Regular Lovers (2005)



Critic Consensus: No consensus yet.

Regular Lovers Photos

Movie Info

Touted in many circles as a response to The Dreamers (2003) -- Bernardo Bertolucci's ode to Paris in May 1968 -- Philippe Garrel's Regular Lovers (aka Les Amants Réguliers) explores the same events cinematically but undertakes a wholly unique aesthetic and temporal approach. The director follows his central characters, a young man named François and his clique of friends, as they experience the aftermath of the events and grapple with their attempts to understand what has just occurred. Garrel's familiarity with The Dreamers came by default; his son, Louis, starred in that earlier work, and plays François in this film.
Art House & International , Drama
Directed By:
Written By:
In Theaters:


News & Interviews for Regular Lovers

Critic Reviews for Regular Lovers

All Critics (13) | Top Critics (6)

This tender portrait of late-1960s French youth stars Louis Garrel as François, a 20-year-old Parisian struggling through the fires of revolutionary promise and its smoldering remains.

Full Review… | January 26, 2007
New York Times
Top Critic

Not much happens, but the director keeps our attention nevertheless.

Full Review… | January 19, 2007
New York Post
Top Critic

Regular Lovers isn't a folly-of-youth story that aches with emotion, like Au Revoir, Les Enfants or The Squid And The Whale. It's drier, and simpler. You are there. Iris out.

January 19, 2007
AV Club
Top Critic

Garrel is not just an artless aesthete, he is unexpectedly and intensely romantic -- imagining and realizing a character who can die for love.

January 16, 2007
Village Voice
Top Critic

It's clearly an intensely personal project for the director, who was 20 himself in '68 (and shooting the riot police in 35mm) and has also cast his father Maurice and the music of his partner Nico.

Full Review… | June 23, 2006
Time Out
Top Critic

It's a lethargic, meandering picture that takes a largely uncritical view of its narcissistic characters.

Full Review… | July 21, 2006

Audience Reviews for Regular Lovers

Looooooooooooong: nearly 3 hours.Sloooooooooooooow. Inevitably compared to Bertolucci's THE DREAMERS, which covered Paris in '68 and starred Louis Garrel, this semi-cult film just bored the shit out of me. Dreary relationships between dreary people. Overly long scenes on the ramparts with no sense of why we were there. Ill-defined motivations and too many drugs (even for me). Jees. The only thing I enjoyed was the black-and-white cinematography and some of the music. Can't believe how many critics liked this one more than THE DREAMERS.

Nick Demartino
Nick Demartino

Les Amants Reguliers is a slice of French new wave in the 2000s. Phillipe Garrel's exploration, interpetration, re-creation of the golden age of French cinema, an homage and a love letter. Shot in exhuberant black and white, the film boasts almost magical composition and lighting, as well as an inequivocal New Wave pace. Anyone familiar with this movement will automatically feel identification and nostalgia. It reinvigorates the practice of deconstructing life in smaller and bigger pieces and putting together this alternative, but very real, understanding of it as cinematic truth. Garrel's concern is to reflect this truth. That is why the film is poetic but also crude at times. LAR is a contemplation of the May 68 revolution, but it mostly concentrates on the aftermath. Antoine and his friends, initially enthusiastic about producing change, about making their ideas prevail and winning the battle against the system, must face the disappointment of defeat and the challenge of real life. They were, perhaps, so centered on "the revolution" they never came up with a life project or a plan B. All they do is smoke opium and listen to music, finding moments of rapture that only enhance the emptiness of the rest of the day. Each of them seeks a separate escape, but each of them is a monumental waste of potential, dreams, and actions. In that sense, this film is tinted with sadness through and through. The epicenter of it all is Francois, played by Louis Garrel. He's a poet and a dreamer. He falls in disgrace along with the Revolution, but finds a lifesaver and a motivation in Lilie, a wide-eyed sculptress. They promise to teach each other things and accompany each other. They become partners and they fall deeper and deeper in love, but soon enough their own inconsistencies, the very ones that led them into their existential mess, surface to redefine their priorities. The ending is beautiful. Garrel structured it as a divine ascension. Francois, Antonie, Lilie, and all their friends, walk, from the beginning of the film, into a dark dead end street. What makes it special is the selection of events, the words, and the obvious nostalgia and empathy that Garrel feels for them. The choice of his son to play Francois was very accurate. Louis Garrel is a very talented actor, completely in tune with his misguided character and with his struggle to find happiness. The entire run is a bold one. Garrel does many unusual things that require patience, but in doing them he entices fascination and complete resonance with what is happening on screen. There are many long takes of students in barricades, burning cars and throwing bottles. For some reason, even in spite of their length they work. In a way, because there are many silences and extended takes, Garrel almost invites us to think, re-imagine, reflect, discuss. 3 hours long and not a second of boredom -for me-. An example of a filmmaker coming to terms with his past and his style, and a film so comprehensive of his life that it is difficult for any other human being not to find vague echoes of his/her own ideas, opinions, feeling, experiences, desires, if they will only sit still long enough to watch the entire thing. In whole, a very human film, and a stylistic success.

Elvira B
Elvira B

Super Reviewer


Bold cinema,you'd feel it was like some sort of nouvelle vague homage despite the monotony of the characters and their "rebellious" attitude.I was immensely surprised however by the self-destruction of the protagonist Louis Garrel (definitely talented) and the rest of the gang through the joy of life,opium,sex and lots of 60's hallucinatory references.A wonderful homage for whatever the case may be.

Dimitris Springer
Dimitris Springer

Super Reviewer

Regular Lovers Quotes

There are no approved quotes yet for this movie.

Discussion Forum

Discuss Regular Lovers on our Movie forum!

News & Features