Shirley
Da 5 Bloods
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I May Destroy You
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All Critics (17) | Top Critics (8) | Fresh (8) | Rotten (9)
A well-intentioned misfire. November 6, 2009 | Rating: 2/5 | Full Review…
A well-intentioned misfire.
Trevor Johnston
It's propulsive stuff that credibly mixes social realism with bursts of musical energy. Just occasionally, though, the movie falls for the gangland glamour - loving shots of guns, cars and posturing bad boys - it claims to despise. November 6, 2009 | Rating: 3/5 | Full Review…
It's propulsive stuff that credibly mixes social realism with bursts of musical energy. Just occasionally, though, the movie falls for the gangland glamour - loving shots of guns, cars and posturing bad boys - it claims to despise.
Kevin Maher
By turns gloomy, frenzied, downbeat and violently melodramatic, Penny Woolcock's gang grime musical throbs intermittently with energy. November 6, 2009 | Rating: 3/5 | Full Review…
By turns gloomy, frenzied, downbeat and violently melodramatic, Penny Woolcock's gang grime musical throbs intermittently with energy.
Peter Bradshaw
Woolcock doesn't strictly glamourise this guns-'n'-babymothers lifestyle, but her shortcuts to gritty pathos are nearly as questionable. November 6, 2009 | Rating: 2/5 | Full Review…
Woolcock doesn't strictly glamourise this guns-'n'-babymothers lifestyle, but her shortcuts to gritty pathos are nearly as questionable.
Tim Robey
Woolcock has overcome all odds to produce one of the best British flicks since This Is England. November 6, 2009 | Rating: 5/5
Woolcock has overcome all odds to produce one of the best British flicks since This Is England.
Priscilla Eyles
Undoubtedly well acted and shot, and with a rip-roaring hip-hop score, it's impressively non-moralistic, just showing us how it is. That may be why Birmingham's cinemas have refused to show it. November 6, 2009 | Rating: 3/5
Undoubtedly well acted and shot, and with a rip-roaring hip-hop score, it's impressively non-moralistic, just showing us how it is. That may be why Birmingham's cinemas have refused to show it.
Derek Malcolm
This doesn't quite manage to be either a gritty musical or a convincing thriller, although the atmosphere is well-captured. November 6, 2009 | Rating: 2/5 | Full Review…
This doesn't quite manage to be either a gritty musical or a convincing thriller, although the atmosphere is well-captured.
Anna Smith
You could call this a 'hip-hopera', a mix of filmmaking and social work, or a shot in the arm for British independent cinema. Just don't call it Bugsy Malone with real bullets. November 6, 2009 | Rating: 4/5 | Full Review…
You could call this a 'hip-hopera', a mix of filmmaking and social work, or a shot in the arm for British independent cinema. Just don't call it Bugsy Malone with real bullets.
Ali Catterall
The film has a cheeky comic streak that offsets all the streetwise grandstanding. November 6, 2009 | Rating: 4/5 | Full Review…
The film has a cheeky comic streak that offsets all the streetwise grandstanding.
Sam Wigley
Woolcock deserves praise for ambition, but this tumbles awkwardly into some netherworld between streetwise musical and social-conscience crime chronicle. November 6, 2009 | Rating: 2/5 | Full Review…
Woolcock deserves praise for ambition, but this tumbles awkwardly into some netherworld between streetwise musical and social-conscience crime chronicle.
This moral-less film is thoroughly depressing. Don't give it the time of day, blood. November 6, 2009 | Rating: 1/5 | Full Review…
This moral-less film is thoroughly depressing. Don't give it the time of day, blood.
A less gripping, if bleaker, take on the Kidulthood/Adulthood theme, with a few musical numbers thrown in. Authentic, perhaps, but far from a deeply rewarding cinematic experience. November 6, 2009 | Rating: 2/5 | Full Review…
A less gripping, if bleaker, take on the Kidulthood/Adulthood theme, with a few musical numbers thrown in. Authentic, perhaps, but far from a deeply rewarding cinematic experience.
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