The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Carpenter scared the wits out of audiences from coast to coast with Halloween. That was a treat. But The Fog is merely a series of bewitching tricks assembled by a film-school craftsman who believed that he could frighten people with slick gimmickry.
Released four years after the Bicentennial, 'The Fog' might be a jaundiced corrective to the often uncritical self-congratulation of America's birthday celebration, with the ghosts as manfestations of manifest destiny's bloody heritage.
Crucial factors are missing in yet another horror flick serving up a dull collection of stock types whose illogical and frequently stupid actions are necessary to advance plot and generate what passes for suspense.
Carpenter has always been a master of scaring us with what we're not seeing as opposed to delivering an onslaught of carnage to assault our senses and The Fog shows that you can scare the hell out of people without showing them a lot.