
Sarah Kerr
Movies reviews only
Rating | T-Meter | Title | Year | Review |
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Selena (1997) |
It tries to satisfy too many different groups at once and ends up watering down the art so much it satisfies no one. - Slate
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| Posted Feb 27, 2020
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Pulp Fiction (1994) |
These days a genuine movie surprise is so rare that it feels like a gift. - The New York Review of Books
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| Posted Apr 08, 2019
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Broken Embraces (2009) |
Broken Embraces moves us with flashes of real beauty. But somehow, instead of setting up house in our memory it departs quickly and lightly when it is done. - The New York Review of Books
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| Posted Mar 13, 2019
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Evita (1996) |
After all the painstaking verisimilitude the movie neglects its characters. Evita the woman shrinks. It's the background we react to-especially the crowd, with its power to applaud or boo. - The New York Review of Books
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| Posted Aug 16, 2018
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The Piano (1993) |
It means nothing, and teaches nothing, but it reaches us in some intense and direct way. - The New York Review of Books
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| Posted Aug 15, 2018
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If Lucy Fell (1996) |
A bleak, annoyingly quirky Gen-X recasting of the When Harry Met Sally notion that true love is based on friendship. - New Yorker
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| Posted Jul 30, 2013
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The English Patient (1996) |
The whole film is permeated with tenderness for its hurt characters, whom Minghella sees as just a small slice in the fellowship of people who love and suffer. - Slate
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| Posted Jan 29, 2008
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Contact (1997) |
When Contact finally comes alive, it leaves you frightened and thrilled and emotionally overwrought, as only a child can be. The rest is pandering. - Slate
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| Posted Jun 08, 2007
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Jerry Maguire (1996) |
You could do far worse than the quest for a reasonable adult happiness. - Slate
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| Posted Jan 01, 2000
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Practical Magic (1998) |
[Practical Magic] can't decide whether it's a horror show, a cute comedy, or a soap opera. - New Yorker
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| Posted Jan 01, 2000
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