Long Day's Journey Into Night (1962)
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Critic Reviews for Long Day's Journey Into Night
For what they have set out to do, Mr. Lumet and the producer, Ely Landau, have given us a fine, fair picture of a tough and maybe tedious O'Neill play.
An adaptation of Eugene O'Neill's legendary play results in a stage-bound production lifted by grand performances, including the delightful Katharine Hepburn.
O'Neill's play transformed beautifully into Hepburn, Robards vehicle.
Lumet's film of O'Neill's masterpiece is one of the most faithful and well-executed screen adaptations ever due to Boris Kaufman's landmark cinematography and superlative ensemble of Ralph Richardson, Katharine Hepburn, Jason Robards and Dean Stockwell.
By the end of this, you're part of the family. Welcome to hell.
Audience Reviews for Long Day's Journey Into Night
Extremely well acted filmed version of the Eugene O'Neill play. The problem is that there is so much going on and so much character drama that it is a little draining. It's like Magnolia if it was still three hours and happened at one house. Jason Robards is fantastic and I loved the stuff between him and Dean Stockwell who is also great. Hepburn has her moments, but some of it seems overacting to say the least. Interesting because it's one of Lumet's first and the camera movement keeps you interested.
"long day's journey into night" is faithfully adapted from eugene o'neill's semi-autobiographical play which is also his greatest work alive, and it deepens further upon katherine hepburn's prestige as a versatile accomplished actress since she again receives academy award nomination for it. frequently i tackle into the issue of purist notion of dialogue-driven movies as the supreme essence of cinema, and "long day's journey into night" would be a perfect exemplification with a masterful script as well as its refined stagy casting. but the film lacks public appeal due to its thick element of constant dialogue-focus as well as its unflattering 3 hour screen time, to enable the film's production, hepburn had to reduce her own payment for this exasperatingly heavy role, and she made it but under one condition: the movie has to be meticulously devout to its original play. the story's basically about the collapse of a problematic family addled with morphine addiction, alcoholism, capitalist money-slavery, unreconciled pessismism upon death gravitated by consumption illness. the sceneries whirl around the haunting phatom of past memories as the fog forshadows every misery into the belligerent darkness of nightmarish hell, each character imprisioned by his/her tragic flaws and the unredeemed mistakes made in the past. dean stockwell who plays the youngest son inflicted with consumption demonstrates an amazing horrowingly melancholic attribute which could emulate james dean, whose youthful good looks inspires your ideal personification of a depressed poet once as he frowns. the flick has a strong claustrophic atmosphere with fixed backset and four steady actors constantly upstaging each other with the uncanny puncturality. if you're a cinema purist with a virtue of patience to read into dialogues, "long day's journey into night" would be a gem to elaborate your mind's empathetic capacity for life's poetic sorrow of dacadence.
It's so engrossing but EXHAUSTING to watch. It's good but I probably wouldn't watch it again because it made me so depressed during the entire three hours. Lumet is NO STOPS, man.
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