review
Amnesiac (2014)
29%
1.5/4
EDIT
“Its concern for the reclamation of identity is less important than the dull approximation of The Others' stark haunted-house atmospherics.” –
Slant Magazine
Aug 10, 2015
Full Review
Jenny's Wedding (2015)
20%
1.5/4
EDIT
“Tolerance in the film doesn't so much suggest a recognizably real epiphany as it does a moving Hallmark card.” –
Slant Magazine
Jul 27, 2015
Full Review
Samba (2014)
61%
2.5/4
EDIT
“Even as Samba struggles to hold onto his identity, the film becomes entangled in an identity crisis of its own.” –
Slant Magazine
Jul 19, 2015
Full Review
Jackie & Ryan (2014)
67%
2/4
EDIT
“The film comes undone in its clumsy attempts to transform its story into a parable of economic distress.” –
Slant Magazine
Jun 28, 2015
Full Review
Runoff (2014)
79%
3/4
EDIT
“This emotionally affecting film never loses sight of the ethical complexity of forsaking a community in the name of an individual.” –
Slant Magazine
Jun 21, 2015
Full Review
Balls Out (2014)
87%
2.5/4
EDIT
“A sports movie actually attuned to the knowledge that victory in an inconsequential game bears no meaning.” –
Slant Magazine
Jun 15, 2015
Full Review
Live From New York! (2015)
51%
2/4
EDIT
“Formally, it relies on a bevy of spectacularly funny clips and a plethora of talking heads, most of which fall back on plaudits rather than sage insights.” –
Slant Magazine
Jun 7, 2015
Full Review
Barely Lethal (2015)
26%
2/4
EDIT
“The film settles into a time-honored groove of so many forgettable juvenile comedies before it.” –
Slant Magazine
May 22, 2015
Full Review
Days of Grace (2011)
65%
2.5/4
EDIT
“Eventually, the film's impressive array of formal pyrotechnics overwhelms its morals.” –
Slant Magazine
Apr 26, 2015
Full Review
Closer to the Moon (2013)
46%
2/4
EDIT
“Writer-director Nae Caranfil oddly forgoes the abundant elegiac aspects of his film's factual material for a tone approaching the ebullient.” –
Slant Magazine
Apr 12, 2015
Full Review
October Gale (2014)
19%
2/4
EDIT
“The film begins as a moodily introspective drama about grief before implausibly morphing into a stale thriller.” –
Slant Magazine
Mar 1, 2015
Full Review
Wild Canaries (2014)
83%
3/4
EDIT
“Lawrence Michael Levine's film occupies a sweet spot between the self-aware and taut.” –
Slant Magazine
Feb 22, 2015
Full Review
Matt Shepard Is a Friend of Mine (2012)
100%
3/4
EDIT
“The doc adopts the viewpoint specifically of those who knew him best, and seeks to separate the person from the emblem.” –
Slant Magazine
Jan 31, 2015
Full Review
Song One (2014)
34%
2.5/4
EDIT
“This snapshot of catharsis follows a familiar trajectory, but Kate Barker-Froyland refreshingly resists elevating her characters' relationship to the level of grandiose.” –
Slant Magazine
Jan 18, 2015
Full Review
Medeas (2013)
80%
3/4
EDIT
“Writer-director Andrea Pallaoro's feature-film debut, Medeas, isn't especially beholden to plot or dialogue, impressionistically shaping its story through pervasive silence.” –
Slant Magazine
Jan 12, 2015
Full Review
Little Accidents (2014)
56%
3/4
EDIT
“A movingly authentic exploration of a working-class milieu and the psychological and economic trauma that ripples through a town in the wake of a tragic accident.” –
Slant Magazine
Jan 9, 2015
Full Review
Little Feet (2013)
75%
3/4
EDIT
“This is a micro-budgeted affair of the heart that's never precious or obnoxious, but tender and moving and occasionally explosive in its intrinsic emotion.” –
Slant Magazine
Dec 8, 2014
Full Review
Comet (2014)
44%
3/4
EDIT
“The film's time-jumping strategy cleverly illuminates the way in which we go over and fixate on isolated incidents in our minds of breakups past.” –
Slant Magazine
Nov 30, 2014
Full Review
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