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Movie Info

Anne Vincent (Barbara Stanwyck) is not particularly excited when it comes to marriage, despite her long-running relationship with Dick Ives (James Rennie). Although Dick would love to put a ring on her finger, Anne thinks marriage would spell the end of their love affair. Her opinion changes when people start to gossip about their nontraditional liaison. Worried about their reputation, the pair get married, as convention dictates -- and that's when the trouble starts.

Cast & Crew

Barbara Stanwyck
Anne Vincent Ives
James Rennie
Richard `'Dick'` Ives II
Joan Blondell
Helen `'Duckie'` Childers
Ricardo Cortez
Price Baines
Natalie Moorhead
Marjorie `'Margie'` True
Claude Gillingwater
Richard Ives Sr.
Hazel Howell
Girl at the Bridal Shower
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Critic Reviews for Illicit

All Critics (1) | Rotten (1)

Audience Reviews for Illicit

  • May 28, 2017
    This film starts off strong enough, with Barbara Stanwyck playing James Rennie's lover and some charming early scenes. In a bit of a twist, she's the one not interested in marriage, as she believes it will destroy their happiness. It's clearly a pre-Code (and modern!) premise, and the baby-faced Stanwyck is adorable as she exclaims 'And we're both a riot in our underwear!' while talking about things they have in common. There are also some cute moments provided by their friend, a toper (Charles Butterworth), and when Stanwyck and Rennie are talking on the phone together. The film is not quite as good as it could have been, though, as the plot is predictable (they get married, and sure enough, they both cheat), and the conflicting emotions are not reflected well enough in any of the cast's acting. You have to give it credit for the premise though, and It's worth watching for Stanwyck and Butterworth.
    Antonius B Super Reviewer
  • Apr 11, 2012
    After allowing herself to be pressured into marriage, liberal society girl Stanwyck's fears of the "sacred institution" are realised. She and Rennie are a young couple with much affection for each other who shack up at the weekend unbeknownst to their society peers, or so they think. Butterworth, entertaining in the obligatory drunken buffoon role, informs them that tongues, and disapproving fingers, have begun to wag. Stanwyck is an independent girl and couldn't give two hoots what society thinks of her but Rennie is uneasy; "don't tell me you don't love the pussyfooting" she jokes. When Rennie's father turns up at their hotel room Stanwyck gives into his pressure to conform despite her belief that marriage will put a strain on the relationship. Of course her fears are affirmed as Rennie begins carousing with predatory blond Moorhead. Stanwyck has always been one of my favorite actresses and she's at her sultry best here, prowling around in figure-hugging backless gowns, an ass like a bag of panthers. She became known for playing strong women and in her formative years here she plays as independent a female as could have been represented at the time, standing up to society but ultimately broken by it. Archie Mayo is a forgotten director, wrongly in this writer's view. He directed one of my favorite thirties pictures "The Petrified Forest" where he made stars out of no less than Bette Davis and Humphrey Bogart. Despite the stagey nature of this script, he manages to inject some visual flair into the proceedings. The moment when Stanwyck realises she is being cheated on is handled effectively with a simple tracking shot into her expressive eyes. It's an early role for Joan Blondell too who doesn't get much to do save stand around looking cute, a task she's well up to. Ultimately the mores of it's time halt this movie from realising it's potential but I recommend it for fans of both Stanwyck and pre-coders.
    The Movie W Super Reviewer

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