Proof (1991)




Critic Consensus: No consensus yet.

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Movie Info

The story of a blind man's search for the ultimate truth.
R (N/A)
Comedy , Drama
Directed By:
Written By:
In Theaters:
Fine Line Features

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Hugo Weaving
as Martin
Heather Mitchell
as Martin's Mother
Jerry Jeff Walker
as Young Martin
Jeffrey Walker
as Young Martin
Saskia Post
as Waitress
Daniel Pollock
as Gary--the Punk
Belinda Davey
as Doctor
Cliff Ellen
as Cemetery Caretaker
Tania Uren
as Customer
Roy Edmunds
as 2nd Policeman
Suzanne Chapman
as Chemist girl
Angela Campbell
as High-heeled Woman
Carole Patullo
as Kiosk girl
as Bill the Dog
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Critic Reviews for Proof

All Critics (16) | Top Critics (4)

In this quietly compelling black comedy, Moorhouse employs artistic vision and camera craft to bring the hero's humming, hand-felt universe amazingly to light.

Full Review… | December 31, 1999
Washington Post
Top Critic

There are adroit little truths everywhere, touching on blindness, cruelty, loneliness, deception and love. Writer/director Jocelyn Moorhouse has a dynamic knack for psychological twists, and for suspense in the unlikeliest of places.

Full Review… | December 31, 1999
Washington Post
Top Critic

If there is a kind of movie I like better than any other, it is this kind, the close observation of particular lives, perhaps because it exploits so completely the cinema's potential for voyeurism.

Full Review… | December 31, 1999
Chicago Sun-Times
Top Critic

A touching, well acted melodrama

Full Review… | May 1, 2011

Moorhouse has written three full, rich characters who come vividly alive as acted by the excellent cast. Though the film is unabashedly unrealistic from the outset, it never for a moment feels contrived.

Full Review… | May 4, 2010
TV Guide

Moorhouse's debut examines how much our perception of 'the truth' is moulded by others and uses an intriguing and powerful premise to illustrate her point.

Full Review… | May 4, 2010

Audience Reviews for Proof

Highly improbable bit about a blind guy who takes pictures and then asks people to describe what's on the film so as a way to check on what really happened to him. Seems as if the poor bloke has trust issues and therein the major thrust of the piece: "who can you trust?" Hugo Weaving and Russell Crowe endeavor mightily to add some meat to this speculative presentation but it is Geneviève Picot as the maid, who is outside of the question, who could give a fuck, who is really the only real person in this head scratcher, and the only one who manages to keep your attention. Watch it to see her.

Kevin M. Williams
Kevin M. Williams

Super Reviewer


A well-scripted movie - one of many that I regret not to have watched before. "Proof" is the story of a blind man, but his worse handicap being his inability to trust anyone. When asked by his mother, why she would lie to him, he simply replies - "Because you can". It's fascinating how a simple few words can carry with it so much depth - and not just in the context of the movie; but in showing the kind of emotional insecurity an unsighted person has to live with everyday.

Sajin P A
Sajin P A

Super Reviewer


A beautiful, under-seen gem that features a regular outstanding performance from Russell Crowe, as well as one of Hugo Weaving's (perhaps the most under-appreciated actor of the last few decades or so) best turns. This is a pure character study film, focusing in on a cynical blind man (Weaving) who befriends a local restaurant worker (Crowe), and lets him in on his secret of taking pictures of everything he comes across and having that person give him a vivid picture of what it is he's captured. While it starts a little slow and takes some time to get into, this film shines brighter than I originally anticipated thanks to three terrific, fully fleshed out characters (the other being Geneviove Picot) who are consistently interesting and entirely unpredictable - which makes the film so hypnotizing. Weaving shines brightest amongst all, inhabiting a figure whose past is just utterly heartbreaking, and who doesn't hand out his trust very easily. The end of the film could have easily went against everything that made it so special, but instead it plays its cards rights and ends ideally.

Dan Schultz
Dan Schultz

Super Reviewer

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