The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The cluttered, unconvincing dialogue -- not to mention Moseley's ongoing penchant for crazed overacting -- make it more of a genre curiousity than anything the Fangoria gang would likely want to sit through.
The backstories keep piling up, with nods to The Shining, The Ring, and a dozen other gothic supernatural chillers, yet the result doesn't remotely scare you -- rather, it keeps explaining why you should be scared. That's why we're not.
Unsurprisingly, House fails to supply a sufficient level of fright; the picture seems content to wallow in confusion and convention, removing the novelty of faith to roll around in tired terror clichés and dreadful direction.
Completing Roadside Attractions' HOUSE was physically draining, which is something a viewer should never have to endure when in theaters. The adaptation of the novel by Frank Peretti and Ted Dekker is preachy, whiney and painfully cliché.