M Reviews

  • May 24, 2019

    This film will make you run out of the viewing room once it has ended gasping for air; claustrophobic and riveting, a city wide hunt for a child murderer even involves the criminal element whose motives are as much self serving as it is righteous. However it is the performance of Peter Lorre whose take on the real life "Vampire of Dusseldorf" Peter Kurtin that makes Fritz Lang's foray into talkies outstanding. The sound of the film brings true horror to the audience; Elsie's mother calling out to her late and doomed child, Hans Breckhart's(Lorre)whistling the opening notes of "The Hall of The Mountain King" from Peer Gynt as he stalks his innocent victims and the hum and gossip of the German city gripped with fear and suspicion of even neighbors. This film will make one watch their children more carefully.

    This film will make you run out of the viewing room once it has ended gasping for air; claustrophobic and riveting, a city wide hunt for a child murderer even involves the criminal element whose motives are as much self serving as it is righteous. However it is the performance of Peter Lorre whose take on the real life "Vampire of Dusseldorf" Peter Kurtin that makes Fritz Lang's foray into talkies outstanding. The sound of the film brings true horror to the audience; Elsie's mother calling out to her late and doomed child, Hans Breckhart's(Lorre)whistling the opening notes of "The Hall of The Mountain King" from Peer Gynt as he stalks his innocent victims and the hum and gossip of the German city gripped with fear and suspicion of even neighbors. This film will make one watch their children more carefully.

  • Jan 15, 2019

    This masterpiece stars Peter Lorre as child murderer Hans Beckert, who is chased by police and criminals. The kangaroo court scene at the end is one of the best endings ever, where Beckert admits that he is unable to control his actions and should be handed over to police instead of being murdered for something he is unable to control. Hans Beckert is actually a sympathic character even though he murders children.

    This masterpiece stars Peter Lorre as child murderer Hans Beckert, who is chased by police and criminals. The kangaroo court scene at the end is one of the best endings ever, where Beckert admits that he is unable to control his actions and should be handed over to police instead of being murdered for something he is unable to control. Hans Beckert is actually a sympathic character even though he murders children.

  • Dec 05, 2018

    A masterful blend of crime/psychological thriller, and a shockingly sympathetic serial killer almost unheard of during this period. Lang's M is filled with dream-like atmosphere, fascinating characters, taut suspense, social commentary, and a masterful performance by Peter Lorre rightly confirms this film as one of the greatest ever made.

    A masterful blend of crime/psychological thriller, and a shockingly sympathetic serial killer almost unheard of during this period. Lang's M is filled with dream-like atmosphere, fascinating characters, taut suspense, social commentary, and a masterful performance by Peter Lorre rightly confirms this film as one of the greatest ever made.

  • Nov 14, 2018

    This film was great.

    This film was great.

  • Nov 02, 2018

    Unbelievably good. Most movies from the '60s you just appreciate them for their groundbreaking movements, not because they still excite or scare or have you in suspense. M was very very suspenseful, I felt emotionally invested and it had me on the edge of my seat. The directing was first class and the acting was almost perfect. Its very close to being the perfect suspense and mystery film. The fact that this was made in 1931 leaves me flabbergasted.

    Unbelievably good. Most movies from the '60s you just appreciate them for their groundbreaking movements, not because they still excite or scare or have you in suspense. M was very very suspenseful, I felt emotionally invested and it had me on the edge of my seat. The directing was first class and the acting was almost perfect. Its very close to being the perfect suspense and mystery film. The fact that this was made in 1931 leaves me flabbergasted.

  • Oct 03, 2018

    Absolutely fantastic Fritz Lang classic (his first talkie). Both entertaining and powerful. Lorre pulls off the near-impossible - making a child murderer almost sympathetic during his final plea to the "court".

    Absolutely fantastic Fritz Lang classic (his first talkie). Both entertaining and powerful. Lorre pulls off the near-impossible - making a child murderer almost sympathetic during his final plea to the "court".

  • Sep 12, 2018

    M .bjvm m k nvm kbn mj.n k hbjmvk nnn bv hbj hjm.k j. N.kv jbbh jb n k n bnj n bvnhv j

    M .bjvm m k nvm kbn mj.n k hbjmvk nnn bv hbj hjm.k j. N.kv jbbh jb n k n bnj n bvnhv j

  • Jun 06, 2018

    M has created the modern thriller and has multiple things still relevant in today’s world

    M has created the modern thriller and has multiple things still relevant in today’s world

  • Mar 11, 2018

    Lang's haunting masterpiece has much in common with another cinematic treasure, 'The Night of The Hunter'

    Lang's haunting masterpiece has much in common with another cinematic treasure, 'The Night of The Hunter'

  • Mar 02, 2018

    as if i couldn't tell.. M A smart approach towards pacing up the feature by focusing on the big events or sequences amd investing all the chips in and mesmerize the audience along with the essential information that proves worthy later on. Fritz Lang is definitely no short on execution but also introduces some new lights on the whole 'mystery' genre with Thea Von Harbou where it focuses on the thrill of it and not the responsibility of it that mostly looks like homework in the end. Peter Lorre; the anti-hero in here has easily the hardest work given since he barely had enough verbal sparring between anyone and had to communicate the audience through the visual medium throughout the feature and he has done it well. M is that rare feature that shows the viewers its different perspective towards genre, characters and even humanity and this is where it sweeps away all the charm.

    as if i couldn't tell.. M A smart approach towards pacing up the feature by focusing on the big events or sequences amd investing all the chips in and mesmerize the audience along with the essential information that proves worthy later on. Fritz Lang is definitely no short on execution but also introduces some new lights on the whole 'mystery' genre with Thea Von Harbou where it focuses on the thrill of it and not the responsibility of it that mostly looks like homework in the end. Peter Lorre; the anti-hero in here has easily the hardest work given since he barely had enough verbal sparring between anyone and had to communicate the audience through the visual medium throughout the feature and he has done it well. M is that rare feature that shows the viewers its different perspective towards genre, characters and even humanity and this is where it sweeps away all the charm.