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      Peter L'Official

      Peter L'Official

      Tomatometer-approved critic
      Biography:

      Village Voice film critic.

      Publications:

      Movies reviews only

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      Rating T-Meter Title | Year Review
      ATL (2006) It unpretentiously serves class consciousness and conflict with its Cadillac music, attempting to capture -- not capitalize on -- the Atlanta scene that's spawned an aesthetic and a mythology all its own. - Village Voice
      Read More | Posted Mar 28, 2006
      Mirage (2004) Marko's story is far from novel, but its wicked evocation of hopelessness transcends any familiarities. - Village Voice
      Read More | Posted Mar 14, 2006
      Eight Below (2006) The plot's slavish schmaltz proves as oppressive as the harsh winter that descends upon the dogs. - Village Voice
      Read More | Posted Feb 21, 2006
      Curious George (2006) Misanthropic toddlers will be rolling in the aisles. - Village Voice
      Read More | Posted Feb 07, 2006
      The Tollbooth (2004) The question of whether Sarabeth will make it as a big-city artist is less fascinating than wondering when she'll discover that her art is terrible. - Village Voice
      Read More | Posted Jan 31, 2006
      Tristan & Isolde (2006) I dub thee tolerable. - Village Voice
      Read More | Posted Jan 17, 2006
      The Car (2003) First-timer Luis Orjuela paint-rollers on soupy layers of humor and emotion while mixing in measured shots of class commentary. - Village Voice
      Read More | Posted Jan 03, 2006
      Zathura (2005) Let's play Jumanji! No, let's not, but say we did -- in space! - Village Voice
      Read More | Posted Nov 08, 2005
      G (2002) No green light but the one mistakenly given to start production. - Village Voice
      Read More | Posted Nov 01, 2005
      The Dark Hours (2005) [A] taut '70s throwback thriller. - Village Voice
      Read More | Posted Oct 11, 2005
      Life, Translated (2006) Kiefer Liu's eccentric bit of teen sigh candy is veined with enough chewy oddities to give it texture, but its sappy center isn't sustainable over 100 minutes. - Village Voice
      Read More | Posted Oct 07, 2005
      (undefined) Wolfe's anecdotal musicology succeeds precisely because of its bare-bones, bawdy yet beautiful approach -- just like the music Vargas makes. - Village Voice
      Read More | Posted Sep 27, 2005
      Into the Fire (2005) If there's an element of Into the Fire that isn't rank and offensive, I've failed to find it. - Village Voice
      Read More | Posted Sep 20, 2005
      Below the Belt (2004) Watch it with your eyes closed. - Village Voice
      Read More | Posted Sep 13, 2005
      Green Street Hooligans (2005) Hooligans loses the plot late though -- in the filmic and Brit-speak sense -- revealing Hollywood, not hooligan, roots. - Village Voice
      Read More | Posted Sep 06, 2005
      Margaret Cho: Assassin (2005) Her embrace of controversial political topics might be welcome if her jokes weren't so predictable. - Village Voice
      Read More | Posted Aug 30, 2005
      The Dukes of Hazzard (2005) Prepare to witness an amazing feat of filmmaking: Shocked and delighted will you be to see real Hollywood actors and real musicians outperformed by your favorite inanimate objects! - Village Voice
      Read More | Posted Aug 02, 2005
      Cronicas (2004) Oscillating between furor and languor, rage and repose, Crnicas mixes ethnography with media critique. - Village Voice
      Read More | Posted Jul 06, 2005
      The War on Kids (2009) Ineptitude is so thorough here that War on . . . could only make sense as a sinister governmental smear campaign to justify the war on drugs and total sobriety. - Village Voice
      Read More | Posted Jun 22, 2005
      POV (2005) Weisberg, whose stripped-down style seems refreshing amid the current spate of super-produced docs, gives you what you want, if what you want are dismally deferred American Dreams and harsh economic realities. And you should. - Village Voice
      Read More | Posted Jun 22, 2005
      After You (2003) As genre fare, Aprs Vous is saved by its irresistibly sympathetic performances. - Village Voice
      Read More | Posted May 31, 2005
      Bomb the System (2003) A needlessly circuitous plot twist leaves a bitter taste, but not before the film's scruffy charm does its work. - Village Voice
      Read More | Posted May 24, 2005
      Red Passport (2003) I'm in jail. Whoops! Now I'm not. - Village Voice
      Read More | Posted May 10, 2005
      XXX: State of the Union (2005) Explosions abound, along with expository dialogue and a ham-tastic triad of performances from Sam Jackson, Willem Dafoe, and Peter Strauss. - Village Voice
      Read More | Posted May 03, 2005
      Death of a Dynasty (2003) In Dynasty, even caricature becomes commodity. - Village Voice
      Read More | Posted Apr 26, 2005
      King's Ransom (2005) Little in this film suggests 'director' Jeff Byrd and writer Wayne Conley possess any facility -- or familiarity -- with irony or any other comedic device. - Village Voice
      Read More | Posted Apr 26, 2005
      Perlasca (2002) More courageous than Spielberg in its depiction of Nazi brutality, Perlasca occasionally feels like the made-for-Italian-TV film that it is. - Village Voice
      Read More | Posted Apr 12, 2005
      Guess Who (2005) The film is predictable and its humor is tension free. - Village Voice
      Read More | Posted Mar 29, 2005
      Naked Fame (2004) There are many dreadful elements in this chronicle of aging gay male porn star Colton Ford's quest for crossover success in the music industry: sub-amateurish camera work, a maddeningly repetitive score, and a listless narrative. - Village Voice
      Read More | Posted Mar 22, 2005
      With Friends Like These... (1998) Plot and characterization are drawn strictly off the rack. - Village Voice
      Read More | Posted Feb 22, 2005
      The Letter (2003) Hamzeh's film eschews voice-over to allow the more despicable characters to embarrass themselves with their ludicrously foolish invective. - Village Voice
      Read More | Posted Feb 08, 2005
      Assisted Living (2003) The problem with Greenebaum's approach is that in courting the confusion between real and constructed realities, he allows our emotional response to become similarly confused. - Village Voice
      Read More | Posted Feb 02, 2005
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