The Passage Reviews

  • Kevin M. W Super Reviewer
    Mar 13, 2019

    To get a scientist out of Nazi-controlled territory a sheepherder is hired to help him over the Pyrenees. Only the scientist has his family with him, for one. The other is that the Nazi chasing them is singularly determined. Anthony Quinn plays the shepherd with hidden layers, the best in the film. James Mason's scientist is a walk through. And Malcolm McDowell as the SS officer is the very picture of over-the-top, only upstaged by his jock strap. There are moments of tension. And moments of unintentional comedy.

    To get a scientist out of Nazi-controlled territory a sheepherder is hired to help him over the Pyrenees. Only the scientist has his family with him, for one. The other is that the Nazi chasing them is singularly determined. Anthony Quinn plays the shepherd with hidden layers, the best in the film. James Mason's scientist is a walk through. And Malcolm McDowell as the SS officer is the very picture of over-the-top, only upstaged by his jock strap. There are moments of tension. And moments of unintentional comedy.

  • Dec 15, 2018

    Cheap movie with some great actors as bait. Not McDowell... he's awful as usual. His "acting" would look ridiculous even in cartoons.

    Cheap movie with some great actors as bait. Not McDowell... he's awful as usual. His "acting" would look ridiculous even in cartoons.

  • Sep 23, 2009

    Controversial and violent film that's really a rather old-fashioned, straightforward adventure with gratuitous lashings of violence. McDowell chews the scenery and pursues the excellent cast across a wild open terrain, but there's not really any pursuing until the last half hour or so, during which he cuts peoples' fingers off, sets them on fire and displays his schwastika-covered jockstrap. His exploits dominate the film, but as a result the rest of the cast seem rather wasted, particularly Mason, who as the centre of the film has very little to do. Watch out for Lee in one of his atypical good-guy roles, also proving he can do accents!

    Controversial and violent film that's really a rather old-fashioned, straightforward adventure with gratuitous lashings of violence. McDowell chews the scenery and pursues the excellent cast across a wild open terrain, but there's not really any pursuing until the last half hour or so, during which he cuts peoples' fingers off, sets them on fire and displays his schwastika-covered jockstrap. His exploits dominate the film, but as a result the rest of the cast seem rather wasted, particularly Mason, who as the centre of the film has very little to do. Watch out for Lee in one of his atypical good-guy roles, also proving he can do accents!

  • Sep 10, 2009

    Controversial and violent film that's really a rather old-fashioned, straightforward adventure with gratuitous lashings of violence. McDowell chews the scenery and pursues the excellent cast across a wild open terrain, but there's not really any pursuing until the last half hour or so, during which he cuts peoples' fingers off, sets them on fire and displays his schwastika-covered jockstrap. His exploits dominate the film, but as a result the rest of the cast seem rather wasted, particularly Mason, who as the centre of the film has very little to do. Watch out for Lee in one of his atypical good-guy roles, also proving he can do accents!

    Controversial and violent film that's really a rather old-fashioned, straightforward adventure with gratuitous lashings of violence. McDowell chews the scenery and pursues the excellent cast across a wild open terrain, but there's not really any pursuing until the last half hour or so, during which he cuts peoples' fingers off, sets them on fire and displays his schwastika-covered jockstrap. His exploits dominate the film, but as a result the rest of the cast seem rather wasted, particularly Mason, who as the centre of the film has very little to do. Watch out for Lee in one of his atypical good-guy roles, also proving he can do accents!

  • vieras e Super Reviewer
    Aug 15, 2008

    This is the film that was allegedly so controversial that it only played for one week in one theatre in the US and has only been released once on VHS in Europe but never in the States. *SPOILERS* It wasn't half as gruesome as I had expected based on all that hype. Maybe it was the cracktasticness of Malcolm's character that made people so averse to this film? There were plenty of films around in the 70's that depicted the Nazis in a sadistic and sexual manner ? Ilsa She-Wolf of the SS ('74), Salon Kitty ('76), The Night Porter ('74) and a whole bunch of different kinds of Camps ? but not necessarily as big jokesters, which is what Von Berkow is. Sadistic, yes, but in a facetious way. Or maybe it was the snow, like James Mason said? But having to watch people being surrounded by cold, damp snow half of the film isn't enough to give it an R rating, now is it? There are only about three somewhat disturbing scenes and one really sad one, but that's it. A Clockwork Orange ('71) and Caligula ('79) are way worse. Moving on... The Passage doesn't have much of a plot. I don't know whether reading the book first helps at all, as I haven't had the pleasure(?) of doing so. A Basque shepherd is hired by the French Resistance to transport Some Very Important Professor and his family from Toulouse across the Pyrenees to safety before the SS get to them. A bunch of running around, hiding, and interrogating people ensues. And, well, that's about it. If it weren't for Malcolm, this film would hardly be worth a watch. But thanks to his brilliant mind, it's not really all that bad.

    This is the film that was allegedly so controversial that it only played for one week in one theatre in the US and has only been released once on VHS in Europe but never in the States. *SPOILERS* It wasn't half as gruesome as I had expected based on all that hype. Maybe it was the cracktasticness of Malcolm's character that made people so averse to this film? There were plenty of films around in the 70's that depicted the Nazis in a sadistic and sexual manner ? Ilsa She-Wolf of the SS ('74), Salon Kitty ('76), The Night Porter ('74) and a whole bunch of different kinds of Camps ? but not necessarily as big jokesters, which is what Von Berkow is. Sadistic, yes, but in a facetious way. Or maybe it was the snow, like James Mason said? But having to watch people being surrounded by cold, damp snow half of the film isn't enough to give it an R rating, now is it? There are only about three somewhat disturbing scenes and one really sad one, but that's it. A Clockwork Orange ('71) and Caligula ('79) are way worse. Moving on... The Passage doesn't have much of a plot. I don't know whether reading the book first helps at all, as I haven't had the pleasure(?) of doing so. A Basque shepherd is hired by the French Resistance to transport Some Very Important Professor and his family from Toulouse across the Pyrenees to safety before the SS get to them. A bunch of running around, hiding, and interrogating people ensues. And, well, that's about it. If it weren't for Malcolm, this film would hardly be worth a watch. But thanks to his brilliant mind, it's not really all that bad.