The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
[VIDEO ESSAY] Although it ends with an overwrought climax, topped off with a laughably banal cliché that unites the workers with their greedy overlord, "Metropolis" is filled with stunning archetypal imagery and grand-scale spectacle.
Is Fritz Lang's 1927 epic Metropolis the most influential film ever? It certainly spawned the cinema of futurism, and watching it today. it's uncanny to see how many shadows of cinema yet to come it already contains.
Brigitte Helm is absolutely brilliant in a tricky dual role. The real star, though, is Lang's incredibly fecund imagination and his glorious realisation of the futuristic Babel he dreamt up in his head.
Lang is at fever pitch. Although the film is renowned for its architecture -- and thus has a reputation for being static -- what makes it seductive is how much organic energy Lang and his collaborators put into the imagery.
A visionary science-fiction spectacle; a still relevant dramatization of 'class warfare'; a pulp nightmare of Freudian-Marxist-Christian symbolism and Expressionist-Futurist-Old Testament imagery; and a source of inspiration for Nazis and Utopians alike.
Here for the first time the chill mechanized world of the future... has been given reality. Here is the city, that tormented circus of buildings which touch the sky, of tunnels that disrupt the places under the earth.