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as Jean-Baptiste Poquelin
as M. Jourdain
as Elmire Jourdain
as Henriette Jourdain
as Madeleine Bejart
as Dancing Master
as Painting Master
as Catherine de Brie
as Marquise du Parc
as Jean Poquelin
as Louis Bejart
as Notaire Dorante
as Huissier Delbosc
as Huissier Missonnier
as Precieuse 1
as Louison Jourdain at 21
as Charles Dufresne
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Critic Reviews for Molière
Director and cowriter Laurent Tirard are clearly under the sway of Shakespeare in Love, but the talented Duris is miscast as the wily Moliere, and Moliere has none of Shakespeare's giddy charm.
An extravagant and thoroughly irresistible story of intrigue, romance, comedy and artistic inspiration.
Lost in the exercise is any insight into Molière's writing or any relevance to today, making his achievements seem more frivolous -- and considerably less amusing -- than they actually were.
Like the playwright's comedies, at its best Moliere shows the depths beneath the archetypes.
Woefully miscast as the seminal 17th-century French farceur Molière, the intense, black-maned young French movie star Romain Duris never seems more comfortable than the brief moments when he's rotting in a dank jail.
In making a comedy about a writer famed for his perfectly tuned wit, the filmmakers have inspired other expectations. The result is as off-putting as biting into a confection in which the sugar has been replaced by salt.
Audience Reviews for Molière
As someone else said somewhere, magnifique! This was like watching a Moliere play. All of the elements he later used are here. The actor disguised as a priest. The dilletante husband. The beautiful wife. The tutors for every subject then in vogue. The daughter who secretly loves the boy next door. The servants who turn a blind eye to the shenanigans around them. It's all there. As was shown at the end, after Moliere toured the countryside for many years, he returned to Paris and staged the comedic plays that this movie posits he lived during the historically unexplained absence of two years. Watch this and you may learn more about Moliere and his plays than you realize.
[font=Century Gothic]"Moliere" starts in 1658 with playwright and actor Moliere(Romain Duris) leading his acting troupe to a triumphant return to Paris after perfomring throughout rural France for years but he aims to do more serious plays than his usual farces.(So, I guess you could say he was a 17th century Woody Allen, minus the space aliens.) 13 years earlier, he was not so fortunate as he was arrested for debts unpaid but is rescued by Jourdain(Fabrice Luchini), a wealthy merchant, who assumes his debts in exchange for his theatrical coaching to win the hand of Marquise Celimene(Ludivine Sagnier). At the first opportunity, Moliere makes a break for it but is simultaneously deterred by a very large dog and enchanted by Jourdain's wife(Laura Morante)...[/font] [font=Century Gothic][/font] [font=Century Gothic]"Moliere" is a misguided and awkward attempt to explore the creative process. Well, at least it looks great. Maybe, it would have helped if I knew more about the life and works of Moliere. What I can sense is that he was some kind of comic genius. Ironically, the film is at its weakest when it tries to be funny while the serious parts are not half bad, as long as they are allowed to maintain some kind of momentum. Under such conditions, a good cast can do little to help. Ludivine Sagnier comes closest to succeeding but even Laura Morante cannot shine with material like this. And it is especially strange considering Fabrice Luchini was on similar ground several years back in "Beaumarchais the Scoundrel."[/font]
Entertaining period comedy with beautiful sets and engaging acting. It tells the story of French playwright Molière's early days, as if they were indeed as farcical as his plays. C'est très drole!
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