Die Nibelungen: Siegfried (Siegfried's Death) (1924)
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as Volker von Alzey
as King Gunther
as Hagen Tronje
as Koenigin Ute
as Mime the Smith/Alberich
as Die Runenmagd
as Der Edelknabe
as Dietrich von Bern
as Koenig Etzel
as Ruediger von Bechlarn
Critic Reviews for Die Nibelungen: Siegfried (Siegfried's Death)
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The medium's every cog and wheel marshaled into a mammoth-production that nevertheless exudes a defiantly personal blend of fantasy and politics
In a period of film history that didn't want for extravagant epics, Die Nibelungen ranks among the greatest and strangest of all silents. Kino presents Lang's 1924 masterpiece in a stunning, 1080p upgrade.
Audience Reviews for Die Nibelungen: Siegfried (Siegfried's Death)
If you like The Lord of the Rings Trilogy, you may want to check out this German silent fantasy epic. Richard Wagner composed an opera cycle based on the same Medieval Norse epic poem. The costumes and sets are grandly operatic! Fritz Lang and his, then, wife, Thea von Harbou, split the tale into two parts. The script evidently is not an adaptation of Wagner's version, though. The word Nibelungen refers to a group of dwarves protecting a treasure. This first part, which is better than the second, contains a full-scale dragon puppet (not a miniature model), some dark animation, and plenty of fantasy magic effects. The hero, Siegfried, forges a magic sword and becomes invincible after slaying the dragon. However, he inherits a curse on the Nibelungen's treasure when he takes it. Siegfried finally arrives in the Kingdom of Gunther intending to marry Gunther's sister, Kriemheld. The duplicitous Gunther puts Siegfried through several challenges, but he and his one-eyed, winged-helmet wearing advisor Hagen of Tronje never trust Siegfried and eventually conspire to kill the hero. Thus, we are led to part two, Kriemheld's Revenge.
Before "The Lord of the Rings," before "Game of Thrones," came "Die Nibelungen," an overlooked masterwork from Fritz Lang-- certainly one of the most ambitious and creative directors of all time. The various episodic adventures that make up this grand tale are a ton of fun, particularly the great sequence near the start where Siegfried battles a dragon. Considering the time period, the gigantic animatronic is impressive, and Lang cleverly uses editing and various angles to ramp up the pace and excitement of the scene. There are countless other memorable moments, particularly Hagen's triumphant line: "The Hunt is Over." Great stuff. As a side note, the first part of this movie was infamously a favorite of Hitler's, who falsely read allegorical meaning into the story. Lang himself was horrified by the Nazi party and eventually fled Germany when he was offered the opportunity to direct propaganda films for them. Taken as its own film, Siegfried's end could be seen as tragic and martyr-like, but the powerful sequel completes the cycle and makes the true meaning clear.
lord of the rings of the silent era. a lavish production of the norse sagas filmed at ufa between 'dr mabuse' and 'metropolis'. siegfried slays a dragon, steals the dwarves' treasure and wins the hand of the fair kremhild...and this is only part one! interestingly all of lang's silent epics and early sound films were written by his then wife thea von harbou, who stayed behind in germany and joined the nazi party
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