The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Yes, this comedy about a sad-sack, has-been boxer is painfully predictable and manages to include every cliche of the genre, but executive producer and star Adam Carolla keeps it rolling along with his trademark, deadpan rants.
So many movies these days are overworked or overblown: The Hammer feels genuinely tossed-off. It isn't a great movie, or even a consistently good one. Yet it gets to elusive feelings about failure and success, hope and mortality.
Carolla has a tendency to riff when he should be acting, and the whole project is rambling and disorganized. At the same time, though, The Hammer also has dry wit and unforced working-class swagger, and hits some surprising emotional notes.
If you liked Rocky Balboa you should be in good shape, since it's exactly the same movie, just aimed at a teeny-tiny-bit younger demographic and with an affectless leading man who avoids hambone acting by not acting at all.