|
7/10
|
Peaky Blinders: The Immortal Man
(2026)
|
Emiliano Basile
|
Peaky Blinders: The Immortal Man functions as a powerful conclusion, crafted more as a generational bridge for the series than a simple continuation. [Full review in Spanish]
Posted Mar 23, 2026
Edit critic review
|
|
6/10
|
Agent Zeta
(2026)
|
Santiago Echeverría
|
[Agent Zeta] is a film that holds the viewer's interest, with moments of narrative effectiveness and a standout performance from Luis Zahera, but it leaves the feeling of untapped potential. [Full review in Spanish]
Posted Mar 23, 2026
Edit critic review
|
|
8.5/10
|
Project Hail Mary
(2026)
|
Denise Pieniazek
|
This space odyssey with intelligently and emotionally outlines issues such as survival, loneliness, loss, the possibility of new bonds, sharing knowledge and above all, the possibility of interplanetary cooperation or cooperation between living beings…
Posted Mar 19, 2026
Edit critic review
|
|
6/10
|
Turbulence
(2025)
|
Emiliano Basile
|
...Turbulence combines disaster film with passionate drama in a story that is worth more for its symbolic interpretation than for the survival thriller it appears to be. [Full review in Spanish]
Posted Mar 18, 2026
Edit critic review
|
|
7/10
|
La Grazia
(2025)
|
Emiliano Basile
|
La Grazia is a contemplative film, like others by the Italian director, though perhaps even more so. [Full review in Spanish]
Posted Mar 18, 2026
Edit critic review
|
|
8/10
|
The Singers
(2026)
|
Héctor Alejandro Serrano Ortiz
|
It is a short film in duration, but its scope is built on another scale. [Full review in Spanish]
Posted Mar 17, 2026
Edit critic review
|
|
7/10
|
Whiplash
(2014)
|
Juan Pablo Russo
|
Chazelle's most significant achievements lie not only in a flawless script but also in the construction of the characters' psychological profiles. [Full review in Spanish]
Posted Mar 17, 2026
Edit critic review
|
|
7/10
|
The Tasters
(2025)
|
Denise Pieniazek
|
The Tasters through its highly original choice of a particular focus and perspective on World War II, undoubtedly prompts a poignant reflection on oppressive gender dynamics, both past and present.(full review in Spanish)
Posted Mar 17, 2026
Edit critic review
|
|
9/10
|
War for the Planet of the Apes
(2017)
|
Ezequiel Obregón
|
But the heart of the saga still lies in the expressiveness of the characters' faces. It is the emotional experience of seeing the gaze of an ape revealing all the humanity that humans lack. [Full review in Spanish]
Posted Mar 16, 2026
Edit critic review
|
|
9/10
|
Dawn of the Planet of the Apes
(2014)
|
Ezequiel Obregón
|
[Dawn of the Planet of the Apes ] demonstrates that it's possible to transform an entertaining story into a political commentary without losing its mass appeal or its ability to connect with even the most naive viewer. [Full review in Spanish]
Posted Mar 16, 2026
Edit critic review
|
|
4/10
|
Rise of the Planet of the Apes
(2011)
|
Benjamín Harguindey
|
Between the special effects and the long takes of acrobatics, the film reveals a fundamental weakness: its bland ideology. [Full review in Spanish]
Posted Mar 16, 2026
Edit critic review
|
|
7/10
|
Louis Theroux: Inside The Manosphere
(2026)
|
Juan Pablo Russo
|
At the intersection of algorithms, the digital market, and promises of male success, the documentary proposes to observe a phenomenon that has ceased to be marginal and has become part of the internet's cultural landscape. [Full review in Spanish]
Posted Mar 16, 2026
Edit critic review
|
|
4/10
|
Hierarchy
(2025)
|
Juan Pablo Russo
|
Amidst chases, conspiracies, and family conflicts, the film promises a high-voltage thriller that ultimately devolves into a drawn-out narrative that never reaches the expected intensity. [Full review in Spanish]
Posted Mar 12, 2026
Edit critic review
|
|
6/10
|
Reminders of Him
(2026)
|
Laia Cabuli
|
Despite occasionally becoming repetitive, it's an entertaining film that, thanks to its more human and emotional approach, manages to be profoundly heartbreaking in several of its moments. [Full review in Spanish]
Posted Mar 12, 2026
Edit critic review
|
|
6/10
|
Shelter
(2026)
|
Emiliano Basile
|
It's well-produced, maintains a good pace, and offers tense action sequences. And while it doesn't reinvent the wheel in terms of plot, it knows how to sustain Statham's old-school hero persona... [Full review in Spanish]
Posted Mar 10, 2026
Edit critic review
|
|
7/10
|
War Machine
(2026)
|
Emiliano Basile
|
The characters and their inner motivations are built with dramatic depth, and the action scenes maintain the overwhelming tension typical of any war movie. [Full review in Spanish]
Posted Mar 09, 2026
Edit critic review
|
|
7/10
|
Bullet Train
(2022)
|
Miguel Calabria
|
Bullet Train manages to entertain the viewer, thanks to its solid cast and its focus on the inner workings of the film industry. [Full review in Spanish]
Posted Mar 09, 2026
Edit critic review
|
|
5/10
|
Yellow Letters
(2026)
|
Laura N. Vitali
|
The narrative, unfortunately, lacks that level of ingenuity, let alone subtlety. [Full review in Spanish]
Posted Mar 06, 2026
Edit critic review
|
|
6/10
|
Acts of Violence
(2018)
|
Emiliano Basile
|
The film, directed by Brett Donowho and written by Nicolas Aaron Mezzanatto, works as a proper crime thriller, where the conflict between good and evil —anchored in a strong moral component— becomes the axis of the plot. [Full review in Spanish]
Posted Mar 06, 2026
Edit critic review
|
|
8/10
|
The Karate Kid
(2010)
|
Ezequiel Boetti
|
...this remake, which initially felt dated, has become an entertaining film, easy to watch, and confidently moving towards a destination that, like those we cherish in our hearts, is always worth revisiting. [Full review in Spanish]
Posted Mar 06, 2026
Edit critic review
|
|
7/10
|
Dead of Winter
(2025)
|
Nicolás Dell’Acqua
|
Beneath the thriller's intensity, the film offers several reflections on death and the different ways of confronting it depending on age and circumstances. [Full review in Spanish]
Posted Mar 06, 2026
Edit critic review
|
|
7/10
|
The Pornographer
(1999)
|
Emiliano Basile
|
The film's greatest strength lies in its courage to delve into the dark corners of desire, explore the limits of guilt, and peer into the abyss of sexual exploitation without resorting to cheap sensationalism. [Full review in Spanish]
Posted Mar 06, 2026
Edit critic review
|
|
7/10
|
THE BRIDE!
(2026)
|
Laia Cabuli
|
Respectful of the source material but with a fresh perspective, the film offers a bold reinterpretation, sustained by the powerful performances of Buckley and Bale: haunting and hypnotic at the same time. [Full review in Spanish]
Posted Mar 06, 2026
Edit critic review
|
|
8/10
|
300letters
(2025)
|
Juan Pablo Russo
|
Towards the end, 300letters offers neither immediate redemption nor a moral lesson. What it proposes is the dismantling of a shared fiction. [Full review in Spanish]
Posted Mar 03, 2026
Edit critic review
|
|
5/10
|
Afterburn
(2025)
|
Emiliano Basile
|
It's not a disaster...it works, it entertains, and it adheres to the genre's conventions. But it lacks soul and ingenuity, two essential elements for standing out in a well-trodden territory. [Full review in Spanish]
Posted Mar 03, 2026
Edit critic review
|
|
5/10
|
Hoppers
(2026)
|
Laia Cabuli
|
The excess of ideas and the idealistic approach clash with the realism that its director, Daniel Chong, intends to convey, resulting in a dense and unbalanced film that is unlikely to achieve the transcendence it aspires to. [Full review in Spanish]
Posted Mar 03, 2026
Edit critic review
|
|
8/10
|
Dao
(2026)
|
Laura N. Vitali
|
The film's best moments lie in its details, in the realization that celebrations and gatherings, however diverse in their cultural origins, share a common foundation that unites us all. [Full review in Spanish]
Posted Mar 03, 2026
Edit critic review
|
|
6/10
|
Narciso
(2026)
|
Emiliano Basile
|
More than grand dramatic outbursts, restrained gestures and suffocating atmospheres predominate, allowing the viewer to experience the invisible weight of control. [Full review in Spanish]
Posted Mar 03, 2026
Edit critic review
|
|
6/10
|
Playa de Lobos
(2025)
|
Laia Cabuli
|
...the film doesn't quite convince completely: its sometimes monotonous pace and a tension that never fully explodes prevent it from achieving the power that its premise promised. [Full review in Spanish]
Posted Mar 03, 2026
Edit critic review
|
|
7/10
|
Sad Girlz
(2026)
|
Santiago Echeverría
|
Sad Girlz belongs to a cinematic tradition that addresses trauma through its effects rather than by simply recounting the events. [Full review in Spanish]
Posted Mar 01, 2026
Edit critic review
|
|
3/10
|
The Wizard of the Emerald City
(2024)
|
Laia Cabuli
|
[The Wizard of the Emerald City] is a complete failure, both for its stagnant and repetitive structure and for its flat, unappealing, and boring characters. [Full review in Spanish]
Posted Feb 28, 2026
Edit critic review
|
|
9/10
|
EPiC: Elvis Presley in Concert
(2025)
|
Denise Pieniazek
|
EPIC It's more than a documentary, more than a film concert, it's a spectacular experience that deserves to be seen in a good, immersive movie theater. It shows something that has not been captured before: Presley's joy and great sense of humor...
Posted Feb 27, 2026
Edit critic review
|
|
7/10
|
Scream 7
(2026)
|
Miguel Calabria
|
The film develops a solid atmosphere and sustained tension throughout much of its runtime, though the final act lacks the impact of previous installments. [Full review in Spanish]
Posted Feb 27, 2026
Edit critic review
|
|
8/10
|
Little Amélie or the Character of Rain
(2025)
|
Amparo Cabal
|
[Little Amélie or the Character of Rain ] invites us to delve into a sensory experience, prompting questions about the origins of our own way of perceiving the world. [Full review in Spanish]
Posted Feb 27, 2026
Edit critic review
|
|
4/10
|
Firebreak
(2026)
|
Emiliano Basile
|
The film raises relevant themes—grief, collective paranoia, the construction of the "other" as a threat—but consumes them in a succession of shocks that prevent reflection from taking root. [Full review in Spanish]
Posted Feb 27, 2026
Edit critic review
|
|
6/10
|
Queen at Sea
(2026)
|
Laura N. Vitali
|
While the story (however harrowing) holds its own and keeps us engaged in the first two-thirds of the film, the biggest problem lies in the ending, with some decisions that strike us as downright despicable. [Full review in Spanish]
Posted Feb 25, 2026
Edit critic review
|
|
4/10
|
Josephine
(2026)
|
Laura N. Vitali
|
The superficiality and crudeness of the characters' psychological development is overwhelming. [Full review in Spanish]
Posted Feb 25, 2026
Edit critic review
|
|
8/10
|
Flies
(2026)
|
Laura N. Vitali
|
Modest and affectionate, Flies grows in its portrayal of its characters, in the current of growing empathy and affection that develops between [its characters]. [Full review in Spanish]
Posted Feb 25, 2026
Edit critic review
|
|
8/10
|
The Loneliest Man in Town
(2026)
|
Laura N. Vitali
|
This isn't a sugarcoated vision that tries to downplay an issue. But the directors are genuinely interested in Al/Alois's life and how he copes with adversity. The path will be unconventional... But it's his own. [Full review in Spanish]
Posted Feb 24, 2026
Edit critic review
|
|
6/10
|
Harold and the Purple Crayon
(2024)
|
Emiliano Basile
|
Harold and the Purple Crayon doesn't seek to reinvent the genre, but rather to recapture the primal wonder of imagining that a simple crayon can change the world. [Full review in Spanish]
Posted Feb 24, 2026
Edit critic review
|
|
7/10
|
The Shadow's Edge
(2025)
|
Laura N. Vitali
|
Ultimately a propaganda film, it's up to the audience to decide whether or not to be swayed by it. What's undeniable is that it's (also) a very good action movie.[Full review in Spanish]
Posted Feb 24, 2026
Edit critic review
|
|
7/10
|
Kick-Ass 2
(2013)
|
Emiliano Basile
|
So many elements working together create this distinctive visual collage, hugely appealing and at times a bit cryptic for previous generations, yet they're exactly what give Kick-Ass 2 its particular, emblematic style...[Full review in Spanish]
Posted Feb 22, 2026
Edit critic review
|
|
6/10
|
Mercy
(2026)
|
Emiliano Basile
|
Mercy (2026) is one of those small films that work because of the originality of its premise and the simplicity of its execution. [Full review in Spanish]
Posted Feb 22, 2026
Edit critic review
|
|
7/10
|
The History of Sound
(2025)
|
Emiliano Basile
|
Hermanus constructs a mise-en-scène of atmospheric beauty, where light and contemplative rhythm lend solemnity to each shot. [Full review in Spanish]
Posted Feb 20, 2026
Edit critic review
|
|
8/10
|
Love
(2024)
|
Amparo Cabal
|
This film explores with great humanity the possibilities offered by romantic relationships in contemporary society...[Full review in Spanish]
Posted Feb 20, 2026
Edit critic review
|
|
8/10
|
The River Train
(2026)
|
Fernando E. Juan Lima
|
The sensitivity with which The River Train captures that sense of "discovery," that "seeing for the first time," is remarkable. This sensitivity explains what, in another context, might even be linked to a fantastical element. [Full review in Spanish]
Posted Feb 20, 2026
Edit critic review
|
|
7/10
|
Strangers in the Park
(2026)
|
Denise Pieniazek
|
...unlike the play of the same name, it is somewhat static, and therefore has less dynamism, so it can be concluded that it works better in theatrical language than in cinematic language. (full review in spanish)
Posted Feb 20, 2026
Edit critic review
|
|
6/10
|
Eternity
(2025)
|
Emiliano Basile
|
It's far from a perfect romantic comedy because it doesn't always hit the mark at the right moment... However, its ingenious premise and the commitment of its actors make it an effective film...[Full review in Spanish]
Posted Feb 19, 2026
Edit critic review
|
|
4/10
|
Wrath of the Titans
(2012)
|
Benjamín Harguindey
|
It takes no risks whatsoever—it's just as entertaining, just as boring, and just as silly as its predecessor, and those who hated or enjoyed the first one can safely choose to avoid or watch the second. [Full review in Spanish]
Posted Feb 19, 2026
Edit critic review
|
|
8/10
|
A Child of My Own
(2026)
|
Santiago Echeverría
|
A Child of My Own avoids the sensationalist "true crime" formula. Instead, it offers an observation on social pressure, identity construction, and the fragility of those caught between desire, obligation, and media exposure. [Full review in Spanish]
Posted Feb 19, 2026
Edit critic review
|
Continue with Google
>
