The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Clayton is so obsessed with respecting the story that he turns it into a museum piece; you see the actors going through the paces of dramatizing a classic, rather than finding the heartbeat underneath.
[VIDEO ESSAY] Widely trashed by a cabal of critics who didn't know a good film when they saw it, Jack Clayton's 1974 rendition of F. Scott Fitzgerald's novel beautifully captures its romantic essence and caustic social indictments.
The color is rich, the photography superb, and the atmospherics of the roaring twenties are realistically and stunningly in evidence in this film version of F. Scott Fitzgerald's masterpiece novel, but that's it.
Director Jack Clayton seems overawed by the opulence of the production as well as by the mythic presence of Fitzgerald -- and the result is a film of shimmering surface brilliance and almost complete lack of focus or substance.
Despite oppulent production values, Jack Clayton's second Hollywood version of Fitzgerald's great novel is a misfire, a dull feature that suffers from lack of chemistry between Robert Redford and Mia Farrow (who's miscast).