The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Remaking Rocky Balboa as a comedy isn't a half-bad idea; remaking it as a comedy starring Adam Carolla, the dreadfully unfunny former host of Loveline and The Man Show, most certainly is a terrible one.
If you liked Rocky Balboa you should be in good shape, since it's exactly the same movie, just aimed at a teeny-tiny-bit younger demographic and with an affectless leading man who avoids hambone acting by not acting at all.
So many movies these days are overworked or overblown: The Hammer feels genuinely tossed-off. It isn't a great movie, or even a consistently good one. Yet it gets to elusive feelings about failure and success, hope and mortality.
To his credit, Carolla carries 'The Hammer' with self-assured ease, hoisting the film on his broad shoulders while making sure, as screenwriter, to leave some of its sharpest one-liners to his supporting cast.
Adam Carolla isn't everyone's cup of tea, but the man can sling around an acidic one-liner with the best of them, and his starring debut is a familiar, but persuasively funny brew of clichés and belly laughs.
Yes, this comedy about a sad-sack, has-been boxer is painfully predictable and manages to include every cliche of the genre, but executive producer and star Adam Carolla keeps it rolling along with his trademark, deadpan rants.