The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
An eccentric sci-fi which cleverly deconstructs the mythology of the Star Treks and Star Wars which have colonised the future of our imaginations with their glamour, self-importance and operatic sound tracks.
With its artful use of old-school miniatures rather than computer graphics, Moon engages the eye as much as the mind. Here's a canny director who doesn't let technical prowess overwhelm his sure, resourceful sense of human drama and character.
In the end, Moon raises disturbing ethical questions about science and bioengineering, but it's the emotional questions the film poses -- about memory, about family, about identity -- that really resonate.
The film's ideas are interesting, but don't feel entirely worked out, and Mr. Rockwell's intriguingly strange performance (or performances) is left suspended, without the context that would give Sam's plight its full emotional and philosophical impact.
Director Duncan Jones (son of David Bowie), working from a script by Nathan Parker, pulls off sci-fi miracles on a $5 million shoestring. Moon is a potent provocation that relies on ideas instead of computer tricks to stir up excitement.
Moon is the first feature to be directed by Duncan Jones, who is David Bowie's son, and he brings it a grimy industrial look, as well as witty touches like giving Gerty a smiley-face screen that changes expression in tandem with Spacey's voice.
Impressively pulled together on a modest budget, Moon has a strong lead and a valid philosophical premise but, despite Bell's fissured psyche, the drama is inert. Ground control to Major Tom: Moon orbits an idea, but it doesn't go anywhere.