The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Rational behavior takes a backseat to genre requirements, though few if any will care when the killers stalk each other with such a tongue-in-cheek sense of destiny and deliver deadpan dialogue that makes fun of their own absurdity.
much as To inverted the policier with a Mad Detective, here he presents us with the genre-subverting paradox of a forgetful avenger, determined to find satisfaction, but unable to remember for what or from whom.
To's focus is less about gunning down the bad guys - although there's plenty of that - than crystallizing with precision the visceral sensations surrounding violence, and the many metaphysical looming silences in between, as if lyrical canvases in motion.
To's visual style and soundscapes and the choreography of the film's bullet ballet provide reasons to watch, but the contrived plot, some wooden English dialogue and Hallyday's stilted perfomance derail proceedings well before the final showdown.
Director Johnnie To...delivers a terrific Asian noir featuring stunning cinematography, balletic gunplay...and a better than average story that harkens back to the 2003 Dutch/Belgian "The Memory of a Killer"