Mademoiselle (1966) - Rotten Tomatoes

Mademoiselle (1966)

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AUDIENCE SCORE

Critic Consensus: No consensus yet.

Movie Info

In 1951, French writer Jean Genet presented a screenplay called "Les Rêves Interdits/L'Autre Versant du Rêve" to actress Anouk Aimée as a wedding gift. He then proceeded to sell the rights three times without telling her. Eventually the script was reworked by Marguerite Duras and filmed by British director Tony Richardson as Mademoiselle, with Jeanne Moreau in the title role. In its final form, Mademoiselle tells the story of a repressed schoolteacher who visits a veritable plague of deliberate "accidents" on the people of her rural French village. She sets fires, poisons animals, and causes floods -- all in a fit of thwarted passion for an immigrant woodcutter. Though Marlon Brando was originally set to play the role of the Italian craftsman, the part went to Ettore Manni when the production schedule shifted. Umberto Orsini plays Antonio, the woodcutter's forlorn son, whom Mademoiselle maliciously humiliates out of perverse desire for his father. A notoriously difficult shoot, Mademoiselle was filmed consecutively with The Sailor From Gibraltar, another collaboration between Richardson, Moreau, and Duras. As for Genet, he despised the casting of Moreau; nevertheless, she would go on to star in Querelle, another adaptation of the author's work. ~ Brian J. Dillard, Rovi

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Cast

Jeanne Moreau
as Mademoiselle
Jane Beretta
as Antonio
Mony Rey
as Vievotte
Paul Barge
as Young Policeman
Georges Douking
as The Priest
Gabriel Gobin
as Police Sergeant
Charles Lavialle
as Flood Farmer
Laure Paillette
as Milk Woman
Jean Gras
as Roger
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Critic Reviews for Mademoiselle

All Critics (3) | Top Critics (1)

Jeanne Moreau made a lot of seminal movies in the 1960's,but her feral contribution to Tony Richardson's Mademoiselle (1966) has acquired a deserved cult following all its own.

Full Review… | February 23, 2011
House Next Door

Audience Reviews for Mademoiselle

½

Considering "Mademoiselle" is a Tony Richardson film starring Jeanne Moreau in her iconic prime, this is a strangely forgotten project. Why it is buried? Well, it's in black and white, and its countryside scenes are begging to be shot in color. It also has some distasteful animal cruelty and an understated ending that defies mainstream expectations. And perhaps it's somewhat disorienting seeing a French-language film shot by a director whose other early works ("Look Back in Anger," "A Taste of Honey," "Tom Jones," "The Loneliness of the Long-Distance Runner) tended to be so intensely British in theme. In any case, "Mademoiselle" shouldn't be overlooked. Moreau plays the title character, a sexually repressed schoolteacher in a small, poor French village. For mysterious reasons, she is secretly setting fires, causing floods and committing other heinous crimes against her community. But her prejudiced neighbors instead suspect Manou (Ettore Manni), a Italian woodsman temporarily laboring in the nearby forest. His son Bruno (Keith Skinner) is equally disdained and even draws unfair abuse from "Mademoiselle" (her proper name is never given) during class. As the poor town's outrage grows, we come to understand Mademoiselle's twisted motive. Moreau was brilliant in these stone-faced, enigmatic roles, and this disturbing drama is another gem on her resumé.

Eric Broome
Eric Broome

Super Reviewer

½

Flawed, but interesting adaptation of Genet by Tony Richardson. Richardson seems to be a little in over his head with the material, but the screen presence of Jeanne Moreau and David Watkin's brilliant cinematography manage to make this an unforgettable viewing experience. The perversities and aberrance of the sociopath are disturbing but never explored deep enough to understand the allegory / metaphors at play. This experimental little gem of a movie has become a bit of a cult classic among art house cinema fans. I found it hard not to be pulled in from the opening shot of a vile woman opening the flood gates in her high heels shoes to the thud of the ending. And, I couldn't help but imagining The Stooges' "And, now I wanna be your dog" playing over an extended scene of erotic oddness. There are some very powerful cinematic moments to be found here.

Matty Stanfield
Matty Stanfield

a very subtle horror film with an excellent villainous turn by jeanne moreau

Stella Dallas
Stella Dallas

Super Reviewer

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