Sophia Watson
Sophia Watson's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
I Feel Pretty (2018)
35%
EDIT
“...a lazily-written, quickly forgettable beige-o-rama.” –
FILMINK (Australia)
Apr 18, 2018
Full Review
A Wrinkle in Time (2018)
43%
EDIT
“A Wrinkle In Time is a classic case of an over-produced, under-directed Hollywood churn-and-burner.” –
FILMINK (Australia)
Mar 27, 2018
Full Review
Game Night (2018)
85%
14/20
EDIT
“At the end of the day, it is uproariously funny - and that's pretty much all we're looking for...” –
FILMINK (Australia)
Feb 21, 2018
Full Review
Table 19 (2017)
25%
2/20
EDIT
“A horribly superficial rom-com Frankenstein” –
FILMINK (Australia)
Apr 18, 2017
Full Review
Berlin Syndrome (2017)
74%
16/20
EDIT
“"...a remarkably tense and extremely confronting Australian film."” –
FILMINK (Australia)
Apr 18, 2017
Full Review
Personal Shopper (2016)
81%
EDIT
“Part horror, psychological thriller, rom-com, art-house and content marketing for Chanel personafied by the never-better Kristen Stewart” –
FILMINK (Australia)
Mar 15, 2017
Full Review
Colossal (2016)
82%
15/20
EDIT
“big, loud and dumb in the most endearing sense.” –
FILMINK (Australia)
Mar 13, 2017
Full Review
Miss Sloane (2016)
76%
EDIT
“Chastain's delivery of this stone-cold bitch is unbreakable.” –
FILMINK (Australia)
Feb 27, 2017
Full Review
Alone in Berlin (2016)
58%
10/20
EDIT
“There are just no peaks and troughs, which is remarkable given the tremendously heavy content of the film.” –
FILMINK (Australia)
Feb 25, 2017
Full Review
Fences (2016)
92%
17/20
EDIT
“Denzel as director never feels fully in control of the material, but Fences shines in its performances and pithy dialogue.” –
FILMINK (Australia)
Feb 8, 2017
Full Review
Jackie (2016)
87%
19/20
EDIT
“...sets the new standard for the biopic genre against which all future attempts will likely be measured.” –
FILMINK (Australia)
Jan 10, 2017
Full Review
Manchester by the Sea (2016)
96%
19/20
EDIT
“...moving, romantic, devastating, and hilarious.” –
FILMINK (Australia)
Jan 5, 2017
Full Review
Hidden Figures (2016)
93%
16/20
EDIT
“...a beautifully crafted film...” –
FILMINK (Australia)
Jan 3, 2017
Full Review
The Edge of Seventeen (2016)
94%
17/20
EDIT
“It strives to be something greater than a simple coming-of-age flick, and succeeds...” –
FILMINK (Australia)
Jan 3, 2017
Full Review
La La Land (2016)
91%
19/20
EDIT
“It's simply impossible not to completely fall in love with.” –
FILMINK (Australia)
Dec 19, 2016
Full Review
A United Kingdom (2016)
83%
18/20
EDIT
“...a very high calibre piece of cinema.” –
FILMINK (Australia)
Dec 15, 2016
Full Review
Office Christmas Party (2016)
41%
12/20
EDIT
“...feels rushed and reliant on the natural improvisation skills of the cast.” –
FILMINK (Australia)
Dec 7, 2016
Full Review
Allied (2016)
60%
14/20
EDIT
“While the film definitely verges on something that Don Draper may have created, it does have glimmers of real heart and purpose...” –
FILMINK (Australia)
Dec 5, 2016
Full Review
Up for Love (2016)
39%
EDIT
“offers casual, light-hearted laughs” –
FILMINK (Australia)
Dec 5, 2016
Full Review
I Am Not Madame Bovary (2016)
85%
17/20
EDIT
“...genuine, layered and full of heart.” –
FILMINK (Australia)
Nov 16, 2016
Full Review
Morgan (2016)
38%
14/20
EDIT
“...it lacks substance, but it's big, loud and thrilling...” –
FILMINK (Australia)
Nov 15, 2016
Full Review
Southside With You (2016)
92%
17/20
EDIT
“...super likable, charming and romantic...” –
FILMINK (Australia)
Nov 9, 2016
Full Review
The Light Between Oceans (2016)
62%
16/20
EDIT
“...it's the story that's the real problem here.” –
FILMINK (Australia)
Oct 31, 2016
Full Review
American Honey (2016)
79%
18/20
EDIT
“...one of the best films of 2016.” –
FILMINK (Australia)
Oct 31, 2016
Full Review
Hell or High Water (2016)
97%
17/20
EDIT
“...a desperate, bleak and horribly authentic look at post-GFC America.” –
FILMINK (Australia)
Oct 24, 2016
Full Review
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