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      Rachel Syme

      Rachel Syme

      Rachel Syme's reviews only count toward the Tomatometer® when published at the following Tomatometer-approved publication(s): New Yorker The New Republic

      Movies reviews only

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      Rating T-Meter Title | Year Review
      Portrait of a Lady on Fire (2019) Even without showing men onscreen, Sciamma depicts the myriad ways in which the patriarchy constricts the lives of her female protagonists. - New Yorker
      Read More | Posted Mar 06, 2020
      Jenny Slate: Stage Fright (2019) I can think of no better way to describe Stage Fright than as a secret, gentle, creamy treat for those who love and think deeply about clothing. - New Yorker
      Read More | Posted Nov 02, 2019
      Parasite (2019) What starts out as a fantasy becomes a family's struggle with their place in a global framework designed to keep them down. They realize that getting out of the basement will require more than a few agile maneuvers. - The New Republic
      Read More | Posted Oct 11, 2019
      Deadwood: The Movie (2019) Deadwood is a story, not of this century, but also not quite out of the past. - The New Republic
      Read More | Posted Jun 11, 2019
      The Inventor: Out for Blood in Silicon Valley (2019) The documentary is worth watching for the range of archival footage Gibney dug up, including some from inside Theranos's clandestine headquarters. - New Yorker
      Read More | Posted Mar 20, 2019
      To All the Boys I've Loved Before (2018) Centineo performs a type of compassionate male energy that is in short supply in movies at the moment, but Lana Condor is undeniably TATBILB's star. - The New Republic
      Read More | Posted Aug 24, 2018
      Hannah Gadsby: Nanette (2018) In Nanette we witness the shock of the new, a voice that dares to speak to this frustrating and often hideous cultural moment, a comedian willing to drop the act. I would call Gadsby a genius, but she would likely push back against that term. - The New Republic
      Read More | Posted Jul 03, 2018
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