A taut and atmospheric classic that has long been considered one of the best boxing films ever made. It is a stark and gripping character study that concerns the rise and fall of a unscrupulous boxing champion Midge Kelly, played brilliantly by Kirk Douglas in his breakout Oscar nominated star-making performance, who began as a know-nothing beginner, but because of his underprivileged life as a youth, which has given him a persecution complex, that drives his relentless ambition, it soon makes him into a natural and fearsome boxer, who rockets to the top of his sport, to become the middleweight champion of the world, but fame and wealth quickly seduce what was already a man with serious issues to began with, he alienates and thrusts aside everyone around him, including his beloved crippled brother Connie, played impressively by Arthur Kennedy in a Oscar nominated turn and the three women in his life that he uses, than discards, wonderful played by Lola Albright, Marilyn Stewart, and Ruth Roman. His quiet, knowing manager Tommy Haley, very aptly played by Paul Stewart who helped build him up into a world class fighter, he also betrays. Kelly is such a cruel, selfish, contemptible and self-destructive bastard, that the dark and tragic ending will surprise no one, but the engrossing Oscar nominated screenplay and Douglas's powerful virtuoso performance will keep your eyes glued to the screen all the way until it reaches that end. Astute direction by Mark Robson, sharp Oscar winning editing by Harry W. Gestad, with sensational black & white cinematography by Franz Planer, which makes spectacular use of light and shadow, excellent fight scenes that are very well-staged, and realistically brutal. An outstanding melodrama which earned 6 Academy Awards including Best Actor: Kirk Douglas, Best Supporting Actor: Arthur Kennedy, Best Adapted Screenplay: Carl Foreman, Best Score: Dimitri Tiomkin, Best Editing: Harry W. Gestad. Highly Recommended.