The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Cameron's film is a lot of fun for what it is, a bonanza of brash action sequences and delicious camaraderie. It proves beyond a shadow of a doubt that while nobody can hear you scream in space, they can certainly hear you shoot.
The first of these movies remains one of the great sci-fi horror achievements of the modern cinema, but its sequel, "Aliens," is that rare instance where a follow-up deviates from the formula and finds an effective rhythm in propelling the story
It's blaster action, not Gothic future-horror. Fortunately, director-screenwriter James Cameron has shaped his film around the defiant intelligence and sensual athleticism of Weaver, and that's where Aliens works best.
The result is a film that not only answers many questions raised by the original story, but also expands production values, amplifies special effects and weaves a new plot that is even more exciting than the first.
It's interesting that the film, a sequel to Ridley Scott's 1979 atmospheric horror-film-in-space, is generally regarded as an action movie. Go through it, and you'll realize the character and dialogue scenes far outweigh the kablooey stuff.