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      Sarah Kerr

      Sarah Kerr

      Sarah Kerr's reviews only count toward the Tomatometer® when published at the following Tomatometer-approved publication(s): Slate New Yorker The New York Review of Books

      Movies reviews only

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      Rating T-Meter Title | Year Review
      Selena (1997) It tries to satisfy too many different groups at once and ends up watering down the art so much it satisfies no one. - Slate
      Read More | Posted Feb 27, 2020
      Pulp Fiction (1994) These days a genuine movie surprise is so rare that it feels like a gift. - The New York Review of Books
      Read More | Posted Apr 08, 2019
      Broken Embraces (2009) Broken Embraces moves us with flashes of real beauty. But somehow, instead of setting up house in our memory it departs quickly and lightly when it is done. - The New York Review of Books
      Read More | Posted Mar 13, 2019
      Evita (1996) After all the painstaking verisimilitude the movie neglects its characters. Evita the woman shrinks. It's the background we react to-especially the crowd, with its power to applaud or boo. - The New York Review of Books
      Read More | Posted Aug 16, 2018
      The Piano (1993) It means nothing, and teaches nothing, but it reaches us in some intense and direct way. - The New York Review of Books
      Read More | Posted Aug 15, 2018
      If Lucy Fell (1996) A bleak, annoyingly quirky Gen-X recasting of the When Harry Met Sally notion that true love is based on friendship. - New Yorker
      Read More | Posted Jul 30, 2013
      The English Patient (1996) The whole film is permeated with tenderness for its hurt characters, whom Minghella sees as just a small slice in the fellowship of people who love and suffer. - Slate
      Read More | Posted Jan 29, 2008
      Contact (1997) When Contact finally comes alive, it leaves you frightened and thrilled and emotionally overwrought, as only a child can be. The rest is pandering. - Slate
      Read More | Posted Jun 08, 2007
      Jerry Maguire (1996) You could do far worse than the quest for a reasonable adult happiness. - Slate
      Read More | Posted Jan 01, 2000
      Practical Magic (1998) [Practical Magic] can't decide whether it's a horror show, a cute comedy, or a soap opera. - New Yorker
      Read More | Posted Jan 01, 2000
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