Oscar - Movie Reviews - Rotten Tomatoes

Oscar Reviews

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January 13, 2017
Great movie very funny!
December 18, 2016
My favorite movie of all time. The quick witted humor, way placed historical cues and lingo and wonderful linguistic hits. For an English teacher and an amateur historian this is a real treat and an underappreciated gem of cinematic comedy gold that is probably just too smart for the critics. Anyone that can't appreciate this is maladroit.
November 29, 2016
Funny film. Tim Curry runs away with it though. A Must-watch film that should be on Blu-ray.
November 23, 2016
This movie is hilarious!
October 11, 2016
I loved this movie so much i named a cat Oscar not as joke love this move.
August 3, 2016
The movie kinda drags but has a lot of solid laughs.
Super Reviewer
July 30, 2016
I must admit I wasn't over keen on watching this after some poor reviews and the fact that it's a comedy film with Stallone but I must say I enjoyed it more than I should have, After a slow start the film kicks in with a story that leads into another story and another etc that are all interfering with Stallones day, It's not a laugh out loud comedy more of a gangsta family problem comedy, Stallone does well in his part and carries the film, As for the name of the film well he's not in it till the end and I don't know why they landed on Oscar as the title, It's clever and confusing in places, It's not as bad as you might think.
½ July 10, 2016
A fun, twisty, and overall well played out comedy that doesn't deserve the hate it's been getting. Stallone, by the way, was actually quite good!
May 22, 2016
This was funny. If you are unfamiliar with this type of performance - quick change - flip from one incident to the next, you won't enjoy it. Stallone was great as head of a crew of not terribly bright mobsters. He is believable as head of the family and the interaction between him and Tome is great.
October 3, 2015
Not really that funny. Tons of twists and caricature performances.
September 26, 2015
Light fun. Quick paced who's where. Similar to the same style as What's Up Doc? and others
½ September 20, 2015
Less of a movie and more of a three act play that was recorded by one of the actor's mothers. Still, you can't argue the performances are all in vain.
½ April 10, 2015
Much maligned when it was first released, Oscar is a throwback to the zany comedies of days past like Arsenic & Old Lace and Auntie Mame. A clever series of mixups and lies create comic fodder for Sly & company.
½ April 1, 2015
You can see the flaws but by the end you'll find you like this little comedy.
½ February 8, 2015
Boasting Sylester Stallone in a comedy role, Oscar sounded like a fun chance to see him working with John Landis

Oscar goes for the screwball comedy angle, and although it is able to grasp the style with a satirical edge and a sense of energy, the material itself is actually inconsistent in humour. In attempting to use the genre to parody a gangster concept, yet instead of being a smart satire or a clever use of an old but popular genre, Oscar ends up going for a PG angle with minimal swearing, slapstick and not even an attempt to follow its gangster themes up with anything which ensures that it ends up as a childish comedy. Even though John Landis is the director and he is the notorious creator of edgy comedies such as National Lampoon's Animal House and The Blues Brothers, Oscar is merely an overblown and inconsistent film which serves as the first example of his 1990's downfail.
As common with screwball comedy films, there are many characters in Oscar who all have different relationships which pile up to add comedic virtue. Unfortunately, in Oscar it ends up being too much to keep up with. There are so many characters, so many relationships and so many subplots that it just left me in a state of disbelief in attempting to comprehend it all. And while I laughed sporadically over the course of the film, as a whole I found the experience to be tame and juvenile in a way that really failed to match up to any of John Landis' superior works. His role in the production of the film was decent because his directorial work was stylish enough to give Oscar a certain visual flair, but the script itself does not match up to his level of expertise and so he is left with middling quality material to work with. His touch of style manages to be the only effective aspect of the film outside of the cast.
The cinematography in the film follows a classical style which matches the genre. It always takes conventional angles which give it a nostalgic look, and it works to the film's benefit by also capturing the beauty of the production design and scenery of Oscar's limited setting. The finely detailed setting of Oscar is emphasized very well with strong cinematography and cast members that interact with it easily in a manner to make the setting and the cultural context of the characters seem legitimate enough.
The musical score in Oscar is also key to establishing the themes of the genre. With a consistently lighthearted sense of silliness to it, Oscar has music which illuminates the mood appropriately. It has very nice composition and makes the atmosphere thoroughly giddy in Oscar. It is a lighthearted and silly film which is scared to break new ground or get creative, but as a tame film it has a certain level of effective style to it which gives it a sense of visual splendour. The experience is a nostalgic one for fans of the Screwball Comedy genre, and though it is not the creative throwback that The Coen Brothers' The Hudsucker Proxy was, it still remains a good looking film with the appropriate atmosphere and imagery for the genre at the expense of a valuable script.
The cast in Oscar manage to manage to mostly give it some level of life.
Sylvester Stallone's performance is decent. It isn't particularly funny, but he manages to keep up with the screwball comedy nature of the film by delivering his lines in a classical manner. In a satirical send up of his tough guy image, Sylvester Stallone takes on the lead role in Oscar by portraying a former gangster attempting to go straight in a role which fits the profile in its balance of being over the top and subtle at the same time. He acts out the role in a manner which seems physically legitimate though his line delivery goes for a more melodramatic angle. He's no Joe Pesci, but seeing the legendary action hero go for such a ridiculously stereotypical comedic archetype should hopefully please fans.
Marisa Tomei is not a good cast member in Oscar. Though her career was redeemed the following year when she won the Academy Award for Best Supporting Actress for My Cousin Vinny, Oscar is not a good front for her comic virtues. She plays an archetype so heavily that there is minimal creativity in what she can do with the role, and so all she does is complain the entire film which means that she gets unlikable fast. Considering that I have never found Marisa Tomei to be anything but likable in all her other films than Oscar, it is a good thing that she got this Golden Raspberry Award nominated performance out of the way before her later career.
Ornella Muti approaches her role in Oscar as if it were a soap opera which shows her going consistently over the top in the role. While much of the material around her is tame, Ornella Muti really pushes her energy into the role and it pays off because her over the top nature really establishes her character as a funny one while her Italian nationality makes her seem all the more legitimate. Ornella Muti is a strong casting decision in Oscar, and her consistent energy really lights things up.
Even though his screen time is very small, Tim Curry does his part. In once again portraying his stereotypical character of a comedic suit, Tim Curry makes himself a welcome presence in a gangster themed screwball comedy like Oscar. His awkward charm is good for his interactions with the surrounding cast and he fits the profile of his role easily. Tim Curry is fun to see on board.

But even though the cast is mostly a talented crew and John Landis' role as director ensures that Oscar is stylish in following its screwball comedy roots, but with the screenplay being so tame and scattered, the film is largely doomed from the start.
February 1, 2015
It's a spoof and a good one at that.
January 15, 2015
My favorite underrated movie. Love it. Completely don't see why it has such low critics rating.
½ December 20, 2014
I guess this movie fits in well with the Sly Stallone agenda. Stallone in a comedy is may seem odd, but it's good to have that odd time around just like when Action Legend Arnold Schwarzenegger played a hilarious role in 'Jingle All the Way.'

Stallone plays a dorky ex-mob boss whom, subsequent to his father's death, is on the verge of leading a life without the proper endeavours needed for business within the mob.

Stallone plays Angelo 'Snaps' Provolone. A mob boss who kept his word to his recently deceased father that he would leave his life in the mob behind and start over.
From this point onwards the screenplay is overfilled with spontaneous ideas to make the story appear good, and as silly as it can get it's still quite an enjoyable movie and reasonably funny. It wouldn't be one of the best comedies, but certainly not the worst. It's got lot of dialogue that keeps the comedy going, and with Stallone's accent it goes well for portraying a silly mob boss like Provolone.
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