Despite the lovely and hard-working Rosalind Russell, most everyone else in this film is rather one-dimensional and I'm afraid it's not the actors who are to blame. The script is all over the place from sobbing melodrama to madcap -- and completely over-the-top -- hysterics. And Rosalind was Oscar nominated for this? Really? For me the least enjoyable in Vol. 1 of Icons of Screwball Comedy. A clever name as I feel really only one film in the set truly succeeds as screwball comedy though they all feature at least one star famous for such work.