The Stranger (1946)



Critic Consensus: No consensus yet.

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The Stranger is often considered Orson Welles' most "traditional" Hollywood-style directorial effort. Welles plays a college professor named Charles Rankin, who lives in a pastoral Connecticut town with his lovely wife Mary (Loretta Young). One afternoon, an extremely nervous German gentleman named Meineke (Konstantin Shayne) arrives in town. Professor Rankin seems disturbed--but not unduly so--by Meineke's presence. He invites the stranger for a walk in the woods, and as they journey farther and farther away from the center of town, we learn that kindly professor Rankin is actually notorious Nazi war criminal Franz Kindler. Conscience-stricken by his own genocidal wartime activities, Meineke has come to town to beg his ex-superior Kindler to give himself up. The professor responds by brutally murdering his old associate. If Kindler believes himself safe--and he has every reason to do so, since no one in town, especially Mary, has any inkling of his previous life--he will change his mind in a hurry when mild-mannered war crimes commissioner Wilson (Edward G. Robinson) pays a visit, posing as an antiques dealer. ~ Hal Erickson, Rovi
Classics , Drama , Mystery & Suspense
Directed By:
Written By:
In Theaters:
RKO Pictures

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Orson Welles
as Prof. Charles Rankin
Edward G. Robinson
as Mr. Wilson
Loretta Young
as Mary Longstreet
Philip Merivale
as Judge Longstreet
Richard Long
as Noah Longstreet
Byron Keith
as Dr. Jeffrey Lawrence
Billy House
as Mr. Potter
Konstantin Shayne
as Konrad Meinike
Isabel O'Madigan
as Mrs. Lawrence
Johnny Sands
as Student
Pietro Sasso
as Mr. Peabody
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Critic Reviews for The Stranger

All Critics (23) | Top Critics (5)

Adroitly directed by Orson Welles, who also plays the star, it is a grade A gooseflesh-raiser.

Full Review… | March 12, 2013
TIME Magazine
Top Critic

Orson Welles's 1946 film reproduces his personal themes of self-scrutiny and self-destruction only in outline, though it is an inventive, highly enjoyable thriller.

Full Review… | April 6, 2007
Chicago Reader
Top Critic

The Stranger is socko melodrama, spinning an intriguing web of thrills and chills.

Full Review… | April 6, 2007
Top Critic

The whole film, produced by S. P. Eagle, comes off a bloodless, manufactured show.

Full Review… | March 24, 2006
New York Times
Top Critic

Welles' third film, often described as his worst, but still a hugely enjoyable thriller.

Full Review… | February 8, 2006
Time Out
Top Critic

Film noir thriller, made with typical Welles creativity and visual style.

Full Review… | August 22, 2014
Classic Film and Television

Audience Reviews for The Stranger


A minor entry in the legendary career of Orson Welles, concerning a Nazi supporter (Welles) hiding out in Connecticut in the wake of the fall of the German empire, and how a skilled detective (Edward G. Robinson) tracks him down and tries to get him to confess to his true identity. Although boring at times and lacking attention to Welles new life/character that have made him so respected in the town, this movie gets a lot of things correct. Welles larger than life screen presence is consistently watchable, even when his film threatens to lose credibility and go overboard, his sound acting chops and directorial grasp keep it steady. The ending is well-done and fits the film's melodramatic second-half perfectly. Crowd pleasing if occasionally unintentionally funny in its phoniness (Robinson getting knocked out in a gym escapes logic), it is short and sweet and has an interesting enough backdrop to keep you watching.

Dan Schultz
Dan Schultz

Super Reviewer


Welles is so technically proficient that even his second-tier works are a clinic in form, camera blocking, and mise-en-scene. Like Bergman, he isn't afraid to use dramatic closeups to communication the emotional tics of his characters, and he always strays clear of the conventional route when it comes to his direction. The Stranger is one of Welles' more political films (which undoubtedly will turn some people off) and some of the plot points are a little far-fetched, but I marvel at how assuredly paced this film is -- culminating to yet another classic Welles-esque ending. It quickens at the right time, and plays out like a scrupulous crescendo. Of course, having one of the greatest noir actors of all time as your lead doesn't hurt either.

Jonathan Hutchings
Jonathan Hutchings

Super Reviewer

The Stranger or I Married a Nazi (just kidding). A small town is unaware that one of their citizens was a Nazi in WWII, and he lives a normal life until someone comes looking for him. A good movie, with good actors and an interesting story.

Aj V
Aj V

Super Reviewer

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