The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
In a sense, Woody Allen lets himself off the hook by having his character hold back from adultery, and even seem the victim of Mia Farrow's character. But this is not a smug movie, and much the better for it.
Allen's conception of character is as banal and shallow as ever, but the lively performances of some of his actors and the novelty of the film's style make this more watchable than many of his features.
It doesn't suffer from the compulsive tidiness of some of Allen's later movies -- the juices are flowing, the hysteria is closer to the surface -- and in this looser, more volatile atmosphere his extraordinary cast gets to soar.
Too bad that the Allen-Farrow scandal erupted before this movie for it's one of Allen's best serio comedies with wonderful performances (particularly Judy Davis), but questions of life imitating art or art imitating life are inevitable while watching it
This is one of Woody Allen's best films to date, combining some of his finest serious writing about relationships, in the style of Hannah and her Sisters, with humor that's all the more effective thanks to its dark, edgy context.